Vintage Boxcar

brads as faux rivets,various louvers ,sliding doors and tin roof on this Italian boxcar.It even shows

This 5' long writing table was custom-made using reclaimed maple boxcar flooring. The distressed

One of a kind pig in a crown railroad boxcar fragment. Cut from the side of a c. 1950's or earlier

This 8′ long dining table was custom-made using old reclaimed mahogany boxcar flooring. The

This 8' long dining table was custom-made using antique reclaimed maple boxcar flooring. The

This 8' long dining table was custom-made using antique reclaimed maple boxcar flooring. The

This 8′ long dining table was custom-made using reclaimed maple boxcar flooring. The distressed

This unique counter height dining table was custom-made using reclaimed maple boxcar flooring. The

cart wood revealing countless years of use. The boxcars were used in the early 1900's in the US. The

the base. The top is made from reclaimed railroad cart or boxcar wood so it shows the wear and

43 1/2 in. In the late 1960's, Daniel Brennan had a day job loading boxcars for Railway Express

1960's, Daniel Brennan had a day job loading boxcars for Railway Express. During nights, he would go to

: 1960's Dimensions : 43 x 30 in. In the late 1960's, Daniel Brennan had a day job loading boxcars for

an old railroad boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell

Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons

boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and a half

boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and a half

between two sets of railroad tracks at the foot of Pike’s Peak. Charlie converted an old railroad boxcar

railroad boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and

boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and a half

Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons

Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons

boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and a half

boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and a half

railroad boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and

converted an old railroad boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell

sets of railroad tracks at the foot of Pike’s Peak. Charlie converted an old railroad boxcar into his

. Charlie converted an old railroad boxcar into his studio, where he later gave lessons. Beginning in 1931

railroad boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and

the foot of Pike’s Peak. Charlie converted an old railroad boxcar into his studio, where he later

the foot of Pike’s Peak. Charlie converted an old railroad boxcar into his studio, where he later

pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident

. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound

Los Angeles County Museum in 1948. "The Red Boxcar", is an original watercolor, signed, c.1945

moving cargo through the train’s boxcars. It has been sanded, stained and given a durable finish for

: 39 x 35 in. In the late 1960's, Daniel Brennan had a day job loading boxcars for Railway Express

Dimensions : 44 x 31 in. In the late 1960's, Daniel Brennan had a day job loading boxcars for Railway

1/2 x 32 in. COA provided In the late 1960's, Daniel Brennan had a day job loading boxcars for

Pike’s Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons

tracks at the foot of Pike’s Peak. Charlie converted an old railroad boxcar into his studio, where he

railroad tracks at the foot of Pike’s Peak. Charlie converted an old railroad boxcar into his studio

between two sets of railroad tracks at the foot of Pike’s Peak. Charlie converted an old railroad boxcar

between two sets of railroad tracks at the foot of Pike’s Peak. Charlie converted an old railroad boxcar

Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons

Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons. Beginning

boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and a half

Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons

Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons

converted an old railroad boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell

Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the

pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident

-century signage, railroad boxcars, and vintage cameras. His monumental canvases exaggerate the scale of

abstracted view of a train yard with a myriad of locomotives and boxcars coming and going. The elevated view

Artist: Joan Mitchell (American, 1925-1992) Title: "Untitled" (Page 92-93) Portfolio: One Cent Life *Unsigned edition Year: 1964 Medium: Original Lithograph on wove paper Limited edi...

Introducing "La Ligne" is a limited edition fine art print that captivates the viewer with its gorgeous abstract linework, demonstrating the beauty of simplicity and the power of for...

This lovely, modestly scaled rattan and cane set is from in the late 1970s. Includes a small oval glass top table and two swivel chairs. Elegantly crafted by Asian artisans of bend c...

Rare and sought after sofa attributed to Danish Designer, Henning Kjaernulf made from quarter-sawn white oak, Hand carved in brutalist style seeking inspiration from art & crafts and...

Karen Offutt's (US based) "The Bather" is an original, handmade oil painting that depicts a nude female in a landscape, bathed in light, with a towel draped around her. The painting ...

Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-color...

A versatile and functional example of Mid-Century design, this teak sofa bed offers both comfortable seating and convenient storage. Complete with a matching, detached headboard feat...

The Knight Errant English School, circa 1900 after the painting by John Everett Millais (1829-1896) oil painting on board, framed board: 13 x 10 inches framed: 17 x 14 inches

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be on one of its covers. The e...

Dale Tiffany Duck Lamp. Beautiful and Unique Duck lamp made with amber and green glass. A beautiful addition to any home decor. Superb craftsmanship and techniques for producing th...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing advised. M...

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

Complete antique pharmacy cabinet, with 3 open bookcases on the sides, 1 bookcase with drawers and 2 original doors with glass and enameled mirror sign. Built in the mid-19th century...

A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 in...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richl...