Howard Hodgkin Etching

HOWARD HODGKIN DH in Hollywood, 1979–1985 Soft-ground etching printed in black, with hand colouring in orange-red, brown, and green watercolour and red and blue oil pastel , on off...

HOWARD HODGKIN DH in Hollywood, 1979–1985 Soft-ground etching printed in black, with hand colouring in orange-red, brown, and green watercolour and red and blue oil pastel , on off-...

Etching with aquatint and carborundum printed in colours, with hand-colouring. Signed and dated in pencil, a numbered printer's proof aside from the edition of 50. Printed on handma...

Etching with aquatint and hand-colouring. Signed with initials, dated and numbered from the edition of 60 in pencil. Printed on Two Rivers handmade cotton paper by the 107 Workshop...

Etching with aquatint and carborundum in colours, with hand-colouring. From 'Venetian Views'. Signed and dated in pencil. Inscribed 'proof', a proof aside from the edition of 60. ...

Signed with initials in pencil, dated and numbered from the edition of 55. Printed on Two Rivers Cotton paper by Jack Shirreff, 107 workshop, Wiltshire. Published by Alan Cristea Gal...

HOWARD HODGKIN You Again, 2000-02 Lift-ground etching with aquatint and carborundum printed in shades of green, apricot and vermillion with hand-colouring in carbon black acrylic, ...

HOWARD HODGKIN David’s Pool at Night, 1979-1985 Soft-ground etching with aquatint printed in black with hand-colouring in black ink, on white Hahnemühle mould-made paper Signed, dat...

HOWARD HODGKIN David’s Pool at Night, 1979-1985 Soft-ground etching with aquatint printed in black with hand-colouring in black ink, on white Hahnemühle mould-made paper Signed, dat...

Etching and aquatint with carborundum and hand-colouring in tempera. Signed and dated in pencil, numbered from the edition of 100. Printed on TH Saunders NOT paper by 107 Workshop, ...

HOWARD HODGKIN The way we live now, 1990 The book comprising six lift-ground etchings and aquatints with hand-colouring in egg tempera On cream Fabriano Ingres Avorio paper Signed b...

Untitled (Landscape), 1996/1997 Howard Hodgkin Lift-ground etching with aquatint printed in ultramarine blue, with hand-colouring in green and raw Sienna acrylic, on Aquarelle Arche...

HOWARD HODGKIN Untitled (Landscape), 1996/1997 Lift-ground etching with aquatint printed in ultramarine blue, with hand-colouring in green and raw Sienna acrylic, on Aquarelle Arches...

HOWARD HODGKIN Untitled (Morris Car), 1996/1997 Lift-ground etching with aquatint printed in ultramarine blue, with hand-colouring in cadmium orange, bone-black and green acrylic, on...

Howard Hodgkin Put Out More Flags, 1992 Lift-ground etching and aquatint from one copper plate, with carborundum from three aluminium plates, printed in black and three shades of gr...

Etching with aquatint and carborundum printed in colours, with hand-colouring, 1997-98. Signed and dated in pencil, a numbered in Roman numerals from the edition of 35. Printed on ...

Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper.

Howard Hodgkin (1932-2017) was a renowned British painter and printmaker and an acclaimed figure of twentieth-century abstraction.

Lift-ground etching, aquatint, carborundum and hand-colouring. Signed and dated in pencil, numbered from the edition of 75. Commissioned by the Modern Art Museum of Fort Worth, Texa...

Carborundum etching on paper Published by the Metropolitan Museum of Art Exhibition History: 'Graphics Drawings and Small Works', Bernard Jacobson Gallery, London, 1 - 23 December 20...

Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Prints I Published', Bernard Jacobson Gallery...

Artist: Howard Hodgkin, British (1932 - ) Title: Eye Year: 2000 Medium: Carborundum Etching, Signed and numbered in pencil Edition: 34/40 Size: 11 x 12.75 in. (27.94 x 32.39 cm) Fr...

Etching and aquatint with carborundum and hand-colouring in tempera. Signed and dated in pencil, numbered from the edition of 100. Printed on TH Saunders NOT paper by 107 Workshop, ...

color etching and aquatint with hand-coloring. The lower left has a notation in pencil "for Aldo". The middle lower edge has a notation in pencil "PP2, HH, 85". PP, apart from an e...

Signed with initials and dated in pencil, numbered from the edition of 80. Printed on handmade Two Rivers cotton paper by the 107 Workshop, Wiltshire. Published by Mezzanine Gallery,...

Etching, aquatint and carborundum printed in colours with hand-colouring, 1997. Signed and dated in pencil, numbered from the edition of 80. Printed on Two Rivers paper at the 107 ...

Etching, aquatint and carborundum printed in colours with hand-colouring, 1997. Signed and dated in pencil, numbered from the edition of 80. Printed on Two Rivers paper at the 107 ...

Soft-ground etching and aquatint from one copper plate (drawn by the artist in 1979) printed in green, with hand colouring in blue ink. On white Hahnemühle mould-made paper Printed f...

Etching with aquatint and carborundum in colours, with hand-colouring, 1995. From 'Venetian Views'. Signed and dated in pencil. Inscribed 'AP', an artist's proof aside from the editi...

Soft-ground etching and aquatint from one copper plate (drawn by the artist in 1979) printed in black, with hand colouring in black ink. On white Hahnemühle mould-made paper Printed ...

Initialled and dated in pencil, numbered from the edition of 75 (there were also 25 artist's proofs). Printed by Jack Shirreff at the 107 Workshop, Wiltshire. Commissioned and publi...

Liesbeth Heenk, Howard Hodgkin Prints: A Catalogue Raisonné, Thames and Hudson, London 2003, no. 58 illustrated.

Liesbeth Heenk, Howard Hodgkin Prints: A Catalogue Raisonné, Thames and Hudson, London 2003, no. 58 illustrated.

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin.

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin.

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin.

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin.

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin.

Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and ...

While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.

Howard Hodgkin was introduced to the etching technique used in After Lunch at Petersburg Press, where this print was produced, and where he would become a long-time collaborator.

Howard Hodgkin was introduced to the etching technique used in After Lunch at Petersburg Press, where this print was produced, and where he would become a long-time collaborator.

While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.

While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.

Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg ...

Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper.

The artist used six colors of paint, producing a unique depth and texture to each print in this edition. Howard Hodgkin was introduced to the etching technique used in DH in Hollyw...

Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become...

While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.

Howard Hodgkin was introduced to the etching technique used in After Lunch at Petersburg Press, where this print was produced, and where he would become a long-time collaborator.

Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg ...

Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg ...

Howard Hodgkin Foreign Garden, 2015-16 Hand-painted carborundum relief print 13 x 17 1/2 ed. 30 Framed according to the artist's specifications