Top Hat Antique

introduces his nephew to a fashionable acquaintance. In the background, a crowd of top-hatted figures strolls

earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss

rock crystal with the image of a chimney sweep holding a ladder and dressed in tails and top hat. The

hand-painted, it depicts a surprised couple - a top-hatted, cloaked gentleman grasping a birdcage, and

his heart in a gesture of honor. The frontal stance of the candidate, as well as his top hat, tailored

Control - featuring an illustration of John Bull wearing a red jacket and top hat stopping the British

detail across this painting is quite special, horse drawn carriages, gentleman with top hats and canes

in riding coats and top hats. A hound at the front adds to the atmosphere of English sporting life

a top hat pulled down over his face carrying an umbrella and pointing forward with his head lowered

opened, a small man dressed in a tuxedo and top-hat can be seen. The dapper man's attire is represented

black double-breasted tailcoat with brass buttons, the top hat and walking stick. In the background we

short waistcoat and the look completed with top hats, unpowdered hair, riding crops and monocles

English hand carved folk art articulated jigger doll. With brilliantly shaped shoes, moustache and top hat

hooks. The top of this wrought iron coat rack forms a generous hat shelf, ideal for winter hats, straws

hallmarked sterling silver cover modelled in the form of the frog's top hat. The cover opens to allow

upright stance, and the confident use of costume to convey social position. The top hat, cane, and formal

for his command. The next gentleman is seen standing with a green undercoat, gray overcoat and top hat

mixed on the board for the background. Your eye focuses on the red topped hat, the colour, just as

excess, advances confidently before a crowd of nearly indistinguishable onlookers. The man’s top hat

height, securely connected to the lamp base. A metal finial completes the top. Originally used as a hat

hand carved folk art articulated jigger doll. With charming hand carved boots, moustache and top hat

one end, with ladies in crinolines with parasols, men in top hats, fishermen and their boats drawn up

long yellow coats, black top hats, and identical expressions of resolute enthusiasm. They march forward

base. The figure showcases metal pin eyes, hand painted detail including a top hat and weathered orange

early 20th Centuries. He was typically depicted as a dapper little man, wearing a top hat and dress suit

flower head motifs. Hallmarked, sterling silver. Excellent Condition. Length 6.50", Hat pin top 1 5/8" x

traditional black riding habit and top hat. The rider holds a crop and the reins with poise, set against a

brooding, with dark eyes beneath a battered top hat. He wears a mismatched outfit—a striped shirt, red

, lost in whisper or reverie, his top hat and curled mustache evoking the bohemian elegance of Belle

cream-colored stockings. His black top hat and ceremonial axe add a sense of festive formality to the

appears to be a document. The subjects are dapperly dressed with his top hat in his hand, trimmed haircut

with red silk fringe. The dark blue knob on the top indicates that this particular hat was a Qing

popularized by movie actress Marlene Dietrich (see our photo of her in top hat and white-tie tux), jazz

figures, one wearing a special red jacket while the rest wear blue or white. One westerner in a top hat at

Prince of Wales, can be seen dressed for a fox hunt with top hat and red riding coat. It commemorated the

“A professor of strong languages,” portrayed standing confidently with top hat and cane, capturing

Curiosity Shop', first published in 1840–41. Brass is portrayed here in his long black coat and top hat

headmaster of Dotheboys Hall. In his left hand he clutches a worn top hat, and in his right, a card, perhaps

expression. His plaid waistcoat, red neckerchief, and top hat add flair to his youthful and slightly absurd

collar, and top hat—his expression beaming with his trademark delusional confidence. The illustration

classic Victorian flair: his checkered waistcoat, striped trousers, red cravat, and slouching top hat all

, 1870, Statesmen No. 42) shows a bearded gentleman wearing a top hat and holding a cane, captioned “The

) shows a senior British statesman captioned “A military difficulty.” Seated and heavyset, with top hat

with top hat and cane. While not named directly on the sheet, the portrait follows Vanity Fair’s

. He is dressed in civilian clothes with the reins in one hand and his top hat in the other. The

, and shoes. This man, like the central figure, stands with his hands on his hips. A green top hat, pair

corner. Minor stains in top hat, minor soiling in margins, and various areas of crinkling. Signed by

is depicted here mid-stride, his frail figure wrapped in a green overcoat and high top hat. A striped

a black top hat clutched in its mouth. In the background, a river winds past islands toward a bridge

portrays Gladstone in profile, dressed in the formal attire of a late Victorian gentleman: a tall top hat

curiosity. Another islander seated to the right tries on a European top hat, his expression caught between

stands in the night after a long day, in the shadows while the wealthy men in top hats walk the lighted

37.5 cm The box holds two Mandarin’s cone shaped hats: the summer hat in the top tier, and the winter

painted in 1916. It is a super oil painting of a seated gentleman with a top hat and cane. Great brushwork

gentleman rests his right hand on his lap while his left hand casually grips his black top hat. The

hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn

a Victorian gentleman including a tall silk top hat, long overcoat, and neatly trimmed white beard