The Robe

beautiful detail work on the robes in metallic golds. Unlike many of his costume pieces, this portraiture

Inspired by traditional Japanese kimonos, this sumptuous Olivia von Halle robe is cut for a fluid

Inspired by traditional Japanese kimonos, this sumptuous Olivia von Halle robe is cut for a fluid

the headband and borders of the robe.. Age: Burma, Mandalay Period, 19th Century Size excluding stand

pieces on the headband and borders of the robe. Age: Burma, Mandalay Period, 19th Century Size of Buddha

colorful glass pieces on the headband and borders of the robe. Age: Burma, Mandalay Period, 19th Century

glass pieces on the headband and borders of the robe. Age: Burma, Mandalay Period, 19th Century Size

proportioned and finely painted, with details of the robe and the saint's facial features. The painting has

carving of the robes and face; sculptures of neoclassical taste. Measures: H. 100 cm - rectangular base

(late Edo to early Meiji period). The robe was woven from a natural bast-fiber (known as Asa) likely

robes of a Tibetan Buddhist monk, the individual depicted in this portrait was probably a teacher of the

of the robe. Age: Burma, Mandalay Period, 19th Century Size: Height 61.5 C.M. / Width 47.5 C.M

symbolism of the robe. The four smaller squares in the corners are white silk with scrolling pattern and

robes of the people and their animals. Artist: Robert Alott Austrian, 1850-1910 An Oasis in the

and/or prayer position with his eyes closed and dressed with a gilt robe. The borders of the long

, symbolizing meditation and wisdom. The carving showcases detailed drapery folds on the robes, which retain

, and the folds of the robe. Ideal as a decorative object of spiritual character, for sophisticated

, and the folds of the robe. Ideal as a decorative object of spiritual character, for sophisticated

attitude, tenderly holding the Child in his arms. The meticulous treatment of the gilding on the robes is

display condition. Some age signs like cracks and missing gilt. The cracks on the robe of the Buddha right

used scraps of discarded fabric to patch into a robe that was deemed scared. Kesa was worn above the

understanding of form beneath the robe. An original casting flaw is visible in the lap beneath the robe, a

Vintage brass Buddha statue; the robe is richly decorated with detailed patterns. The Buddha sits

robe over Venus’ lap is parcel gilt with floral motifs, and Cupid’s robe is coloured a rich turquoise

mudra on his lap. The well modeled robes are draped in an arch-shaped cowl around the neck covering the

this Buddha is the treatment of the robe. The rippling folds, derived from sculptural traditions

Artist: Jim Dine Title: Olympic Robe Medium: Lithograph Image Size: 35" x 27" Frame Size: 49 1/2" x

Kesa. This completes the symbolism of the robe: the four squares in the corners represent the Four

The white porcelain statue of a sitting Buddha dressed in a blue robe and holding a lotus flower is

((jōin mudra). The Buddha is in fine condition with a beautiful ivory-colored face and the robes are

dressed in royal regalia, wearing ornate, gilded robes, bejweled ornaments and a tall, conical headdress

deep meditation. It is surrounded by the ribbons of the robe. Great detailing all around and a rich

robe, which enhances the emotional weight of the sculpture . The long, flowing robe reflects the

handmade base that has been with the figure a long time. The robes are worked with the gold fleck accents

Magnificent Limestone Torso of Buddha With arms slightly angled, the figure is wearing a long robe

Robes of the Greek Empresses is a lithograph on paper realized in 1862. The artwork belongs to the

merge. The subtle drapery is conceived in such a way that the robes virtually flow into one another

robes with floral and geometric motifs Original gilt surface with attractive age-related wear and red

constellation-like shimmer across the surface. The robes are elegantly defined with flowing lines, enhancing the

gesso with multiple small coloured glass disks forming ornamentation on the robes and the headdress. The

The big white porcelain statue of a sitting Buddha dressed in a blue robe and holding a lotus

different phases in Buddha's life on the robe. It has a very fine and intricate workmanship. A long process

the robes and the texture of the urns. These pieces stand out both for their decorative value and

pattern on the robes over one shoulder the head with elongated earlobes and peaked ears, domed usnisa with

representing the hair of the Buddha, with loss as pictured. Open caped robe with high angled folds to the arms

robes have become the hallmark of his oeuvre. Dine studied at the University of Cincinnati and the

inspired by the popular ‘robe à la française’ but with modifications due to her age. These remained

simple robes. He stands upon a double lotus pedestal with hands clasped in front of him, eyes cast

Gucci, tweed robe. The item is in very good condition.

hands appear to have been intentionally modeled as folded within the robes, a stylistic choice rather

, still retains the bright colors of the robes and surrounding landscape. An ornate painted gold and blue

. The hill is decorated with light green floral designs, matching the colors of the robes worn by some

, and often had their likenesses depicted atop the robed body of a sphinx. We are unsure what this

Mudra (meditation gesture). The statue is crafted from cast bronze. The robe is heavily engraved with

surface. The robe is spot-fixed to the linen fabric and edged with a narrow 2.0 cm teak frame. Extremely

the moody, atmospheric background. The intricate details of the robe, adorned with floral and animal

, eyes gently lowered, and robes cascading in rhythmic folds, her crowned head framed by stylized lilies