Shelter Serra Birkin

Find the exact shelter serra birkin you’re shopping for in the variety available on 1stDibs. In our selection of items, you can find contemporary examples as well as a Pop Art version. Adding a shelter serra birkin to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of beige, gray, pink and more. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in organic material, resin and metal can add an especially memorable touch. If space is limited, you can find a small shelter serra birkin measuring 3.25 high and 5.25 wide, while our inventory also includes works up to 20.5 across to better suit those in the market for a large shelter serra birkin.

The average selling price for a shelter serra birkin we offer is $6,500, while they’re typically $1,800 on the low end and $10,500 for the highest priced.

Shelter Serra is a multidisciplinary artist whose artworks probe the resonance of imagery and objects he has pulled from the wake of American visual and material culture to reexamine. Serra’s compelling sculptures of ubiquitous or iconic commercial products remade in bronze, resin, copper, or gold, are conspicuous replicas of recognizable forms. Serra’s paintings similarly announce their existence as reproductions of reproductions: halftone dots, hand copied typeface, mimicked printing glitches, the tones of a black and white photograph, or the vibrant colors of a thermograph, signal that the subject has been rendered, filtered through an image-making process employed for a particular end. By reproducing and recontextualizing these images and objects, Serra examines the cultural paradigms which led to their creation and commodification. The utility, absurdity, or desirability of the source image or object is contended with and re-assessed via Serra’s handmade proxies. His recreations provoke a conceptual consideration of the assigned, symbolic status of the original – fashionable, wasteful, threatening, luxurious, lowbrow – they test the limits or longevity of the original’s aura. If Serra’s choice of subject matter is perceived as a commentary on the ‘stuff’ this country generates, it is the viewer who has imposed this subtext. In the form of re-presentations of already manufactured products or reproductions, Serra’s artworks have a symbolic function. They point back to an original, and to the culture that gave that original meaning.