State Plates

There was an edition of 15 impressions pulled by Way in 1897 and signed by Whistler. 1896 - 1908 edition 1 State. Signed in plate butterfly within image, middle left transfer lithog...

Hand signed and dated in the lower right margin of the plate. The state of preservation is very good.

After the war, he resumed exhibitions at the Salon des artistes français where, in 1922, he won the bronze medal. The French state ordered him two bronze plates for the Library of th...

Albany: The University of The State of New York, 1923. Second printing hardcovers with no dust jacket as issued. 362 pages of text and 264 color plates.

Etching and drypoint. Second state of three.  Signed on plate Printed in 1945 in 25 specimen.

A good, strong impression of this early state with warm plate tone and with all the finest lines printing clearly.

Reference: Strang 1912, no. 390, only state Condition: Mint Image/Plate size: 6 x 7 15/16 inches Sheet size: 13 3/8 x 16 7/7 inches The Gate of the Hundred Sorrows This story was fi...

The Portrait is an original xilography print on paper realized by an anonymous artist of the early 20th Century. Monogrammed on the plate The state of preservation of the artwork i...

Titled on the lower right on the plate The state of preservation of the artwork is very good.

Titled on the lower right on the plate The state of preservation of the artwork is very good.

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...

Titled at the bottom and dated on plate. The state of preservation of the artwork is excellent.

This is one of the two proofs of the second state. After this state the plate was reduced in a third state (from 183 to 174 mm), and then steel faced for the edition.

Strand was even more pleased with this version, stating "Delong has made these plates sing." The images are a celebration of the subjects' pride, dignity and endurance.

Two of the pieces have inscriptions indicating the plates used in the print ("State 3 - Black" and "State 3 - Black Cyan Yellow Plates").

In 1907-1908. another famous jeweler, Christofle, has silver-plated Odiot state-donated bronzes. In 1827, Jean-Baptiste-Claude retired (he died in 1850), handing over the business t...

The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998.

A stamp in the lower left corner of the plate The state of preservation is very good.

Mary Cassatt 1844 - 1926 "By the Pond" (Breeskin 161; Matthews & Shapiro 21) Drypoint and aquatint printed in colors, circa 1896, on laid paper, framed Fourth state of four. Plate:...

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...

Image dimensions: 58x41 cm Monogram on plate - final state on 5. Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of...

Signed and dated on plate. An early state on the 5 issued, with very fresh impression and marked contrasts, Includes passepartout (cm. 53x37).

In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs,...

The first state for each plate is extremely rare (Lieure RRRR).

Titled, signed and dated on plate on the lower margin, below the image. The second state of two (the first state is avan lettre).

L’Angelus (The Bell Tower) etching & drypoint, c. 1876 Signed in the plate with the artist's initials (see photo) Condition: Excellent Image/Plate size: 5 7/8 x 4 1/4 inches Sheet s...

Pencil markings on the deck fittings and guard rail state ‘Ab-Bass’. The name plate reads ‘Ab-Bass, Designed by G.L.

Reference: Beraldi 65 Wentworth 74, published state Tissot 76 Condition: Excellent Plate/Image size: 14 1/4 x 11 inches Sheet size: 19 1/2 x ...

Banchetto d’Amore is an original etching and aquatint, realized by Alberto Martini in 1917, signed in the plate, 2nd state on 3, edition 25 copies in 1945 .

Victorian walnut stationery cabinet A late 19th century Victorian carved walnut stationery box. The box has a brass plate stating Philip. Son & Nephew. Liverpool" and the lock ...

This impression may be a second state, after burnishing of the plate. Burnishing marks are evident especially in the lower section, the lower left corner, the area surrounding the he...

The Hanged Man is an original etching realized by Félicien Rops in 1868, – 3rd state on 4, plate from “Uylenspiegel”, title "Le pendu, ou la mère grand et le fils Charles".

The warm, uniform patina highlights the authenticity of the piece and its excellent state of preservation. The mirror plate is original and shows light age-related oxidation.

Daumier Register 670, third state (of 3), sur blanc, plate 47 from the series Moeurs Conjugales, published in the album of that title and then in the journal Le Charivari.

Reference: Genestet and Pouillon 45, only state. [Also signed in the plate “G Duchamp”, fully titled, dated “Juin 1900”, and with the name Madeleine added on the box cover (?)