The Robe

. The distinctive textiles, fringed robes, jewelry, bows, arrows, and weapons are drawn directly from

displays extraordinary attention to detail: the intricate armour, flowing robes, chainmail headdress, and

colored pigments and gold leaf squares applied to the ground. The screen depicts women in robes engaged in

of her magnificent robes, and the quiet refinement of her expression. Unlike the harsher, more

over white ecclesiastical robes. Holding a cross aloft, the figure exemplifies supreme spiritual

with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the

with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the

crow’s beak, large wings, and scaly legs, wearing long flowing robes tied at the waist as well as a broad

. Alongside her, richly dressed men in fur-lined mantles, decorated caps, and warm earth-toned robes represent

: In the Boudoir Nancy: Waiting Nantes: Seascape New York (Metropolitan Mus. of Art): The Japanese Robe

shaded robes. The interior and base are both glazed in turquoise, consistent with 19th- and early 20th

shoulder, the woman's decadent fur robe and silk dress moves with her while her oversized gold jewelry

detailed robes and garments. The woman holds a fan and wears an elaborate headdress, while the men are

royal robes of Chinese and Japanese aristocracy. In 2001, Yoshita was awarded the Medal with Purple

the 'dhoti' and vermillion pigment applied to the figure's skin and robes, the serene round face with

was a cardinal because he served as secretary to Pope Damasus; thus, the cardinal’s robe entered his

figure has a large chip to the childs's robe and back foot. The fisherman has repairs to the his basket

), presents a scholarly, bearded man clad in a green tunic and ochre-gold robe, cinched with a crimson sash. A

goblet in one hand while holding a tankard in the other. Their carved robes are belted with rope

Yu with realistic facial features and a finely detailed, floor-length flowing robe. Surrounding the

other holds the draped edge of his robe. His body is rendered with muscular precision, the form

both the ushnisha and urna, with pendant earlobes and draped in a flowing robe, the left hand raised in

and Wadahara. The figure on the right, clad in a rich, deep black robe and wearing the two swords of a

in flowing robes holding florals with cherubs or puttis by their sides. The hand caste bronze

kneeling figure. The figure wears a long robe with incised folds and a sash draped over the back. The

which helps with the weight and transport. The wings are all four removable. The faces and robes show

proportions and elegant drapery. The Buddha’s finely detailed robe is adorned with intricate floral motifs

rarity of the enlightened mind. Flowing robes drape across the Lama's seated posture, depicted with

flowing classical robes and posed in mid-motion, originally holding cornucopiae—symbols of prosperity and

creatures to the flowing robes of their riders. Each statue rests on an ornate pedestal base, adding to

clock, classically robed wearing a turban and standing on a Siena marble plinth . Clock face has Roman

. Ubiquitously found on the royal court robes of the Qing Dynasty as the bottom border, they were borrowed and

the other. Their flowing robes, intricately detailed beards, and serene facial expressions embody the

royal robes of Chinese and Japanese aristocracy. In 2001, Yoshita was awarded the Medal with Purple

decorated with images of classical dancers so finely cast that the draping of their robes appears lifelike

, their robes rendered with the same vermillion and additional green hues and spilling forth upon the ox

, turned slightly to his left, wearing a wide-brimmed hat, elaborate ruff, and richly embroidered robes

of his subjects. He paid meticulous attention to the elaborate robes, wigs, and emblems of office

53.34 cm), Description: Standing beside one another wearing golden robes, the two red-headed figures in

-like chiffon panels that cascade from the bust and hips—evoking the movement of goddess robes caught

depicts a seated man with a serene expression, dressed in a pale celadon green robe. The figure holds a

robe, a secondary mat in deep red or gold can be used for contrast. Technique: Hand-colored engraving

figure of Saint Stephen, clad in golden robes, gazes toward the heavens as he is struck down. A celestial

Chinese motifs. Vases feature mirror images of two women in robes of the era sitting and standing in an

elegance to indoor or outdoor spaces. Modeled after Greco-Roman figures, the sculpture features a robed

unique touch to its classic aesthetic. Modeled in a robe/cardigan style, the coat offers both comfort and

bridges, and scholar figures in flowing robes. The scenes are rendered in varying depths, creating a sense

Boy, July 1935, pg. 5 The White Buffalo Robe, Schutz, pg. 30 Literature: Schoonover, Smith & Dean

bench, clad in flowing robes of pale green and lavender, with hoods draped over their heads. Their body

robes, is captured in a moment of introspection, her posture one of quiet melancholy. Her head rests

depicts a Manchurian Lady in traditional headdress and robe bejeweled with jade ornaments. The black robe

by the whisper of silk robes and the distant chime of temple bells. Suspended across this tranquil

their robes—highlighted with gold, olive green, purple, and rose—reflect the technical mastery of

robe, delicate detailing, and remaining traces of original gilding highlight the exceptional

more widely remembered as Philip the Handsome. Shown crowned and robed in state attire, Philip holds a

and acceptance, while the angel appears in flowing robes, holding a palm branch. A dove descends above

tiered plinth. The patterned robe and cloth hanging down in the front of the plinth are typical of