Red Crayon

Signed and numbered 18/75 in red crayon. Printed and published by Sharks Lithography, Ltd., Boulder.

Postmodern red Crayon table lamp designed by Michel Aroutcheff Ed.

Red crayon on cream laid paper, 3 3/4 x 4 inches (95 x 102 mm) ; 3 3/4 x 3 1/8 inches (95 x 80 mm).

c1780. Red crayon on cream laid Japon paper, 6 3/4 x 3 7/8 inches (171 x 97 mm), the full sheet.

', titled in pencil and numbered in red crayon on mount verso.

', titled in pencil and numbered in red crayon on back of mount.

', titled in pencil and numbered in red crayon on back of mount.

Red crayon on brown light-wove paper, 6 3/4 x 4 3/4 inches (172 x 121 mm).

Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.

This signed with a monogram in red crayon on early lithographic paper this is not a late lithographic copy.

On buff Velin Arches mould-made paper Signed with initials and dated 1980 in red crayon, lower centre. Numbered in red crayon, lower left Published by Petersburg Press Exhibition His...

Mr Brainwash Love Is The Answer - MC2 (Pink), 2012 Screenprint on BFK Rives wove paper, 2012 Hand signed in pencil, dated in red crayon and signed with the artist's inky fingerprint...

Mr Brainwash Love Is The Answer - MC2 (Blue), 2012 Screenprint on BFK Rives wove paper, 2012 Hand signed in pencil, dated in red crayon and signed with the artist's inky fingerprint...

Artist: Bert Stern Title: Marilyn Monroe -The Last Sitting Year: 1962 (printed 2009) Medium: Color Photograph, signed and numbered in red crayon Edition: 12 Image Size: 22 x 22 inche...

Signed in pencil on front of mount with Portfolio One stamp and numbering in red crayon on back. Anne Helms’ (daughter of Ansel Adams) personal collection stamp on back of mount.

Signed by the artist in red crayon, lower right. Published by Éditions Cercle d'Art, Paris.

Artist: Bert Stern Title: Marilyn Monroe -The Last Sitting Year: 1962 (printed 2009) Medium: Color Photograph, signed and numbered in red crayon Edition: 12 Image Size: 22 x 22 inche...

An 18th century Florentine study of a head, circa 1700 Red crayon on light-weight laid paper with a partial Pro Patria watermark with Hollandia and a rampant lion, 5 5/8 x 7 1/2 inc...

Each signed, dated and inscribed "AP" in red crayon, lower center. Printed and published by Petersburg Press, New York.

An elegant 18th-century red crayon drawing depicting a muscular male arm grasping a staff, executed with fine hatching, subtle shading, and anatomical precision indicative of academi...

Portfolio One stamp numbering in red crayon, referring to this as print #8 in set #33, along with the Anne Adams Helms Collection stamp on the back of the mount.

One of a kind melted crayon Emmy award covered in resin with wood frame by Mauro Oliveira

Portfolio Two stamp with print #6 and set #A in red crayon, along with the Anne Adams Helms Collection stamp on the back of the mount.

It is signed in the stone as issue and numbered CLXIV/CCC in red crayon. With the blind stamp of the publisher/printer Edition Poligrafa Barcelona at the lower left corner.

This vintage silver gelatin contact print is signed in pencil on the front of the mount, with Portfolio One stamp and numbering in red crayon on the back of the mount. This print com...

The poster is initialed by the artist in red crayon beneath the lower right corner of the image, underscoring its authenticity and collectibility.

Signed by the artist with initials and dated 1980 lower center in red crayon; numbered lower left in red crayon. Soft-ground etching and aquatint with hand-coloring in gouache, on bu...

Pink-Brown Cut Flowers by Oisin Byrne, 2023 Additional information: Medium: screenprint 102 x 102 cm 40 1/8 x 40 1/8 in signed, numbered and dated in red crayon Oisin Byrne (b.1983...

The print is signed with red crayon on lower left margin: Charles W Bartlett.

Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stone...

My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colou...

My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colou...

My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colou...

My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colou...

My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colou...

My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colou...

Country Path with Red Roofs by Georges Manzana Pissarro (1871-1961) Coloured crayon, pencil and charcoal on paper 32 x 24 cm (12 ⅝ x 9 ½ inches) Signed with Estate Stamp lower right ...

My personal memories are often tied to colour – my first recollection is of an orange cup being handed to me, and I can vividly remember the very first time I was able to wield colou...

On buff BFK Rives mould-made paper Signed, numbered and dated '79 in red crayon, lower centre Published by Petersburg Press Exhibition History: 'Howard Hodgkin Recollections’, Berna...

Double sided crayon drawing: Front: Study for "The Shoe" Reverse: Studies of Figures Blue crayon, red and black crayons Image size: 19.25 x 15.375 inches Frame size: 30 x 25 1/2 inch...

The ceramic base is signed in red crayon with the model number 740 that matches the factory stock number, and the faint traces of paper label are visible next to the drilled hole.

On yellowish grey Hodgkinson hand-made paper Signed, numbered and dated '79 in red crayon, lower centre Published by Petersburg Press Exhibition History: 'Howard Hodgkin Recollectio...

Featuring a large wooden pencil model and vintage typeface on its lid, the box’s interior is painted a deep, aged red, and reads, “Le Célèbre Crayon” and “104 de Baignol & Farjon”.

Paper 47.5 x 57.2 in. / 121 x 146 cm. 29 color screen print on heavy stock signed by the artist 'Hodgkin' lower right in red crayon. Created by the artist for his exhibition at Knoed...

Louis Osman (1914 - 1996) Proposed alterations for Stables for Mrs Mallowan (Agatha Christie) Pencil on tracing paper 41 x 30 cm Signed in red crayon lower right. A smart architect...

Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923) Title: Les Voila Year: 1915 Medium: Original lithograph Edition: Numbered 73/100 in pencil Paper: Wove Size image: 16 ...

Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923) Title: Classe 17 Year: 1917 Medium: Lithograph Edition: Numbered 61/100 in pencil Paper: Wove Image size: 10.5 x 14.25 inches ...

acrylic, paintstik on canvas painting can be hung vertically or horizontally Thomas uses large gestural drawings to create energetic abstractions. The layered process of his pieces ...

medium: oil stick and acrylic on aluminum Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her na...

Verburgh was active in the early 1800s and often worked in red and black chalk or crayon, depicting everyday life with quiet elegance.

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

Louis Osman (1914 - 1996) Proposal for St John's Smith Square (1953) Watercolour 70 x 52 cm Signed in red crayon lower right. Louis Osman's proposal for the post-war, post-bombing ...

Louis Osman (1914 - 1996) Proposal details for St John's Smith Square (1953) Watercolour 74 x 46 cm Signed and dated in red crayon lower right. Details from Louis Osman's proposal ...

Louis Osman (1914 - 1996) Proposal for St John's Smith Square (1953) Watercolour 62 x 37 cm Signed in red crayon lower right. Louis Osman's proposal for the post-war, post-bombing ...

Nude at the Beach - Abstract Expressionist Figurative in Conté Crayon Figure in red, green, blue conte crayon by San Francisco artist Michael William Eggleston (American, 20th Centu...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

This original oil painting is noted for its bright and vivid analogous color palette and soft, yet distinctive geometric shapes that appear to dance within the frame. The artist, Wyn...