The Robe

Figures dressed in traditional Moroccan robes and head coverings—carefully observed in their distinct postures and gestures—convey a sense of daily rhythm and cultural vitality.

Behind the donors, a group of elders and religious figures wearing turbans and robes emerges from the building’s dark entrance, emphasizing the ceremonial and communal character of t...

Plate No.34, "Juif" (Jew), presents a scholarly, bearded man clad in a green tunic and ochre-gold robe, cinched with a crimson sash. A hooded white cloth frames his face, suggesting ...

The left portrait (January 8, 1870, Judges No. 3) depicts a senior judicial figure in traditional robes, captioned “The majesty of the law.” The restrained posture, muted tones, and ...

The strong vertical stance, flowing robe, and restrained palette give this print a dignified, architectural presence.

An Important Chinese Carved Wood Figure of Guanyin, Ming Dynasty, 17th Century Description: A dignified portrayal of the bodhisattva, resplendent with blue-black pigment detailing t...

His meticulous craftsmanship, evident in the delicate gold leaf work and the subtle yet profound use of color and texture, pays homage to yugen, the classical elegance of Japanese be...

Vases feature mirror images of two women in robes of the era sitting and standing in an outdoor setting with birds and flowers.

Story illustration for "Beaver Woman's Vision" by James Willard Schultz, published in The American Boy, July 1935, pg. 5 The White Buffalo Robe, Schutz, pg. 30 Literature: Schoono...

The Buddha’s finely detailed robe is adorned with intricate floral motifs, and the surface retains much of its original gilding.

The figural scene depicts immortals or attendants engaged in ceremonial offering, including a gourd-wielding figure and scholar, each painted in famille rose enamels with strong outl...

Each figure is rendered in flowing classical robes, with animated gestures and stylized drapery.

The mother and child figure has a large chip to the childs's robe and back foot. The fisherman has repairs to the his basket, his bucket, and the base of his robe as as well as a chi...

The figure possessing a headdress with remnants of gilt and vermillion application, their robes rendered with the same vermillion and additional green hues and spilling forth upon th...

The painting is executed with exceptional skill, capturing Dai Yu with realistic facial features and a finely detailed, floor-length flowing robe. Surrounding the central figure is a...

He holds his right hand in the dharmachakra mudra, the gesture of teaching, and in his left, holds a flaming jewel close to his chest, an emblem of the precious rarity of the enlight...

The wings are all four removable. The faces and robes show signs of the original paint. These are extremely special figures, acquired from an exclusive private collection they are av...

Figurine, Sanda ware, by Kinkodo Kisuke, Edo period, ceramic, celadon glaze This ceramic piece depicts a seated man with a serene expression, dressed in a pale celadon green robe. Th...

Set against a deep cobalt blue sky, a monumental golden sun and radiant yellow dome dominate the composition, while a robed abstract figure in blue and violet stands to the left, len...

The attention to detail in the craftsmanship is evident in every aspect of the bust, from the intricate facial features to the delicate folds of the bishop's robes. This artifact not...

Atop the bowl are two maidens in mid-dance, with their ribbons fluttering and robes rippling. The five additional maiden figurines are also dancing, their dresses and robes billow...

Their animated poses and brightly colored robes give the scene warmth and charm. The folded fan above contains a delicate waterside landscape painted in soft tones of blue, green, an...

The pair is depicted in mirror-image poses, each standing on a stylized naturalistic rocky base and holding a gnarled staff in one hand while presenting a Lingzhi fungus of immortali...

His meticulous craftsmanship, evident in the delicate gold leaf work and the subtle yet profound use of color and texture, pays homage to yugen, the classical elegance of Japanese be...

A fascinating example from his early series of Orientalist works, this sculpture displays extraordinary attention to detail: the intricate armour, flowing robes, chainmail headdress,...

One twin wearing an outer robe of green and inner robe of yellow. The other wearing an outer robe of mauve and an inner robe of lighter green, his shoulders exposed.

This piece features delicate facial features, serene expression, and flowing robes, embodying the peaceful and compassionate nature of Guan Yin (known as Goddess of Mercy in Chinese ...

In this painting, an aristocratic French lady is depicted in the guise of Mary Magdalene, wearing classical pink and blue robes, holding the alabaster ointment jar she used for anoin...

