Nice - Side Tables

Contemporary Black Stool in Iroko Wood, Senufo by Arno Declercq Material: Iroko Wood and Burned Steel Dimensions: Dimensions: 50 cm H x 30 cm W Made by hand, in Belgium. Ar...

A 19th century Louis XV style French two-drawer side table, or night stand with inlaid marquetry veneers of walnut and mahogany. Cast bronze hardware. Nice proportions with curved co...

Remarkable mid-century coffee table designed by Robert Guillerme and Jacques Chambron — founders of the “Votre Maison” workshop — featuring a solid oak base and a top adorned with gl...

Tiled Side Table by Guillerme et Chambron Dimensions: 29"d x 16"h Designer: Guillerme et Chambron Material: Oak and Ceramic France, c1960s VNT1653

This elegant 19th-century French bistro table combines timeless design with functional sophistication. Featuring a beautifully aged Carrara marble top, the table exudes refinement wi...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

This 19th-century French marble-top bistro table is a striking example of both craftsmanship and functional design. The rectangular top, made from white marble, boasts a smooth surfa...

A pair of end tables in oak by Guillerme & Chambron, a very atypical design that rests on asymmetrical legs.

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Unique round vintage side table from France in solid oak. Made by anonymous designer, c. 1970s . Wear constant with age and use including marks, scratches.

The objects presented pay tribute to the material itself in a very concise and geometric way. Marble carries not only the idea of luxury and exclusivity, but prides itself to convey historical values and notions of technical achievements that are part of a long-lasting tradition. "Marmo Domestico, collection n°1 presents a range of domestic objects designed by Thevoz — Choquet. This collection aims to re(use) excess parts of industrially salvaged...