Number Plate

Original sculpture. Signed/Numbered 5/8 copies. Silver plated bronze Acquired directly from the

. Original lithograph on paper. Hand-signed in pencil on plate. Numbered on the lower left corner. Edition of

Original sculpture signed/numbered 7/8. Silver plated bronze. Acquired directly from the artist

." (Gomez, Raw Vision #35, p. 36) “A Sculpture Framed by a Print” is plate number 32, and is reproduced in

Technique: Etching Paper: Fabriano Rosaspina 280gsm Size: 7.874 X 12.992 Markings: Signed & Numbered

a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those

. Numbered on the plate on the lower margin. Original title: Verzuckung Good conditions except for

." (Gomez, Raw Vision #35, p. 36) “Love Me” is plate number 13, and is reproduced in "The First Fifty

thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of

Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand

." (Gomez, Raw Vision #35, p. 36) “Birth Then?” is Plate Number 30, and is illustrated in "The First Fifty

." (Gomez, Raw Vision #35, p. 36) “Just Pure Honest Fun” is plate number 23, and is illustrated in "The

thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of

thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in

in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the

heirs. The bottom is double marked with PM&M in green as well as a gold number 107 which dates the

thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in

." (Gomez, Raw Vision #35, p. 36) “One Little Stage” is plate number 24, and is reproduced in "The First

." (Gomez, Raw Vision #35, p. 36) “Pillow Machine” is plate number 15, and is reproduced in "The First

." (Gomez, Raw Vision #35, p. 36) “Heritage” is plate number 25, and is reproduced in "The First Fifty

." (Gomez, Raw Vision #35, p. 36) “Together We Are” is plate number 27, and is reproduced in "The First

. 36) "Homage to Galileo" is plate number 3, and is reproduced in "The First Fifty Prints: Valton

. 36) "154 Foot Sculpture That Never Was" is Plate Number 38, and is reproduced in "The First Fifty

" is plate number 18, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca

France” and the serial number 047266 on the locking plate. The leather strap mounts read “Paris Louis

thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of

. 36) "Journey" is plate number 31, and is reproduced in "The First Fifty Prints: Valton Tyler" with

." (Gomez, Raw Vision #35, p. 36) "Environment Man" is plate number 4, and is reproduced in "The First

"Fournier" on the door escutcheons/lock plates with serial number '8613'. A.M.E Fournier was established by

." (Gomez, Raw Vision #35, p. 36) "Trapped" is plate number 10, and is reproduced in "The First Fifty

." (Gomez, Raw Vision #35, p. 36) “Just a Little Water Please” is plate number 28, and is reproduced in

. 36) "We’re All Here" is Plate Number 44, and is reproduced in "The First Fifty Prints: Valton Tyler

. 36) "Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler

." (Gomez, Raw Vision #35, page 36) "Fossil Ship" is Plate Number 42, and is reproduced in "The First Fifty

. 36) "Tippicanoe and Tyler Too" is plate number 46, and is reproduced in "The First Fifty Prints

." (Gomez, Raw Vision #35, p. 36) "Joy" is plate number 12, and is reproduced in "The First Fifty Prints

." (Gomez, Raw Vision #35, p. 36) “Music Box” is plate number 16, and is reproduced in "The First Fifty

." (Gomez, Raw Vision #35, p. 36) “Freezing Point” is plate number 49, and is reproduced in "The First

." (Gomez, Raw Vision #35, p. 36) “Stop Playing and Get to Work” is plate number 29, and is reproduced in

." (Gomez, Raw Vision #35, p. 36) "Still Life" is plate number 11, and is reproduced in "The First Fifty

." (Gomez, Raw Vision #35, p. 36) “World of Watermelons” is plate number 19, and is reproduced in "The

." (Gomez, Raw Vision #35, p. 36) “Night Shift” is plate number 22, and is reproduced in "The First Fifty

." (Gomez, Raw Vision #35, p. 36) “Avenue 11” is plate number 26, and is reproduced in "The First Fifty

." (Gomez, Raw Vision #35, p. 36) "Storage #2" is plate number 2, and is reproduced in "The First Fifty

." (Gomez, Raw Vision #35, p. 36) “Height Almost 34'” is plate number 14, and is reproduced in "The First

." (Gomez, Raw Vision #35, p. 36) "Tickle Me" is plate number 9, and is reproduced in "The First Fifty

." (Gomez, Raw Vision #35, p. 36) “Space Eagles” is plate number 45, and is reproduced in "The First

indicated on the present sheet. His oeuvre includes 560 numbered plates, of which ours is no. 389. Our

Modes"). Note: all 186 plates are present, numbered 1-184 with two unnumbered plates.

Unique signed/numbered 1/1 ex. Silver plated bronze. Acquired directly from the artist. Free

Unique signed/numbered 1/1 ex. Silver plated bronze. Acquired directly from the artist. Free

the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Alméry Lobel-Riche Cancan Dancer Handsigned original engraving Signature printed in the plate

in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those

in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the