Rosso Antique

A very elegant pair of French Louis XVI st. mid 19th century Rosso Antico marble and ormolu tazzas. Each tazza is raised by a square mottled marble base with ormolu supports and a fr...

The statue is raised by a plinth with a bottom Occhio di Pavone marble base below the Verde Antico marble column which is flanked by Rosso Antico marble mottled top and bottom. Stand...

Nineteenth century Young woman portrait Measures: Plaster, 50 x 40 x H 40 cm Dated 10 - 1 - MCMI The emergence of a "disheveled manner" in sculpture is affirmed since t...

The pair of tables are handsomely raised by square Rosso Levanto marble bases with concave sides below a scrolled design with a central Fleur de Lis like center.

A pleasing and simple Antique Victorian Carrara marble Demi-pillard fireplace, with fluted projected capitols with under mounted Rosso Verona pillars, with Carrara marble capping.

PAIR OF BAS-RELIEF MYTHOLOGICAL AMPHORA GARNITURES RAISED ON ROUGE MARBLE BASES Attributed to Ferdinand Levillain and Ferdinand Barbedienne unmarked executed circa 1880 Item # 604V...

A wonderful Regency period carved giltwood center table, with a grand tour Italian specimen marble inlaid circular top, the inlays including giallo di Siena, brocatello di Spagna, Ve...

The finely carved parcel gilt and hand painted console table with a fabulous moulded Rosso Levante marble top raised over panelled frieze with a matching centred arrangement of carto...

Above is the original Rosso Verona marble top fitted with an ebonized Fruitwood border with a fine mottled design.

mostrare l'una delle suffie ['zuffa' = combat] di Bandinelli ma hò visto l'istessa suffia/ nel schizzo di lapis rosso di Raffael d'Urbino ch[e] hà il Sig [nore] OR figlio di (??)

Hand-crafted in Paris in the third quarter of the 19th century, having a shaped Rosso Francia / Rouge Incarnat marble-top, over rectangular architectural inspired case in an ebonized...

The terra cotta bust is raised by an attractive Rosso Levanto circular mottled marble base. Above is the elegant bust of a young boy wearing a shirt and open jacket while gazing towa...

As for the artist, while the Fontainebleau School included a number of notable artists, such as Primaticcio and Rosso Fiorentino, many works from this period and school are attribute...

Crafted from the opulent Rosso Levanto dark red marble with chestnut brown undertones, adorned with exquisite cream-colored veins traversing the entire fireplace, it is a testament t...

La scena è collocata sotto un tendaggio rosso, aperto su un ampio paesaggio. IL dipinto del Correggio ebbe ampio successo, tanto che ne esistono numerose copie e repliche antiche, tr...

At each side are striking columns raised by a square Noir Antique and Rosso Levanto marble bases below circular Vert Maurin marble supports with beautiful mottled ormolu plinths and ...

Le pareti della stanza dedicata alla musica, furono decorate con scene di vita cinese, in oro su fondo rosso, realizzate da Frederick Crace e Henry Lambelet e tratte da Il costume de...

Piccola Polena in legno scolpito raffigurante giovane Moretto, montato su base di marmo rosso, manifattura veneziana della fine del XIX secolo.

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

A stunning French 19th century Louis XVI st. mahogany, ormolu, and Rosso Levanto marble buffet and matching vitrine cabinets, likely by Mercier Freres.

Tradotta nuovamente di latino in lingua toscana, per Paulo dal Rosso cittadino Fiorentino. First edition in tuscan/italian of this important volume edited by the humanist Andrea Fu...

Period: 1810 – 1820 Provenance: Italy Lenght’s: 37 cm La collana si compone di dodici micromosaici ovali di dimensioni degradanti realizzati in vetro rosso e inseriti in una montatu...

Above a stepped giltwood band is the original thick Rosso Levanto marble top with a fine mottled border.

In this example we see a rose Guirlande and a medaillon which are typical for the late 18th- early 19th century. The Rosso Verona Marble points to Italy where the piece was also foun...

La parte del corpo emerge, grazie all’intensa luminosità delle braccia, collegata alle sfumature rosso ocra dei capelli e del volto, accentuando anche così il carattere erotico della...

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

He arrived in Genoa in circa 1817, and by 1824 had established a workshop in Via Balbi, a neighbourhood in which the Royal Palace and other noble residences were located; today some ...