Perugini, presents a cardinal in full ceremonial attire. The crimson robes, highlighted with subtle golden embroidery and a fur-lined mozzetta, denote his high rank within the Cathol...

The composition shows a woman and two men, all dressed in detailed robes and garments. The woman holds a fan and wears an elaborate headdress, while the men are shown in flowing laye...

Next to the picador is another figure, depicted using a crisp watercolor outline and sparse graphite hatching along what might be the figure's robe. The majority of the piece is rend...

The standout design includes a white knit print at the hem, adding a unique touch to its classic aesthetic. Modeled in a robe/cardigan style, the coat offers both comfort and structu...

The daring backless design is framed by a sensual cut-out and anchored by fluid, wing-like chiffon panels that cascade from the bust and hips—evoking the movement of goddess robes ca...

Attached to the front and back of a ceremonial robe, rank badges were woven in pairs with identical imagery.

The lady draped in elegant robes, a child atop a deer at her side, painted red and yellow.

The Bishop figures feature flowing robes, expressive faces, and the iconic tall hat associated with Eastern Orthodox clergy.

The distinctive textiles, fringed robes, jewelry, bows, arrows, and weapons are drawn directly from archaeological reliefs found in the palaces of Nineveh and Nimrud.

Vajradhara’s robe is placed around the shoulders in a style evolved from the Central Asian cloudcollar.

Bacon is shown half-length, turned slightly to his left, wearing a wide-brimmed hat, elaborate ruff, and richly embroidered robes. The portrait is framed within an oval set into a re...

Framing the field is a chorus of radiant borders—bands of slate blue, flame red, golden ochre, and ink blue—layered like ceremonial robes or painted temple thresholds. These contrast...

Attached to the front and back of a ceremonial robe, rank badges were woven in pairs with identical imagery.

Through soft brushstrokes and a tranquil palette, the angel embodies a celestial presence, her gaze offering comfort and the apple in her hands symbolizing the gift of life and knowl...

Ubiquitously found on the royal court robes of the Qing Dynasty as the bottom border, they were borrowed and used on these rugs as auspicious symbols as well.

Here, the Buddha performs what appears to be the varada mudra—the gesture of compassion and bestowal—with both hands gently extending downward. The cascading robe, delicate detailing...

The figure wears stylized, flowing robes and stands atop a period base.

Alongside her, richly dressed men in fur-lined mantles, decorated caps, and warm earth-toned robes represent the elite status and winter attire characteristic of the region.

One figure wears a bold red robe, while the other dons pastel green with a rose-colored accent.

It depicts a Manchurian Lady in traditional headdress and robe bejeweled with jade ornaments. The black robe with silver mica highlight lines contrasts sharply with the vegetable pig...

The subject, dressed in a flowing brown robe and wearing a Renaissance-style beret, exudes an air of contentment and mirth, making this work a delightful representation of the age-ol...

The scene is set against a classical architectural backdrop, where the central figure of Saint Stephen, clad in golden robes, gazes toward the heavens as he is struck down.

Description: The cavity in the back identifying the figure as a devotional statue, depicting a man in the scholarly attire typical of Daoist figures, clothed in a guan hat with lobed...

The woman's poised, seated position evokes a sense of serenity, while the artistry in her attire and the folds of her robe adds depth and character to this remarkable 19th-century sc...

The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the gol...

The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the gol...

Each of the original prints depicts court ladies in ceremonial robes. The woodblock prints have good color and are signed with a red seal stamp.

The figure stands with one arm raised, grasping a thunderbolt, while the other holds the draped edge of his robe. His body is rendered with muscular precision, the form partially cov...

The frame showcases an organic form that appeals to the imagination to be a standing figure donning a trailing robe, The body was woven using a technique called Ajiro-Ami in Japanese...

The Pre-Raphaelite-style image of the evangelist, , wears the loose robes and flowing hair of an apostle as he works on his gospel.

Solo Exhibitions: 2090, Musées Royaux des Beaux-Arts de Belgique, Brussels (retrospective) Museum and Gallery Holdings: Antwerp: Woman in Despair; A Parisian Sphinx; Authorised Be...

The figure is seated with robes flowing over a classical throne while his face is pensive and lost in thought.