Red Crayon

, glued and mounted on original white plastic base. Signed and numbered 18/75 in red crayon. Printed and

Postmodern red Crayon table lamp designed by Michel Aroutcheff Ed. Vilac France 1980s Neon light

Red crayon on cream laid paper, 3 3/4 x 4 inches (95 x 102 mm) ; 3 3/4 x 3 1/8 inches (95 x 80 mm

Artist stamp, monogrammed 'W.J.', titled in pencil and numbered in red crayon on mount verso.

Artist stamp, monogrammed 'W.J.', titled in pencil and numbered in red crayon on back of mount.

Artist stamp, monogrammed 'W.J.', titled in pencil and numbered in red crayon on back of mount.

Red crayon on brown light-wove paper, 6 3/4 x 4 3/4 inches (172 x 121 mm). Light toning and

A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower

antiquity which was illustrated as with this lithograph which is monogrammed in red crayon, probably

black gouache. On buff Velin Arches mould-made paper Signed with initials and dated 1980 in red crayon

signed in pencil, dated in red crayon and signed with the artist's inky fingerprint on the reverse

signed in pencil, dated in red crayon and signed with the artist's inky fingerprint on the reverse

Photograph, signed and numbered in red crayon Edition: 12 Image Size: 22 x 22 inches Size: 24 in. x 24 in

Signed in pencil on front of mount with Portfolio One stamp and numbering in red crayon on back

Color lithograph, 1963. Signed by the artist in red crayon, lower right. Published by Éditions

Soft-ground etching printed in black, 1979. Signed and dated in red crayon, numbered from the

Photograph, signed and numbered in red crayon Edition: 12 Image Size: 22 x 22 inches Size: 24 in. x 24 in

An 18th century Florentine study of a head, circa 1700 Red crayon on light-weight laid paper with

. Each signed, dated and inscribed "AP" in red crayon, lower center. Printed and published by Petersburg

An elegant 18th-century red crayon drawing depicting a muscular male arm grasping a staff, executed

One of a kind melted crayon Emmy award covered in resin with wood frame by Mauro Oliveira

"6" in the lower left corner. Portfolio Two stamp with print #6 and set #A in red crayon, along with

"11" in the lower left corner. Portfolio Two stamp with print #11 and set #A in red crayon, along with

/CCC in red crayon. With the blind stamp of the publisher/printer Edition Poligrafa Barcelona at the

Portfolio One stamp and numbering in red crayon on the back of the mount. This print comes from Anne Adams

engagement with theatrical design. The poster is initialed by the artist in red crayon beneath the lower

artist with initials and dated 1980 lower center in red crayon; numbered lower left in red crayon. Soft

cm 40 1/8 x 40 1/8 in signed, numbered and dated in red crayon Oisin Byrne (b.1983) is an Irish

second ring road runs through. The work is signed with red crayon on lower left margin: Charles W

in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache

vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely

vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely

vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely

vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely

vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely

vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely

Country Path with Red Roofs by Georges Manzana Pissarro (1871-1961) Coloured crayon, pencil and

, red and black crayons Image size: 19.25 x 15.375 inches Frame size: 30 x 25 1/2 inches Signed with the

vividly remember the very first time I was able to wield colour with a red crayon. As a painter, I acutely

Signed, numbered and dated '79 in red crayon, lower centre Published by Petersburg Press Exhibition

originally marked with foil labels, but some pieces have model/shape numbers handwritten in red crayons

paper Signed, numbered and dated '79 in red crayon, lower centre Published by Petersburg Press

is painted a deep, aged red, and reads, “Le Célèbre Crayon” and “104 de Baignol & Farjon”. This piece

A large scale abstract interior scene with bold black, white, red, pink, green, white and orange

a method known as "sanguine" (red chalk paint) which is red crayon or chalk. The drawing has a blood

tracing paper 41 x 30 cm Signed in red crayon lower right. A smart architectural design to improve famed

acrylic, paintstik on canvas painting can be hung vertically or horizontally Thomas uses large gestural drawings to create energetic abstractions. The layered process of his pieces ...

medium: oil stick and acrylic on aluminum Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her na...

: Hand signed in red crayon by the artist Printer: Verneau, Paris Condition: Very Good Frame

signed in red crayon by the artist Printer: Verneau, Paris Condition: Very good Frame: Framed in

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

1800s and often worked in red and black chalk or crayon, depicting everyday life with quiet elegance

exploration of color, using the armature of Froot Loops’ three primary and three secondary colors, red, orange

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

red crayon lower right. Louis Osman's proposal for the post-war, post-bombing redevelopment of St

Signed and dated in red crayon lower right. Details from Louis Osman's proposal for the post-war, post

red crayon lower right. Louis Osman's proposal for the post-war, post-bombing redevelopment of St