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Ramos De Azevedo

Brazilian Rosewood Sofa by Liceu De Artes e Officios, Midcentury
By Liceu de Artes e Ofícios
Located in New York, NY
completely the proposal, really becoming a school of craftsmanship, occupying a building design by Ramos de
Category

Vintage 1950s Brazilian Mid-Century Modern Sofas

Materials

Leather, Rosewood

Pair of Brazilian Rosewood Armchair by Liceu De Artes e Officios, Midcentury
By Liceu de Artes e Ofícios
Located in New York, NY
completely the proposal, really becoming a school of craftsmanship, occupying a building design by Ramos de
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Vintage 1950s Brazilian Mid-Century Modern Armchairs

Materials

Leather, Rosewood

Minimalist Daybed, Liceu de Artes e Ofícios, Brazilian Mid-Century Modern
By Liceu de Artes e Ofícios
Located in Sao Paulo, SP
. Under the direction of architect Francisco de Paula Ramos de Azevedo in the 1890s, the Liceu de Artes e
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Mid-20th Century Brazilian Mid-Century Modern Daybeds

Materials

Fabric, Hardwood

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Recent Sales

Brazilian Rosewood Sofa by Liceu De Artes e Officios, Midcentury
By Liceu de Artes e Ofícios
Located in New York, NY
completely the proposal, really becoming a school of craftsmanship, occupying a building design by Ramos de
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Vintage 1950s Brazilian Mid-Century Modern Sofas

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Leather, Rosewood

Brazilian Rosewood Lounge Chairs by Liceu de Artes e Officios, Midcentury
By Liceu de Artes e Ofícios
Located in New York, NY
design by Ramos de Azevedo and been directly also by him. The teaching models become to follow the
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Vintage 1950s Brazilian Mid-Century Modern Armchairs

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Two Lounge Chairs by Liceu de Artes e Ofícios in Jacaranda, 1950s, Brazil
By Liceu de Artes e Ofícios
Located in Amsterdam, NL
became a school of true craftsmanship under the leadership of Ramos de Azevedo. De Azevedo was a famous
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Vintage 1950s Brazilian Mid-Century Modern Lounge Chairs

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Cotton, Jacaranda

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Liceu de Artes e Ofícios for sale on 1stDibs

In 1873, a group of wealthy coffee merchants established the Liceu de Artes e Ofícios with the stated aim of supporting future industrialization efforts in Brazil. Seven years later, it became a fully integrated school. For over a century, it has trained the public in fields of agriculture, industry, trade, crafts, the arts and design, including furniture design, leading to the production of incredibly rare student-designed pieces still sought after today. 

Borrowing its model from similar European institutions, the Liceu de Artes e Ofícios built upon methods and curricula popular at the time to instruct and train economically disadvantaged locals. In the hopes of making Brazil’s industries more competitive, the school involved eminent volunteers, including two of its directors, Brazilian architects Bettencourt da Silva and Ramos de Azevedo. At times, the school used its own exceptionally talented students as teachers when volunteers were scarce.

The Sociedade Propagadora das Belas Artes maintained the school in a building designed by Ramos in São Paulo. Ramos’s work also included notable buildings such as the Theatro Municipal de São Paulo and the Palácio das Indústrias. The school has provided furnishings for a range of hotels, like the Manaus Tropical Hotel, as well as the Cumbica International Airport.

On 1stDibs find a collection of Liceu de Artes e Ofícios seating, tables and more.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

On the Origins of brazilian

More often than not, vintage mid-century Brazilian furniture designs, with their gleaming wood, soft leathers and inviting shapes, share a sensuous, unique quality that distinguishes them from the more rectilinear output of American and Scandinavian makers of the same era.

Commencing in the 1940s and '50s, a group of architects and designers transformed the local cultural landscape in Brazil, merging the modernist vernacular popular in Europe and the United States with the South American country's traditional techniques and indigenous materials.

Key mid-century influencers on Brazilian furniture design include natives Oscar NiemeyerSergio Rodrigues and José Zanine Caldas as well as such European immigrants as Joaquim TenreiroJean Gillon and Jorge Zalszupin. These creators frequently collaborated; for instance, Niemeyer, an internationally acclaimed architect, commissioned many of them to furnish his residential and institutional buildings.

The popularity of Brazilian modern furniture has made household names of these designers and other greats. Their particular brand of modernism is characterized by an émigré point of view (some were Lithuanian, German, Polish, Ukrainian, Portuguese, and Italian), a preference for highly figured indigenous Brazilian woods, a reverence for nature as an inspiration and an atelier or small-production mentality.

Hallmarks of Brazilian mid-century design include smooth, sculptural forms and the use of native woods like rosewoodjacaranda and pequi. The work of designers today exhibits many of the same qualities, though with a marked interest in exploring new materials (witness the Campana Brothers' stuffed-animal chairs) and an emphasis on looking inward rather than to other countries for inspiration.

Find a collection of vintage Brazilian furniture on 1stDibs that includes chairssofastables and more.

Finding the Right seating for You

With entire areas of our homes reserved for “sitting rooms,” the value of quality antique and vintage seating cannot be overstated.

Fortunately, the design of side chairs, armchairs and other lounge furniture — since what were, quite literally, the early perches of our ancestors — has evolved considerably.

Among the earliest standard seating furniture were stools. Egyptian stools, for example, designed for one person with no seat back, were x-shaped and typically folded to be tucked away. These rudimentary chairs informed the design of Greek and Roman stools, all of which were a long way from Sori Yanagi's Butterfly stool or Alvar Aalto's Stool 60. In the 18th century and earlier, seats with backs and armrests were largely reserved for high nobility.

The seating of today is more inclusive but the style and placement of chairs can still make a statement. Antique desk chairs and armchairs designed in the style of Louis XV, which eventually included painted furniture and were often made of rare woods, feature prominently curved legs as well as Chinese themes and varied ornaments. Much like the thrones of fairy tales and the regency, elegant lounges crafted in the Louis XV style convey wealth and prestige. In the kitchen, the dining chair placed at the head of the table is typically reserved for the head of the household or a revered guest.

Of course, with luxurious vintage or antique furnishings, every chair can seem like the best seat in the house. Whether your preference is stretching out on a plush sofa, such as the Serpentine, designed by Vladimir Kagan, or cozying up in a vintage wingback chair, there is likely to be a comfy classic or contemporary gem for you on 1stDibs.

With respect to the latest obsessions in design, cane seating has been cropping up everywhere, from sleek armchairs to lounge chairs, while bouclé fabric, a staple of modern furniture design, can be seen in mid-century modern, Scandinavian modern and Hollywood Regency furniture styles.

Admirers of the sophisticated craftsmanship and dark woods frequently associated with mid-century modern seating can find timeless furnishings in our expansive collection of lounge chairs, dining chairs and other items — whether they’re vintage editions or alluring official reproductions of iconic designs from the likes of Hans Wegner or from Charles and Ray Eames. Shop our inventory of Egg chairs, designed in 1958 by Arne Jacobsen, the Florence Knoll lounge chair and more.

No matter your style, the collection of unique chairs, sofas and other seating on 1stDibs is surely worthy of a standing ovation.