In this example we see a rose Guirlande and a medaillon which are typical for the late 18th-early 19th century. The Rosso Verona Marble points to Italy where the piece was also found...

A stunning French 19th century Louis XVI st. Belle Époque period Rosso Levanto and Vert de Patricia marble, granite and ormolu floor lamp, attributed to Henry Dasson.

The handles and mouthpieces of the locks are in finely chiseled burnished bronze, typical of the Louis XV era. The molded top is in Rosso Francia marble, a marble from abroad that at...

Circa 1800 Hand-crafted in Provincial France in the late 18th / early 19th century, having a quality pegged solid wood frame in the original dark red painted finish with gilt acce...

A Bois Citronnier Meuble d'Entre Deux By François Linke Constructed from satiné quarter-veneered bois citronnier, with rosewood crossbanding and ormolu mounts, the rectangular ca...

The circular top is fitted with a richly veined rosso antico marble insert, framed by a finely detailed brass bound gallery rim that enhances its grandeur and durability.

Successivamente, a Parigi incontra la scultura di Medardo Rosso e di Rodin, autori che risulteranno fondamentali per l’evolversi del suo stile.

The thick Rouge marble top is also referred to as Rosso Daniel, which is quarried in Spain. Rich brown, white and gray veins give an added depth to the natural dark red color of the ...

Unearthed from ‘La Suvera’, his Italian country villa in the heart of Siena, the pair of baths are handcrafted in Rosso Verona marble which would’ve once showcased a rich pigment of ...

The celebrated clock maker Dufaud is known to have produced a small number of these important clocks towards the end of the 19th century and known examples are recorded with identica...

An engraving by Giovanni Jacopo Caraglio after Rosso Fiorentino depicts Pluto in a way that is very close to our sculpture.

Small cabinet by L’ecole De Fontainebleau Incrusted with marble tablets Origin : VAL-DE-LOIRE, France Period : 16th century Measures: Height : 170 cm Width : 110cm Depth : 5...

The presence of the crosshatching on the papal arms evokes the Lambertini family coat of arms (“D’oro a tre pali di rosso”) and suggests that this design may have been commissioned s...

During his stay he admired an ancient bath made of rosso antico, known as the Tomb of Agrippa, placed in the portico of the Pantheon, with lion’s paw endings.

Rosso France is a high-quality material, bright red in color, carved with elegant white veining.

Cherubino was a pictorial engraver, making over 180 prints after, among others, Raphael, Michelangelo, Andrea del Sarto, Rosso Fiorentino, and Polidoro da Caravaggio. His engravings ...

As in the paintings of Cremona and Ranzoni, also in the sculptures of Grandi the outlines seem to flake under the light, opening up new expressive possibilities that will be collecte...

White Carrara marble skull combined with a red Rosso Imperiale marble Roman toga (robe). The roman toga shows gorgeous detail like curves / folds in the fabric & a laurel wreath ov...

., n° 4045); Empedocles by René Boyvin after Rosso (id., no. 4072); three woodcuts by Albrecht Dürer (B. 76, B. 82 and B. 86; sale 2007, March 28, London, Christie’s, nos. 61, 62 and...

., n° 4045); Empedocles by René Boyvin after Rosso (id., no. 4072); three woodcuts by Albrecht Dürer (B. 76, B. 82 and B. 86; sale 2007, March 28, London, Christie’s, nos. 61, 62 and...

An Important Exhibition Florentine Marble Group of Moses Rescued from the Waters, on a carved Rosso Levanto Pedestal. Incised to the base ‘P.

The ornamental grammar marks a return to the Antique : palm leaf, acanthus, egg-and-dart, greek, scroll, fluted pilaster… It is in Primaticcio’s and Il Rosso’s stuccos made around 15...

Early 19th century regency marble top specimen centre table made by Gillows of Lancaster and London, the statuary white marble top with central stylized neoclassical motif depicting ...

While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form them...

Beside Alfredo Pina other famous artists graduated at the academy, for example the designer and architect Carlo Bugatti (* February 16, 1856 in Milan; † March 31, 1940 in Molsheim, F...

A fine and rare terra-cotta figure of Flora in contrapposto pose, classically robed with hair swept up and in curls, with a floral wreath in the figure’s proper right hand, and a nos...