William Kent

A FINE GEORGE II STONE-WHITE PAINTED OVERMANTEL IN THE MANNER OF WILLIAM KENT, Circa 1740.

A Fine and Important Late 19th Century Giltwood Side Table in the Style of William Kent, English c.1880 This slab table, as they were known in the 18th century, supports its origina...

A fine pair of carved pine and specialist aged gesso decorated floor standing columnar Hermes in the manner of William Kent.

A George II palladian frame in the manner of William Kent, circa 1740. Later restored with glazed silver finish.

George II style giltwood and grey marble eagle console table with a grey rectangular marble top over a frieze carved with vitruvian scrolls, carved eagle support sitting on faux agat...

A MAGNIFICENT GEORGE II STONE-PAINTED PIER GLASS IN THE MANNER OF WILLIAM KENT, CIRCA 1730. Carved in lime wood and Baltic pine.

In the manner of William Kent with arched pediment with central cartouche above a mirror plate set in a wonderfully carved frame featuring egg and dart and gadrooning , trailing leav...

Likely Irish in origin it has a somewhat William Kent influence. It sits on thick gilt and ebonised pied de biche feet with acanthus leaf collar and it's carved gilt frieze has strik...

A carved gilt-wood, marble topped side table, inspired by William Kent, with central boars head, lion mask, oak leaf garlands and acanthus carved cabriole legs on oversized hairy paw...

A superb quality antique 18th Century painted pine overmantle in the style of William Kent, having a round opening in the centre for a mirror or more possibly and oil painting, with ...

The design is inspired by Italian renaissance sgabello chairs seen by William Kent and others on their European Grand Tours.

A fine William Kent design marble topped console table. The marble sits over a patterned frieze and pierced pendant cartouche flanked by fruited swags, on foliate incurved legs joine...

A fine William Kent design banquette seat with carved under frieze supported by S scroll and scale decorated legs, united by floral swags centred by a Kentian face mask.

A fine early 18th Century carved Georgian Palladian mirror, the overscale cartouche flanked by swan neck pediment having egg and dart carved molding with foliate bursts, the frame wi...

Mid Century English Porcelain Staffordshire Ware Figure of A Hound, By William Kent C.1950 Earthenware, hand-painted with overglaze enamels A well executed example, in the 19th Cent...

Our Kingston bench is inspired by the artistry of polymath William Kent and the historic benches of Versailles.

A fine mid-Georgian design in the 'William Kent' style with a carved shell flanked by husk swags and fluted jambs.

A very fine English marble top console table in the manner of William Kent, having features found in documented examples of Kent's work at Chiswick House and Holkham Hall.

An exceptional and beautifully preserved rare pair of period George II looking glasses in the style of William Kent (1685-1748) with beveled mirror plates.

A fine William Kent design chair originally made for Houghton Hall in 1733.

William Roth Born 1754 Portrait of Captain George Meek Oil on canvas, signed & dated 1782 lower right Image size: 25 x 18 ½ inches (64 x 47 cm) Ornate giltwood William Kent style...

Inspired by the robust, architectural furniture of polymath designer William Kent, our Howard console, made of sustainably sourced teak, features a honed light-marble top above a bea...

In the Palladian style associated with architects such as Inigo Jones, Lord Burlington, William Kent and later Robert Adam. Contact us for more information, or view our full range of...

A stunning and most impressive English mid 19th century George II st. giltwood and Brèche Verte marble console in the manner of William Kent. The unique freestanding console is raise...

In the manner of William Kent. The square walnut form is distinguished by boldly carved cabriole legs, each shoulder adorned with expressive grotesque masks that transition into real...

However, William Linnell is known to have been involved in some of Kent’s commissions and he may have taken influences from some of Kent’s work when working on this series of pieces.

Georgian decorative arts are particularly recognizable and desirable, and include the eloquent pottery designs by Josiah Wedgwood, and the exquisite craftsmanship and silhouettes of ...

A original pastel and graphite drawing on archival paper by William Steeple Davis depicting the Old Mill in Bexley, Kent, viewed from across a river with a stone bridge and flanked b...

Designed by owner of the hall, Thomas Coke, 1st Earl of Leicester (1697-1759), alongside Lord Burlington and architects, William Kent and Matthew Brettinghan, the main hall was compl...

