Oscar Wilde

A very attractive collection of works from popular Irish poet and playwright, Oscar Wilde, edited

-stained ash veneer, celadon color Clear mirror The name of this piece has been chosen as a nod to Oscar

-stained ash veneer, celadon color Clear mirror The name of this piece has been chosen as a nod to Oscar

-stained ash veneer, celadon color Clear mirror The name of this piece has been chosen as a nod to Oscar

Artist

playwright Oscar Wilde (1854-1900) featuring a person looking out to the viewer, and two books by the notable

AUTHOR: WILDE, Oscar. TITLE: The Sphinx. PUBLISHER: London: Elkin Mathews & John Lane at The

A life-sized glazed terracotta male bust, unsigned. The hair gives a slight resemblance to Oscar

photographic interpretation of the Oscar Wilde novel, drawing influence from Wilde’s themes of luxuriousness

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé

1894 for the "Salome" by Oscar Wilde Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an

artist in 1894 for the "Salome" by Oscar Wilde Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898

. "A well-tied tie is the first serious step in life." -Oscar Wilde. Brown and Church was established

luxury emporium described by Oscar Wilde as "the chosen resort of the artistic shopper". The mugs are

Morrison, Oscar Wilde, Frederic Chopin and Édith Piaf. This oil painting is on stretched linen, and

movement which also included Oscar Wilde and James McNeill Whistler.  

Stained glass trilogy Depicting Christ shining a torch after a quote from Oscar Wilde ‘Religion

The relative seclusion of the famous Pere Lachaise cemetery in Paris (the resting place for Oscar

Salomé is an original modern rare book, a versione of Oscar Wilde's Salomé illustrated by Alastair

of Dorian Gray's affection and obsession in Oscar Wilde's novel The Picture of Dorian Gray. The

the hand is written “Study for the Rings on Dorian Gray’s Hand”. In Oscar Wilde’s novel The Picture of

, Goethe, Victor Hugo, and Oscar Wilde among others. Dimensions Height: 36.5 cm/14.5 in. Width: 45.25

circle of Edvard Munch, August Strindberg and Oscar Wilde. From 1906 in Berlin.

Art Director Richard Binns of the Kerr Binns era encouraged Japanese style designs championed by Oscar

Dorian Gray in Oscar Wilde's novel The Picture of Dorian Gray. Wearing a sleek black leather suit with

of Oscar Wilde. Beardsley’s feelings clearly prelude to the sensitivity of the twentieth century: the

influential in theater environments at the time of Oscar Wilde. Beardsley’s feelings clearly prelude to the

. All catalogs have gilt edges. This is an extensive lifetime collection with a focus on books by Oscar

leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler

leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler

leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler

image handwritten text reads "DORIAN GRAY AT OPIUM DEN". In Oscar Wilde's novel Dorian Gray keeps opium

environments at the time of Oscar Wilde. Beardsley’s feelings clearly prelude to the sensitivity of the

Oscar Wilde. Beardsley’s feelings clearly prelude to the sensitivity of the twentieth century: the comic

illustrator, writer and painter, rather influential in theater environments at the time of Oscar Wilde

environments at the time of Oscar Wilde. Beardsley’s feelings clearly prelude to the sensitivity of the

painter, rather influential in theater environments at the time of Oscar Wilde. Beardsley’s feelings

in theater environments at the time of Oscar Wilde. Beardsley’s feelings clearly prelude to the

painter, rather influential in theater environments at the time of Oscar Wilde. Beardsley’s feelings

painter, rather influential in theater environments at the time of Oscar Wilde. Beardsley’s feelings

influential in theater environments at the time of Oscar Wilde. Beardsley’s feelings clearly prelude to the

influential in theater environments at the time of Oscar Wilde. Beardsley’s feelings clearly prelude to the

painter, rather influential in theater environments at the time of Oscar Wilde. Beardsley’s feelings

in theater environments at the time of Oscar Wilde. Beardsley’s feelings clearly prelude to the

English illustrator, writer and painter, rather influential in theater environments at the time of Oscar

environments at the time of Oscar Wilde. Beardsley’s feelings clearly prelude to the sensitivity of the

Oscar Wilde. Beardsley’s feelings clearly prelude to the sensitivity of the twentieth century: the comic

which also included Oscar Wilde and James A. McNeill Whistler. Beardsley's contribution to the