Sketchbook Used

Artist biography: Jonathan Trim was born in 1948 in Leigh on Sea Essex by the Thames Estuary, an area that has always been a vital source of inspiration. Sketchbooks from early chi...

The original design for this model commode was an early example of the collaboration between Linke and Léon Messagé, inspired by a smaller commode of similar spirit as shown in Messa...

Kim Lim exhibited widely after leaving the Slade in 1960.From 1980, she turned to stone-carving, whilst continuing to make prints and fill sketchbooks with drawings from nature. With...

Many works from his studio bear his atelier stamp and were originally contained within sketchbooks, sometimes retaining a serrated edge where the sheet was removed.

This is part of his "Sketchbook Series" intended to make the ceramic piece look like a living page torn from an artist's notebook.

Works from Labbe’s studio were often removed from sketchbooks, and some retain evidence of their original bound format.

Harris West, Scottsdale, AZ 1981 Frank Marino Gallery, New York, NY 1980 Weyhe Zago, Frank Marino Gallery, New York, NY 1977 Neill Gallery, New York, NY 1976 Burlington Community Col...

The text 'sketch' below the artist's signature refers to the placement of the work in one of Shaw-Barton's wildly popular and influential "Sketchbook"-style twelve-page pin-up calend...

‘We were under armed guards because of Stalin’. A sketchbook of several hundred drawings from this time of the new buildings and infrastructure were exhibited in Novi Sad in around 2...

Typical of the artist's spontaneous observational practice, this work stands between a sketchbook study and a fully autonomous drawing. It will appeal to collectors of French Mid-Cen...

Unsigned watercolor, dating circa 1935, from the artist's sketchbooks; Estate stamped on reverse. Provenance: Estate of the artist.

Unsigned watercolor, dating circa 1935, from the artist's sketchbooks; Estate stamped on reverse. Provenance: Estate of the artist.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

Through extensive sketching trips, he amassed a remarkable visual record of the country's rivers, forests, mountains, and lakes, later transforming these observations into ambitious ...

The Artist States: “The painting process begins with finding inspiration -walking the streets of New York or London with my sketchbook and camera, looking for interesting light and c...

The Artist States: “The painting process begins with finding inspiration -walking the streets of New York or London with my sketchbook and camera, looking for interesting light and c...

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

This work would appeal to collectors of British drawings, sketchbook studies, and works on paper that reveal the hand and process of the artist.

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

Even under these harsh conditions, he continued to draw, filling sketchbooks with vivid depictions of naval battles, aircraft, and scenes of camp life.

The street scene has a strong sense of perspective and atmosphere, while the village study has a looser sketchbook quality, full of quick marks and lively observation.

The Gillows estimate sketchbooks make clear how much of an additional premium was attached to the use of gilt brass features in their workshops, the additional price for such luxurio...

This piece is especially appealing for collectors of French architectural landscapes, riverside towns, and detailed ink drawings. Its sketchbook origin enhances its charm, offering i...

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

The sketchbook with a label inscribed "Thon Estate #2939 Sketch Book."

The sketchbook with a label inscribed "Thon Estate #2939 Sketch Book."

The figments are born in the matrix of the sketchbook, in which masses of chaotic scribbles are alchemically transmuted into articulable forms.

This piece is particularly appealing for collectors of French architectural studies, bridge scenes, and works on paper that highlight strong linear technique. The sketchbook origin a...

This piece is particularly appealing for collectors of French architectural studies, church scenes, and works on paper that emphasise line and composition. The sketchbook origin furt...

The verso reveals additional studies, including small figure and portrait sketches, reinforcing the idea that this sheet functioned as part of a broader sketchbook or studio practice...

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs ...

ARTIST BIOGRAPHY: My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or...

An unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

An unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

An unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

An unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

An unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

An unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

An unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

An unsigned figure study from one of the artist's sketchbook portfolios. Estate stamped on reverse.

I can be found up on the dizzying viewing platforms, down on the riverbed at low tide with the mudlarks or pacing the Thames path with a sketchbook in hand. Capturing the fleeting li...

I can be found up on the dizzying viewing platforms, down on the riverbed at low tide with the mudlarks or pacing the Thames path with a sketchbook in hand. Capturing the fleeting li...

Her papers, correspondence and sketchbooks are in the collection of the U.S. Library of Congress Asian American and Pacific Islander Division.