A ubiquitous name in the world of contemporary architecture and design, Philippe Starck has created everything from hotel interiors and luxury yachts to toothbrushes and teakettles. Yet for every project in his diverse portfolio, Starck has maintained an instantly recognizable signature style: a look that is dynamic, sleek, fluid and witty.
The son of an aircraft engineer, Starck studied interior design at the École Nissim de Camondo in Paris. He started his design career in the 1970s decorating nightclubs in the city, and his reputation for spirited and original interiors earned him a commission in 1983 from French president François Mitterrand to design the private apartments of the Élysée Palace. Starck made his name internationally in 1988 with his design for the interiors of the Royalton Hotel in New York, a strikingly novel environment featuring jewel-toned carpeting and upholstery and furnishings with organically shaped cast-aluminum frames. He followed that up in 1990 with an equally impressive redesign of the Paramount Hotel in Manhattan, a project that featured over-scaled furniture as well as headboards that mimicked Old Masters paintings.
Like their designer, furniture pieces by Starck seem to enjoy attention. Designs such as the wedge-shaped J Series club chair; the sweeping molded-mahogany Costes chair; the provocative Ara table lamp; or the sinuous WW stool never fail to raise eyebrows. Other Starck pieces make winking postmodern references to historical designs. His polycarbonate Louis Ghost armchair puts a new twist on Louis XVI furniture; his Out-In chair offers a futuristic take on the classic English high-back chair. But for all his flair, Starck maintains a populist vision of design. While one of his limited-edition Prince de Fribourg et Treyer armchairs might be priced at $7,000, a plastic Starck chair for the Italian firm Kartell is available for around $250. As you will see on 1stDibs, Philippe Starck’s furniture makes a bold statement — and it can add a welcome bit of humor to even the most traditional decor.
Armchairs have run the gamut from prestige to ease and everything in between, and everyone has an antique or vintage armchair that they love.
Long before industrial mass production democratized seating, armchairs conveyed status and power.
In ancient Egypt, the commoners took stools, while in early Greece, ceremonial chairs of carved marble were designated for nobility. But the high-backed early thrones of yore, elevated and ornate, were merely grandiose iterations of today’s armchairs.
Modern-day armchairs, built with functionality and comfort in mind, are now central to tasks throughout your home. Formal dining armchairs support your guests at a table for a cheery feast, a good drafting chair with a deep seat is parked in front of an easel where you create art and, elsewhere, an ergonomic wonder of sorts positions you at the desk for your 9 to 5.
When placed under just the right lamp where you can lounge comfortably, both elbows resting on the padded supports on each side of you, an upholstered armchair — or a rattan armchair for your light-suffused sunroom — can be the sanctuary where you’ll read for hours.
If you’re in the mood for company, your velvet chesterfield armchair is a place to relax and be part of the conversation that swirls around you. Maybe the dialogue is about the beloved Papa Bear chair, a mid-century modern masterpiece from Danish carpenter and furniture maker Hans Wegner, and the wingback’s strong association with the concept of cozying up by the fireplace, which we can trace back to its origins in 1600s-era England, when the seat’s distinctive arm protrusions protected the sitter from the heat of the period’s large fireplaces.
If the fireside armchair chat involves spirited comparisons, your companions will likely probe the merits of antique and vintage armchairs such as Queen Anne armchairs, Victorian armchairs or even Louis XVI armchairs, as well as the pros and cons of restoration versus conservation.
Everyone seems to have a favorite armchair and most people will be all too willing to talk about their beloved design. Whether that’s the unique Favela chair by Brazilian sibling furniture designers Fernando and Humberto Campana, who repurposed everyday objects to provocative effect; or Marcel Breuer’s futuristic tubular metal Wassily lounge chair; the functionality-first LC series from Charlotte Perriand, Le Corbusier and Pierre Jeanneret; or the Eames lounge chair of the mid-1950s created by Charles and Ray Eames, there is an iconic armchair for everyone and every purpose. Find yours on 1stDibs right now.
