Pinecone Finials

hoofed feet, while highly detailed foliate scrolls chase the marble forms. Crowned by a pinecone finial

, a covered top with a charming pinecone finial, and two substantial side handles, enhancing its

leaf motifs encircling the tapered base. The removable lids are crowned with traditional pinecone

decorative pinecone finial, a traditional neoclassical motif symbolizing prosperity and hospitality. The warm

and pinecone finials. Each vase is supported by a stepped ormolu base adorned with laurel wreaths and

unique tree trunk and pinecone finial, adding a whimsical touch to its design. It measures approximately

striking pinecone finial. Gracefully arching from the porphyry necks, the twin handles are artfully shaped

vase is capped by a blue lid with a gilded pinecone finial. Of an unusual design, these vases would

silver antiques. A dainty pinecone finial is hanging from the base of each vase body. The vases are

flowers, holds a large alabaster bowl, underneath centered with a pinecone finial. The chandelier is hung

are crowned with pinecone finials. The interiors of the jugs are gilded, creating a wonderful contrast

faux bamboo legs joined by a refined mahogany X-stretcher with a central pinecone finial. The balance

acanthus leaf supports, and each item of the pair terminates in a pinecone finial. Extensive foliate and

late nineteenth century in superb Sèvres style. With gilt pinecone finials and covers, these pieces are

navy coloured and decorated with gilding, porcelain ‘jewels’ and a gilt bronze (ormolu) pinecone finial

, the lamps are crowned with stately pinecone finials, reflecting the elegant proportions and botanical

domed lids decorated with further gilt designs, and surmounted by an ormolu pinecone finial. The

pinecone finial. The vessel is surrounded by an ovate border embellished with bead and reel, an oval floret

holder with a wide drip pan and finely beaded edging. The ensemble is crowned with a distinctive pinecone

baskets. A gilt bronze pinecone finial is mounted onto the underside of the canopy. Six gilt bronze chains

by a ‘bleu celeste’ porcelain lid. Four gilt bronze pinecone finials cap the corners of the clock

, surmounted by a finely cast bronze pinecone finial, and is fitted with two side handles that complement the

ceiling rose featuring leaf decoration. The lower section is elegantly finished with a pinecone finial

rosettes in high relief, ending in upright posts capped by stylized pinecone finials—another neoclassical

. Both the necks and feet are splayed, and each vase is topped by a domed lid with a pinecone finial

the chandelier. The lower portion of the globe is finished with a gilt bronze pinecone finial

egg and dart. There is also a bronze pinecone finial and acanthus leaf cup that rises from a cluster

by outward-pointing pinecone finials and laurel branches. The stepped tabletop has scalloped corners

topped with an ornate lid finished with gilt pinecone finials. The necks and bases are set against a deep

pinecone finials, a motif widely associated with classical architecture and ornamental design. At the base

. FInished with gilt brass pinecone finial, introducing the antiquity, a classical motif symbolises

surmounted by a domed lid, finished with an ornate ormolu pinecone finial that adds height and a regal

bar, which terminates in pinecone finials. Widely regarded as symbols of strength and courage

pinecone finial. Resting on porcelain plinths adorned with additional gilt details, the vases also

. The lids on each vase are decorated in similar gilt ornamentation and topped by a later pinecone

bronze pinecone finial, completing the symmetrical structure. The chandelier is suspended from a

vases of baluster form, the domed covers surmounted by a pinecone finial, the front with painted scenes

triangular body, topped by a classical urn, which is crowned by a pinecone finial and draped with swags. At

be attached to the top, creating an ambient surrounding. A pinecone finial, originally mounted on top

finely cast bronze pinecone finial, and the urn rests on a tapered octagonal footed base richly

further sculptural refinement, culminating in a carved pinecone finial that reinforces the chandelier’s

surmounted with a foliate-cast pinecone finial. Each lamp features a central tapered baluster shaft with

palmettes arranged symmetrically around the base. At the center hangs a cast pinecone finial surrounded by a

central gilt bronze terminal in the form of a pinecone finial. The body of the chandelier is richly

triangular body, topped by a classical urn, which is crowned by a pinecone finial and draped with swags. At

, ornamented with acanthus leaves, ends in a pinecone finial. The chandelier is suspended by four linked chains

terminates in a pinecone finial with additional foliate relief details. The chandelier features six

of villagers in dance before a cottage and is surmounted by an acorn or pinecone finial of finely

carries a laurel garland, from which hang two detailed pinecone finials. Below them, architectural

finely modelled pinecone finial, highlighted with delicate gilded accents. Below, a band of gadrooning

Napoleon’s triumph. Surmounting both pieces is an ormolu pinecone finial. The main bodies are hand-painted

. Loosely of baluster form and surmounted by a pinecone finial, this sensational ware is adorned with

pinecone finial enabling the user to lift them. The raised ormolu plinth supported on four acanthus leaf

pinecone finials. Their glass bodies are incised with floral patterns and mounted with bands of gilt bronze

porcelain lid with a pinecone finial. The central vase is mounted to the front with a circular clock

near the cover. The cover is cast with radiating fluting and surmounted by a pinecone finial. The neck

four gilded pillars, each topped with pinecone finials and connected by festooned swags. At the heart