Used Traps

Three others in the foreground, including two equestrian women, gather around a group of children who have been gathering flowers and trapping birds. Another of the children holds a ...

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

Smith’s structures effectively function as containers for “housing” phrases and ideas that have become trapped in consciousness through saturating news reports, overheard conversatio...

Inspired by Edvard Munch's "The Scream", 1893 Edition 1 of 7 and 2APs “Ode to Munch’s ‘The Scream’” depicts a non-binary subject trapped in an infinite scream against a New Orleans ...

Inspired by Edvard Munch's "The Scream", 1893 Edition 1 of 3 with 2APs “Ode to Munch’s ‘The Scream’” depicts a non-binary subject trapped in an infinite scream against a New Orleans...

Smith’s structures effectively function as containers for “housing” phrases and ideas that have become trapped in consciousness through saturating news reports, overheard conversatio...

Inspired by Edvard Munch's "The Scream", 1893 Edition 1 of 5 with 2APs “Ode to Munch’s ‘The Scream’” depicts a non-binary subject trapped in an infinite scream against a New Orleans...

These motifs are not merely decorative; they are “latch-hook” symbols designed to guard the home and trap evil spirits. The drawing is characterized by its “primitive” honesty, the s...

That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people p...

Pairpoint is known for three kinds of glass lampshades, originally produced from the mid-1890s through the mid-1920s: reverse painted landscape shades (where the glass is hand painte...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

The Kiln Reaction When the vase entered the firing kiln at high temperatures (usually between 1000°C and 1050°C), a fascinating chemical reaction took metallurgical place: • Upon hea...

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

His aim was to encourage the spirit of the place to become trapped in the emulsion like amber creating a series of surreal interventions in the photographs.

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

I was experimenting with trapping alcohol ink inside circular objects. I got frustrated at one point and dragged the ink out diagonally.

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

Two figures, each as aged and gray as the shack itself, indicate the long hard work of fishing and trapping lobsters. This image may have been one of Malvin Marr's most widely seen...

The roof then collapsed, crushing the trapped prisoners. The Ohio militia and guardsmen were called to control the prisoners, but the local fire department was not called until it ...

The Kiln Reaction When the vase entered the firing kiln at high temperatures (usually between 1000° and 1050°), a fascinating chemical reaction took place: • Upon heating, the silico...

On the cover of this portfolio book an image of a tiger with its paw caught in a metal trap. 1 – title leaf 1 – colored map titled: “Map of the strait settlements and federated Malay...

By covering the piece, the air trapped in the holes cannot escape and is sealed like a perfect bubble.

The Kiln Reaction When the vase entered the firing kiln at high temperatures (usually between 1000° and 1050°), a fascinating chemical reaction took place: • Upon heating, the silico...

The Kiln Reaction When the vase entered the firing kiln at high temperatures (usually between 1000° and 1050°), a fascinating chemical reaction took place: • Upon heating, the silico...

The Kiln Reaction When the vase entered the firing kiln at high temperatures (usually between 1000° and 1050°), a fascinating chemical reaction took place: • Upon heating, the silico...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncra...

The amount of naturalism within an artist's production is measured by the awareness that, contrary to the act of painting, a creation ex nihilo, in this case we are dealing with form...

By covering the piece, the air trapped in the holes cannot escape and is sealed like a perfect bubble.

By covering the piece, the air trapped in the holes cannot escape and is sealed like a perfect bubble.

By covering the piece, the air trapped in the holes cannot escape and is sealed like a perfect bubble.

I was experimenting with trapping alcohol ink inside circular objects. I got frustrated at one point and dragged the ink out diagonally.

By covering the piece, the air trapped in the holes cannot escape and is sealed like a perfect bubble.

By covering the piece, the air trapped in the holes cannot escape and is sealed like a perfect bubble.

By covering the piece, the air trapped in the holes cannot escape and is sealed like a perfect bubble.

Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals rec...

By covering the piece, the air trapped in the holes cannot escape and is sealed like a perfect bubble.