Stretch Glass

A set of twelve luncheon sized plates, Celeste Blue Iridescent Stretch Glass, the Fenton Glass Company, circa 1920-1930.

Description: Silver glove stretching tweezers with reliefs on the handles. Metal: Silver. Origin: English. Brand: London. Weight: 86.38 grams. Dimensions: 21cmx4cm. Content: 925/1000...

Vintage Val Saint Lambert stretch fruit dish or bowl in clear crystal. The item can be used as a table centerpiece or on a mantelpiece. It has two large stretched ribbed 'handles' r...

Pretty and particular small basket in colored opaline glass; made between 1965 and 1970, it was blown in one piece without joints, then shaped with mastery by skilled and creative Ma...

Vintage Val Saint Lambert fruit dish or bowl in colerd crystal. The item can be used as a table centerpiece or on a mantelpiece. Giving it a strong period look. The item is in ...

I then stretch this hot glass cylinder across the studio until its about fifty feet long and is as thinner than a pencil but thicker than a tooth pick.

This effect is achieved not by pressing into a mold, but by stretching the glass with a blade mold — a sign of high craftsmanship.

Further slump firings not only add three-dimensional form but pull and stretch the sheet glass, thinning the surface making it opaque and translucent.

Further slump firings not only add three-dimensional form but pull and stretch the sheet glass, thinning the surface making it opaque and translucent.

Further slump firings not only add three-dimensional form but pull and stretch the sheet glass, thinning the surface making it opaque and translucent.

Further slump firings not only add three-dimensional form but pull and stretch the sheet glass, thinning the surface making it opaque and translucent.

Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowi...

Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowi...

Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowi...

Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowi...

Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowi...

Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowi...

It is made of blown glass, stretched and engraved with sand. It is a typical work of the late eighteenth - early nineteenth century.

Lovely hand-blown cylinder glass piece with stretched bubbles fitted in a brass frame.

Lovely hand-blown cylinder glass piece with stretched bubbles fitted in a brass frame.

Made by blowing and stretching a long tube, then wrapping that tube around a form made out of a section of log, the glass master shapes, stretches and pulls each object into its fina...

As the master artisan twists and stretches the molten glass, a parallel, loose spiral pattern emerges from top to bottom.

The Venetian glass-making tradition stretches back over a thousand years, rooted on the island of Murano where glassblowers have passed techniques from generation to generation since...

Dimensions: Height: 6 in. (15.24 cm) Diameter (rim): 6 1/2 in. (16.51 cm) catalogue note: A fine Tiffany Favrile Glass Tazza, exhibiting a delicate pastel pink hue with a gracefully ...

Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement.

The colorful glass is then stretched and rotated in a controlled way to produce a unique internal effect.

The colorful glass is then stretched and rotated in a controlled way to produce a unique internal effect.

The colorful glass is then stretched and rotated in a controlled way to produce a unique internal effect.

Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement.

Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement.

Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement.

Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement.

Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement.

The glass is then stretched, crushed, pinched, ironed, scratched, elongated, and cut.

Born from nature, art and from the skill of master glassblowers, who swiftly stretch the glass yet maintain its outer rim free and unrestrained.

This large scale hand blown glass lamp has a beautiful clear and green color inside, within the main clear layer, controlled bubbles have been released and stretched by the glass mak...

Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement.

Here, the milky body is enclosed within a transparent outer layer and animated by gold leaf, which fragments and stretches as the molten glass is shaped. The gold creates a fascinat...

Each lamp features an original tool-stretched mottled glass shade, signed "Muller Frères Lunéville" (1919 signature), displaying a remarkable fusion of luminous yellow, deep cobalt b...

Torch cut steel table "Iron Flower" designed by Maurice Barilone for Roche Bobois c1985 Round base made of a single slab of cast steel, cut and stretched, supporting a thick glass top.

Beneath the glass, a carefully stretched fabric adds an unexpected and sophisticated detail, creating a dynamic interplay of texture, transparency, and depth.

They have demi lune shaped fronts, stretched bases and inset glass tops. The made in Italy label is seen on the largest table top.

Made of carved and gilt wood, antique statuary, and glass. The stretched out hands hold the round removable glass tray and the upper hands serve as candle holders.

Carved travertine and handblown glass works stretch between floor and ceiling. It is both sculpture and light-giving.

The dark black of the ink painting creates a particularly effective contrast with the fabric stretched behind the glass panes. In addition to this scrollwork, the panels in the lower...

Fibrous limbs meet hand-sewn leather seats. Stretching shapes curve under glass tables. The classic Gaulino was an elegant chair with a story.

Fibrous limbs meet hand-sewn leather seats. Stretching shapes curve under glass tables. The classic Gaulino was an elegant chair with a story.

Fibrous limbs meet hand-sewn leather seats. Stretching shapes curve under glass tables. The classic Gaulino was an elegant chair with a story.

Fibrous limbs meet hand-sewn leather seats. Stretching shapes curve under glass tables. The classic Gaulino was an elegant chair with a story.