White Clad

The cabriole legs are clad in Medium Hammered White Bronze on the full S-curve without visible join.

The front and both sides are sculpted from solid teak, the abstract organic carving drawn from one of Stephanie Odegard's rug designs covering each face in three-dimensional relief. ...

Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth White Bronze surface will gradually mellow in tone over t...

Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth Antiqued White Bronze surface will gradually mellow in to...

The front and both sides are carved from solid teak, the abstract organic pattern drawn from one of Stephanie Odegard's rug designs covering each face in three-dimensional relief. Th...

The front and both sides are sculpted from solid teak, the abstract organic carving drawn from one of Stephanie Odegard's rug designs covering each face in three-dimensional relief. ...

Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth Antiqued White Bronze surface will gradually mellow in to...

Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth White Bronze surface will gradually mellow in tone over t...

The front and both sides are carved from solid teak, the abstract organic pattern drawn from one of Stephanie Odegard's rug designs covering each face in three-dimensional relief. Th...

The Smooth Antiqued White Bronze metal cladding is fitted over the carved solid-teak faces, the metal following the relief to preserve the three-dimensional surface beneath.

The sculpture covers the front and both sides. The Smooth Antiqued White Bronze metal cladding follows the carved surface, the metal fitted over the three-dimensional relief to prese...

The pattern is fluid and three-dimensional across the front and both sides, interlocking organic forms that the Smooth White Bronze metal cladding follows precisely, the metal presse...

Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth White Bronze surface will gradually mellow in tone over t...

The sculpture covers the front and both sides. The Smooth White Bronze metal cladding follows the carved surface, the metal fitted over the three-dimensional relief to preserve the o...

The pattern is fluid and three-dimensional across the front and both sides, interlocking organic forms that the Smooth Antiqued White Bronze metal cladding follows precisely, the met...

The floral motif is carved into solid teak before the Medium Hammered White Bronze cladding is pressed into the relief to preserve the pattern.

The pattern is abstract and fluid, interlocking curved forms that read differently depending on the angle and the light. The Smooth Antiqued White Bronze metal cladding is applied ov...

The top and sides are clad in the same Smooth White Bronze surface. The wood is carved to the floral pattern before Smooth White Bronze metal sheets are pattern-cut and fitted by ha...

The top and sides are clad in the same Smooth White Bronze surface. The wood is carved to the floral pattern before Smooth White Bronze metal sheets are pattern-cut and fitted by ha...

The carved surface covers the full front, sides, and top; the Medium Hammered White Bronze cladding follows the relief, preserving the floral forms beneath the metal.

Cabriole legs are clad in Medium Hammered White Bronze on the full S-curve.

Flush-set nails secure the metal at every seam. Cabriole legs are clad in Medium Hammered White Bronze on the full S-curve.

The cabriole legs are clad in Medium Hammered White Bronze on the full S-curve.

The cabriole legs are clad in Medium Hammered White Bronze metal on the full S-curve.

The Smooth White Bronze metal cladding is fitted over the carving, the metal pressed into the relief to preserve the floral pattern beneath the surface.

The relief is pressed into the wood before the Fine Hammered White Bronze cladding is applied, the metal following the carved forms so the floral pattern reads through the surface.

The relief is pressed into the wood before the Smooth Antiqued White Bronze cladding is applied, the metal following the carved forms so the floral pattern reads through the surface.

The front and sides are carved from solid pieces of teak by hand, the abstract organic forms drawn from one of Stephanie Odegard's rug designs. The Smooth Antiqued White Bronze metal...

The Smooth White Bronze metal cladding is fitted over the carved solid-teak faces, the metal following the relief to preserve the three-dimensional surface beneath.

The flat back edge sits against the wall, fully clad in Smooth White Bronze like every other surface.

Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Medium Hammered White Bronze surface will gradually mellow in to...

The front and sides are carved from solid pieces of teak by hand, the abstract organic forms drawn from one of Stephanie Odegard's rug designs. The Smooth White Bronze metal cladding...

Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth White Bronze surface will gradually mellow in tone over t...

Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth Antiqued White Bronze surface will gradually mellow in to...

All surfaces are fully clad in Smooth White Bronze, including the flat back.

The legs are hand-carved from solid teak and clad in Smooth White Bronze metal from foot to apron; the top and serpentine apron are fitted in the same surface.

All surfaces, including the flat back, are fully clad in Smooth White Bronze metal. The serpentine apron follows the curve between the three legs.

The pattern is abstract and fluid, interlocking curved forms that read differently depending on the angle and the light. The Smooth White Bronze metal cladding is applied over the sc...

The top and sides are clad in the same Fine Hammered White Bronze surface.

The top and sides are clad in the same Medium Hammered White Bronze surface.

The top and sides are clad in the same Medium Hammered White Bronze surface.

The top and sides are clad in the same Smooth Antiqued White Bronze surface.

The top and sides are clad in the same Smooth Antiqued White Bronze surface.

The top and sides are clad in the same Fine Hammered White Bronze surface.

The Medium Hammered White Bronze metal cladding follows the carved botanical surface, the metal pressed into the relief to keep the floral forms visible.

The arms are included in the metal cladding — the Smooth White Bronze skin runs across the arm rests and down their edges with the same flush-set nail lines that mark every seam thro...

The drawer pulls are formed from the Smooth Antiqued White Bronze cladding of each drawer front. Interior: smooth drawer boxes on fitted runners.

The Fine Hammered White Bronze metal cladding is fitted over the carving, the metal pressed into the relief to preserve the floral pattern beneath the surface.

The drawer pulls are formed from the Fine Hammered White Bronze cladding of each drawer front. Interior: smooth drawer boxes on fitted runners.

The Smooth Antiqued White Bronze metal cladding is fitted over the carving, the metal pressed into the relief to preserve the floral pattern beneath the surface.

The profile curves inward at the waist and flares at the top and base, an hourglass silhouette derived from the metal-clad storage furniture of Rajasthan. The entire exterior is clad...

The Smooth White Bronze metal cladding is pressed into the carved relief to keep the pattern visible through the metal.

The Smooth Antiqued White Bronze metal cladding is pressed into the carved relief to keep the pattern visible through the metal.

The cabriole legs are clad in Medium Hammered White Bronze on the full S-curve.

The Fine Hammered White Bronze metal cladding is pressed into the carved relief to keep the pattern visible through the metal.

The Medium Hammered White Bronze cladding follows the carved relief, the metal pressed into each form so the pattern reads through the surface.

The Smooth White Bronze metal cladding is fitted over the carved relief so the floral pattern reads through the metal.