Kent wrote to William A. Kittredge, Lakeside’s then-Director of Design and Typography, that he considered "Moby-Dick….. a most solemn, mystic work," and that the "whole book is a wor...

The graphics and design were by Charles Walker/Brett Buchanan/William R. Hannah/ Tarragon Graphics. William Hanna also designed for Knoll and Knoll international.

A original mixed media drawing on archival paper consisting of charcoal and pastel, depicting All Saints Parish Church in Maidstone, Kent. Signed and dated by the artist, William St...

This Chelsea Gold Anchor porcelain figure of Shakespeare is after a statue by Peter Scheemakers from a design by William Kent in Westminster Abbey. Depicts Shakespeare standing with...

The club is housed in the only surviving town house designed by renowned Georgian architect William Kent, and the architecture and interiors make it one of the most elegant clubs in ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisite hand carved Victorian Mahogany pedestal stand for displaying antiques Please note the deliv...

William Sidney Cooper British, (1854-1927) At Marshside, Kent Oil on canvas, signed & dated 1920, inscribed in pencil verso Image size: 15.5 inches x 23.5 inches Size including fram...

William Sidney Cooper British, (1854-1927) Near Herne Bay, Kent Oil on canvas, signed & dated 1923, inscribed in pencil on stretcher Image size: 19.5 inches x 29.5 inches Size inclu...

Lady Charlotte was buried with considerable pomp in the Tufton vault at Rainham, co. Kent. William Cripps is considered a particularly fine maker who was apprentice to the famous Da...

This painting depicts 3 cows resting by a river, a village with houses and church in the background The size is 67 x 50cm (26¼ x 19½ in. whilst overall the size is 106 cm x 81 ...

Another of his famous admirer was the architect Richard Boyle, known as Lord Burlington which – with William Kent – designed Chiswick House. The White House in Washington, residence ...

This is a superb large antique George II revival carved eagle centre table in in the manner of William Kent, early 20th Century in date. The table has a variegated rouge marble top ...

James Richards is documented as having carved ornaments on chimneypieces at Kensington Palace and was employed by William Kent to execute carved stonework for the Horse Guards and at...

Although of a form often called "Kentian" in the trade due to the formative influence of the designs of William Kent, this piece also incorporates some very early rococo features.

Mixed Media Grant , The Jane Voorhees Zimmerli Art Museum Commission, Recieved Artists Space Materials Grant, New York, NY Visiting Artist Fellowship, Brandywine Workshop, Philadelp...

Mixed Media Grant , The Jane Voorhees Zimmerli Art Museum Commission, Recieved Artists Space Materials Grant, New York, NY Visiting Artist Fellowship, Brandywine Workshop, Philadelp...

The catalogue described the table as: ‘A William Kent gilt wood centre table, with marble top, the frieze carved all round with satyr masks supporting swags of fruit and flowers, an...

This stunning large British Victorian Scottish landscape oil painting is by noted Kent artist William Sidney Cooper. William trained with his great-uncle Thomas Sidney Cooper at his ...

In 1890, they moved to Herne Bay in Kent, living at 18 William Street where their last 2 children were born.

Frame size:- 59 cm high by 44 cm wide. George (William) Beldam was born in Kent 1868 and was a first class cricketer and pioneer of action photography in sport.

Frame size: 49.5 cm high x 36 cm wide. George William Beldam was born in Kent in 1868 and was a first-class cricketer as well as a pioneer of action photography in sport.

Ann was the daughter of William Wilson, recorded in Kent’s Directory for the Year 1794.

Published by the Swan Electric Engraving Company, Northumbria House, 116 Charing Cross Road, London, 1st September, 1905. George (William) Beldam was born in Kent 1868 and was a firs...

Measures: Print 16.50 inch, H 11.00 inch W Frame 29.00 inch, H 21.00 inch W George (William) Beldam was born in Kent 1868 and was a first class cricketer and pioneer of action ph...

England (Dark Blue) 1. William Lucas 2. Alan Kent 3. Julian Hipwood Bk. Howard Hipwood North America (White) 1.

The artists featured include fan favorites to lesser known yet important figures from the eighteenth century to the present day, working in a range of media from painting to photogra...

There is also a George Avenell listed as working in Surrey, as well as William who worked in Alresford (Hants). William Avenell working in Portsmouth and another William Avenell work...