Wes Anderson

Wes Andersons’s dog – Hoover Building II By Mychael Barratt [2021] limited_edition Silkscreen print on paper Edition number 1 Image size: H:49.5 cm x W:66 cm Complete Size of Unfram...

Wes Andersons’s dog – Hoover Building II By Mychael Barratt [2021] limited_edition and hand signed by the artist Silkscreen print on paper Edition number 1 Image size: H:49.5 cm x W...

Wes Anderson's Dogs - Battersea Power Station by Artist Mychael Barratt is a limited edition print.

Screenprint on paper Signed and titled in pencil Numbered from the edition of 50 Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 50 50.5...

Additional information: Mychael Barratt Wes Anderson's Dog - Mornington Crescent [2023] Screen print on Paper Edition of 100 Signed by artist Complete size of sheet: 40 H x 38 W x 0...

Additional information: Mychael Barratt Wes Anderson's Dog - Canary Wharf [2023] Screen print on Paper Edition of 100 Signed by artist Complete size of sheet: 38 H x 49 W x 0.1 D c...

If Wes Anderson Met Marc Foster Grant - Abstract Portraits on Paper Two -Man Portrait by Marc Foster Grant (American, b. 1947), in bright colors and abstract paint strokes.

Silkscreen on paper. Signed and titled in pencil. Numbered from the edition of 50. Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 100 50...

Silkscreen on paper. Signed and titled in pencil. Numbered from the edition of 50. Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 100 50...

Screenprint and gold leaf on paper. Signed and titled in pencil. Numbered from the edition of 100. Image size: 220 x 220mm Paper size: 380 x 400mm Gold Leaf on Paper Edition of...

Silkscreen on paper. Signed and titled in pencil. Numbered from the edition of 50. Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 100 50...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

The symmetry, style and interior design give it that 'accidentally Wes Anderson' look. Part if Richard Heeps 2016 series 'This is Not America', his journey from north to south Vietna...

Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film. Using a muted colour palet...

Cool, stylish and gorgeous colours in this stunning "Accidentally Wes Anderson" style interiors shot. This vintage movie theatre is perfect mid-century style.

Gestural marks making use of Wes Anderson's colour ratio. principle. Often seen in his films, yet not noticed directly, but well known for its intentional use of colour balance.

Gestural marks making use of Wes Anderson's colour ratio. principle. Often seen in his films, yet not noticed directly, but well known for its intentional use of colour balance.

Gestural marks making use of Wes Anderson's 603010 colour ratio. principle. Often seen in his films, yet not noticed directly, but well known for its intentional use of colour balance.

Gestural marks making use of Wes Anderson's 603010 colour ratio. principle. Often seen in his films, yet not noticed directly, but well known for its intentional use of colour balance.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.

I find inspiration in the cinematography of John Alcott, Sofia Coppola, Hoyte Von Hoytema, and Wes Anderson. Travel is also a resource for my work.