The Robe

robe, delicate detailing, and remaining traces of original gilding highlight the exceptional

more widely remembered as Philip the Handsome. Shown crowned and robed in state attire, Philip holds a

and acceptance, while the angel appears in flowing robes, holding a palm branch. A dove descends above

tiered plinth. The patterned robe and cloth hanging down in the front of the plinth are typical of

orange robes walks through the temple grounds, symbolizing peace, tradition, and timeless devotion

expression, and flowing robes, embodying the peaceful and compassionate nature of Guan Yin (known as Goddess

Jesus—long robe with gathered pleats, high collar, and simple cincture. His expression is calm and

fluttering and robes rippling. The five additional maiden figurines are also dancing, their dresses and

the wearer’s garments to indicate their rank. Attached to the front and back of a ceremonial robe

dignity and classical balance. Hasselaer appears in formal dress, with a wide ruff collar and somber robes

full ceremonial attire. The crimson robes, highlighted with subtle golden embroidery and a fur-lined

appeals to the imagination to be a standing figure donning a trailing robe, The body was woven using a

sword of wisdom, the figure’s daopao robes retaining some vermillion and cobalt pigment, with gilt

AGIP Robert Cohen. Typed French comment glued at the back: "Mini robe de satin, coiffure inspirée des

depicts a Manchurian Lady in traditional headdress and robe bejeweled with jade ornaments. The black robe

, or financial negotiation. The seated nobleman on the left, dressed in flowing robes, gestures toward

robe, the soft rendering of the cherubic figures, and the glowing divine light highlight the spiritual

. The subject, dressed in a flowing brown robe and wearing a Renaissance-style beret, exudes an air of

flowing robes, gazes downward with a gentle, contemplative expression, while the child's innocent face

offering comfort and the apple in her hands symbolizing the gift of life and knowledge. The flowing robes

the wearer’s garments to indicate their rank. Attached to the front and back of a ceremonial robe

adorned with flowing robes enriched by delicate detailing, representing purity and divinity. She is

Chinese Painted Marble Figure of Guanyin Early 20th Century. The lady draped in elegant robes, a

draped robes. The earlobes are elongated and the hands are in a praying position known as the Namaskara

him in noble attire, including an elaborately pleated ruff and fur-trimmed robe. The engraved oval

delicately detailed, from the serene expression and flowing robes to the intricate headdress, capturing the

remarkable detail, from the Buddha's cheerful facial features to the flowing robes and traditional hand

companions- clad in flowing robes of red and white- appear engaged in a moment of music, leisure, or courtly

folds of her clothing, and her sandals peek from beneath her robe. The woman's black hair is tied back

Saint Luke is set. The Pre-Raphaelite-style image of the evangelist, , wears the loose robes and flowing

with a red folding fan and elaborately embroidered robe in the style of Chinese court dress. He is

technique creates a three-dimensional effect, especially notable in the densely decorated flowers and robes

clouds. Attached to the front and back of a ceremonial robe, rank badges were woven in pairs with

the prayer bell (ghanta), here associated with wisdom (prajna). The deity displays fine robes with

from the early 20th century. Each of the original prints depicts court ladies in ceremonial robes. The

full-length depiction of a Knight Templar in traditional house attire. The figure wears a white robe

expression, embodying the eternal mourning for the departed. Adjacent to the angel, a robed woman stands, her

expression, embodying the eternal mourning for the departed. Adjacent to the angel, a robed woman stands, her

smiling, corpulent youths huddled together. They are dressed in fine robes in complementary colors of

carved image of a Goddess Maiden with wonderful swirling robes and scarf. The cameo is set in silver and

long hair and robes. The ladies are surrounded by floral accents. Finely chiseled bronze. France 20th

departed. Adjacent to the angel, a robed woman stands, her somber posture accentuating the tomb’s solemn

court's approach to attire. Stepping away from the conventional robes and gowns, she embraced lighter

, flowing robes and stands atop a period base.

breath taking. From the majesty of the lead figure in his coloured robes to the expression of the

highly symbolic of his artistic career. The vase features a sainted, robed figure, like many he captured

and back of a ceremonial robe, rank badges were woven in pairs with identical imagery. One remained in

features of the woman's face and the intricate patterning of her robe were painted first, followed by the

through the composition. The flowing robes, expressive faces, and intricate textures demonstrate the skill

Honourable Henry Carr Glynn This charming bronze sculpture depicts a jovial monk in traditional robes, his

portrait, emphasizing the king’s stately attire, from the richly embroidered robes to the intricately

embroidered robe and holds a fan. Her elaborate hairstyle is decorated with ornamental hairpieces, a detail

circa 1893 the composition is of a blonde haired maiden in the foreground, dressed in a flimsy robe

, robed and barefoot, pours water over his head. Overhead, the Holy Spirit descends in the form of a dove

figure is draped in painted yellow robes, which catch the light with a soft, golden sheen, conveying

rabbi is dressed in a long black robe, which reaches the floor, and is partially visible under his cream

robed figures and a period-style iron fence adds to the sense of 19th-century atmosphere and