Howard Hodgkin Etching

HOWARD HODGKIN DH in Hollywood, 1979–1985 Soft-ground etching printed in black, with hand

HOWARD HODGKIN DH in Hollywood, 1979–1985 Soft-ground etching printed in black, with hand colouring

Etching with aquatint and carborundum printed in colours, with hand-colouring. Signed and dated in

Etching with aquatint and hand-colouring. Signed with initials, dated and numbered from the

Etching with aquatint and carborundum in colours, with hand-colouring. From 'Venetian Views

Signed with initials in pencil, dated and numbered from the edition of 55. Printed on Two Rivers Cotton paper by Jack Shirreff, 107 workshop, Wiltshire. Published by Alan Cristea Gal...

HOWARD HODGKIN You Again, 2000-02 Lift-ground etching with aquatint and carborundum printed in

HOWARD HODGKIN David’s Pool at Night, 1979-1985 Soft-ground etching with aquatint printed in black

HOWARD HODGKIN David’s Pool at Night, 1979-1985 Soft-ground etching with aquatint printed in black

Etching and aquatint with carborundum and hand-colouring in tempera. Signed and dated in pencil

HOWARD HODGKIN The way we live now, 1990 The book comprising six lift-ground etchings and

Untitled (Landscape), 1996/1997 Howard Hodgkin Lift-ground etching with aquatint printed in

HOWARD HODGKIN Untitled (Landscape), 1996/1997 Lift-ground etching with aquatint printed in

HOWARD HODGKIN Untitled (Morris Car), 1996/1997 Lift-ground etching with aquatint printed in

Howard Hodgkin Put Out More Flags, 1992 Lift-ground etching and aquatint from one copper plate

Etching with aquatint and carborundum printed in colours, with hand-colouring, 1997-98. Signed and

. / 76.2 x 101.5 cm. Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on

Howard Hodgkin (1932-2017) was a renowned British painter and printmaker and an acclaimed figure of

Lift-ground etching, aquatint, carborundum and hand-colouring. Signed and dated in pencil, numbered

: 'Graphics Drawings and Small Works', Bernard Jacobson Gallery, London, 1 - 23 December 2005 'Howard Hodgkin

, lower left Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Views. An Exhibition

Artist: Howard Hodgkin, British (1932 - ) Title: Eye Year: 2000 Medium: Carborundum Etching, Signed

Etching and aquatint with carborundum and hand-colouring in tempera. Signed and dated in pencil

color etching and aquatint with hand-coloring. The lower left has a notation in pencil "for Aldo

Signed with initials and dated in pencil, numbered from the edition of 80. Printed on handmade Two Rivers cotton paper by the 107 Workshop, Wiltshire. Published by Mezzanine Gallery,...

Etching, aquatint and carborundum printed in colours with hand-colouring, 1997. Signed and dated

Etching, aquatint and carborundum printed in colours with hand-colouring, 1997. Signed and dated

Soft-ground etching and aquatint from one copper plate (drawn by the artist in 1979) printed in

Initialled and dated in pencil, numbered from the edition of 75 (there were also 25 artist's proofs). Printed by Jack Shirreff at the 107 Workshop, Wiltshire. Commissioned and publi...

Etching with aquatint and carborundum in colours, with hand-colouring, 1995. From 'Venetian Views

Soft-ground etching and aquatint from one copper plate (drawn by the artist in 1979) printed in

, Howard Hodgkin: Prints 1977 to 1983, Tate Gallery, London 1985, no. 28 illustrated. Liesbeth Heenk

, Howard Hodgkin: Prints 1977 to 1983, Tate Gallery, London 1985, no. 28 illustrated. Liesbeth Heenk

on Stoneridge mould-made etching paper. Edition of 100. Howard Hodgkin was introduced to the etching

on Stoneridge mould-made etching paper. Edition of 100. Howard Hodgkin was introduced to the etching

on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching

on Stoneridge mould-made etching paper. Edition of 100. Howard Hodgkin was introduced to the etching

on Stoneridge mould-made etching paper. Edition of 100. Howard Hodgkin was introduced to the etching

model. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and

pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of

coloring in this print.. Howard Hodgkin was introduced to the etching technique used in After Lunch at

coloring in this print.. Howard Hodgkin was introduced to the etching technique used in After Lunch at

pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of

pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of

painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and

Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36

unique depth and texture to each print in this edition. Howard Hodgkin was introduced to the etching

Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at

pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of

. Howard Hodgkin was introduced to the etching technique used in After Lunch at Petersburg Press, where

painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and

painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and

Howard Hodgkin Foreign Garden, 2015-16 Hand-painted carborundum relief print 13 x 17 1/2 ed. 30