Works In Progress

Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a ...

Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a ...

Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a ...

A one-person show at the Detroit Institute of Arts followed in 1977. Works in Progress, also forsook conventional props.

A one-person show at the Detroit Institute of Arts followed in 1977. Works in Progress, also forsook conventional props.

Exhibition History (Selected Early Exhibitions) Salon d’Automne Paris Juryfreie Kunstschau Berlin, 1926 Freie Kunstschau Berlin, 1929 Preussische Akademie der Künste Berlin, 1930...

Exhibition History (Selected Early Exhibitions) Salon d’Automne Paris Juryfreie Kunstschau Berlin, 1926 Freie Kunstschau Berlin, 1929 Preussische Akademie der Künste Berlin, 1930...

A documented 1930 photograph of his Berlin studio confirms the scale and seriousness of his sculptural practice: a substantial modernist workspace equipped with installed lighting, d...

He produced a number of prints for the Federal Arts Project Works Progress Administration in New York between 1935 and 1939.

Exhibition History (Selected Early Exhibitions) Salon d’Automne Paris 1926 Juryfreie Kunstschau Berlin, 1926 Freie Kunstschau Berlin, 1929 Preussische Akademie der Künste Berlin,...

Exhibition History (Selected Early Exhibitions) Salon d’Automne Paris Juryfreie Kunstschau Berlin, 1926 Freie Kunstschau Berlin, 1929 Preussische Akademie der Künste Berlin, 1930...

Exhibition History (Selected Early Exhibitions) Salon d’Automne Paris Juryfreie Kunstschau Berlin, 1926 Freie Kunstschau Berlin, 1929 Preussische Akademie der Künste Berlin, 1930...

He also participated in the Works Progress Administration (WPA) in the 1930s.

It challenges us to accept that we are all works in progress, and perhaps, in doing so, it demands the recognition of these shared human struggles.

Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as lan...

Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as lan...

Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as lan...

Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as lan...

He was an active participant in the Works Progress Administration, Federal Art Project.

He was an active participant in the Works Progress Administration, Federal Art Project.

With a catalogue raisonné currently in progress, works with clean provenance like this one are increasingly rare.

Beginning in 1936, Kingman was a participating artist in the Works Progress Administration (WPA) created by the federal government to help support the arts.

He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration ...

He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration ...

He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration ...

He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration ...

He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration ...

He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration ...

During the Great Depression, Tamotzu worked for the Public Works of Art Project in New York, but was denied participation in the Works Progress Administration because he was not an A...

During the Great Depression, Tamotzu worked for the Public Works of Art Project in New York, but was denied participation in the Works Progress Administration because he was not an A...

Created by the artist for the Federal Art Project, Chicago Works Progress Administration (WPA). Image size 6 3/8 x 4 5/16 inches (163 x 110 mm); sheet size 8 1/4 x 5 3/8 inches (210...

Created by the artist for the Federal Art Project, Chicago Works Progress Administration (WPA). Image size 5 15/16 x 4 1/2 inches (152 x 114 mm); sheet size 7 3/8 x 5 3/4 inches.

Standing before Chaos, the viewer encounters both strength and vulnerability — a sculpture shaped by reinvention, resilience, and bold artistic vision. More works are currently in p...

He moved to California in the 1930s, and found work as a book illustrator for the Works Progress Administration program in San Francisco.

In 1934, he painted murals for the Ocean Springs High School with the WPA (Works Progress Administration) program. In 1940, after three years of being hospitalized for mental illnes...

During the Great Depression, Turzak became an early participant in the Works Progress Administration, producing murals for federal buildings and creating some of his most enduring gr...

He worked as a book illustrator and industrial designer and was active as a mural painter in the Works Progress Administration (his WPA murals can still be seen in post offices in No...

In 1934, he painted murals for the Ocean Springs High School with the WPA (Works Progress Administration) program. In 1940, after three years of being hospitalized for mental illnes...

Teeming with allegory and symbolism, this large and elaborate study by Eugene Savage for a major mural to be executed in mosaic was painted for the new Queens Supreme Courthouse -- a...

While in the New Hope area, Crosthwaite participated in the Works Progress Administration program, the Historic Building Survey, and the founding of the influential Bucks County Play...

Turzak was among the early artists to participate in the Works Progress Administration, the Depression-era federal program created to employ artists.

A companion painting to another piece in our gallery, this painting -- "Truth and the Seven Deadly Sins" -- served as a study by Eugene Savage for a major mosaic proposed for the new...

In the late 1930s, Kingman served as an artist in the Works Progress Administration, painting over 300 works.

He received early training at art workshops sponsored by the federal government's Works Progress Administration (WPA) in Harlem and then studied at the American Artists School in New...

During the Great Depression, Tamotzu worked for the Public Works of Art Project in New York, but was denied participation in the Works Progress Administration because he was not an A...

During the Great Depression, Tamotzu worked for the Public Works of Art Project in New York, but was denied participation in the Works Progress Administration because he was not an A...

Wells also engaged with broader artistic communities, participating in the Works Progress Administration (WPA) during the Depression and exhibiting at prominent venues such as the Co...

Abramovitz produced murals for the Federal Arts Project Works Progress Administration in New York. His works are in the collections of the Smithsonian Museum of American Art, the Bri...

The bright pinks, blues, oranges and yellows bring a vibrant / slick / cool presence to any interior space. This series of works is currently in progress, I am continuing on with t...

Although he did actively participate in a wide variety of both one-man and group exhibitions at museums throughout the United States, his notoriety was largely derived from a set of ...

A striking example of WPA mural art, this study for one of the murals proposed for the new Queens Supreme Courthouse -- a 1930s Works Progress Administration project in Queens, New Y...

From approximately 1932-1938 he was involved in the Works Progress Administration. Immediately after Japan’s attack on Pearl Harbor in 1941 Tamotzu volunteered his services as a com...

Entitled "Truth and the Seven Deadly Sins" and teeming with allegory, this Art Deco study for a major mosaic was painted by Eugene Savage for the new Queens Supreme Courthouse -- a 1...

Paul, and found a position in the mural painting division of the Minnesota FAP/WPA (Works Progress Administration). In 1936 he contributed “Synthetic Cubist Style” frescoes in the No...

He exhibited in New York, created illustrations for New Masses which advanced the interest of American workers, and worked for the Works Progress Administration in the Roosevelt years.

Striking in conception and execution, this half-portrait of a handsome, blue-eyed young man -- his back to a mirror and his arm folded over a chair -- was painted by Marion Huse, who...

Paul, and found a position in the mural painting division of the Minnesota FAP/WPA (Works Progress Administration). In 1936 he contributed “Synthetic Cubist Style” frescoes in the No...