1stDibs 50

Abstract landscape by Stephen Thomas Rascoe, 1924 - 2008, oil on board. Stephen Rascoe is a classically trainer artist whose works can be found in countless museums and private colle...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

TWILIGHT FJORDSCAPE Size: 58 x 68.5 cm (including frame) Oil on board A moody and atmospheric mid-century landscape painting that captures the rugged beauty of a mountainous fjord s...

Lucien Jonas (1880 - 1947) Men Portrait 1920 Oil on canvas 81 x 65,5 cm Signed and dated bottom right

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

Andrée KARPELES Paris 1885 - Cannes 1956 View of a mountain in Sonarmag, Kashmir region, Himalayan Range About 1910 Oil on canvas Titled “Sonarmag” on the back and numbered “49” ...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: B Year: 1984 Medium: Tempera on Paper, sig...

Damien Hirst Faneel, H13-11, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel Signed, titled, dated and numbered 123/192 on the label on th...

This superb large three quarter length British Old Master portrait in a landscape oil painting is attributed to circle of John Vanderbank the Younger. Painted circa 1738 the sitter is Mrs James Hoste of South Wootton and Sandringham, nee Hammond. She was the daughter of Anthony Hamond and Susan Walpole, daughter of Robert Walpole, and was sister to Robert, 1st Earl of Oxford. She married Major James Hoste of Sandringham, Norfolk, and they had two daughters. The sheen of her blue satin dress against her gold cloak is stunning. A really lovely 18th century portrait with excellent provenance. Inscribed with sitter details lower left. Provenance. By descent within the family of the sitter at West Acre High House, Norfolk; Cheffins, Cambridge, 'West Acre High House' sale, 24 November 2010, Lot 519; Wood Hall, Arkesden, Essex. Literature: 'Portraits in Norfolk Houses', Prince Duleep Singh, 1927, No. 36. Sitter's details on two labels verso. Condition. Oil on canvas, image size is 50 inches by 40 inches and in good condition. Frame. Housed in an ornate gilt frame, 58 inches by 48 inches framed and in good condition. John Vanderbank (1694-1739) was an English portraitist and book illustrator, who enjoyed a high reputation for a short while during the reign of King George...

Justin Pollmann "Day by Daybed" 2023 Inkjet Transfer Collage, Monotype 25"x27.5" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s ...

A moody and expressive depiction of last light by the French artist François Charlier. The artist's bold brushwork and selective palette beautifully captures the mood of the scene, a...

This contemporary abstract painting was inspired by nature. Canadian artist Sandra Goldie’s lyrical paintings’ colours and expressive style are informed by the beauty of the natural...

Pear with a leaf. Artist signed, patinated bronze black marble base 8"x8" Randi Grantham was born and raised in Las Vegas, Nevada and now lives in South Florida. He is a self taught...

Wonderfully painted American impressionist landscape oil painting by Carl Harold Nordstrom (1876 - 1965). Framed. Oil on board. Signed. Image size, 11H by 14L. Excellent conditi...

Artist/ School: French School, indistinctly signed, dated 1910 Title: Portrait of a man seated in a library room of books. Medium: signed oil painting on canvas, unframed canvas...

Rufino Tamayo, Mexican (1899 - 1991) - Sandias, Year: 1977, Medium: Mixographia, signed and numbered in crayon, Edition: 31/100, Size: 29 x 20.75 in. (73.66 x 52.71 cm), Publishe...

Spring Glow 240206 is a rich impressionist landscape painting with soft light and atmosphere. Painted in oils, this painting is 36x48 inches and ships rolled in a tube. -Don B :: P...

Artist: Charles Christopher Hill, American (1948 - ) Title: Socony Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 15/19 Size: 30.5 x 23 inches Frame Size: 33.2...

Paula Valenzuela Bajo tierra (Underground), 2024 Mixed media on canvas 40 x 30 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars. Extern...

This striking 19th-century painting signed "A. Malevolti 1877 Florence" is a fine example of the trompe l’oeil tradition, in which artists skillfully render imagery that "tricks the ...

Louis Aston Knight New York/California/France, 1873-1948 Lake Maggiore, Stresa Oil on panel 10 ½ by 13 ¾ in, w/ frame 17 ¾ by 20 ½ in Signed lower left Born in Paris, France on Aug...

Diana Kurz Casper Gouache on paper 11 x 17 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England and then ...

"Harmonia 43-9" is a framed acrylic painting on canvas by David Skillicorn, with two intertwining circles in pink and deep blue. This piece is finished in a silver floater frame wit...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

A fresh and intriguing composition that keeps you looking at it. The composition is composed of summer greens, whites, blues and lavenders and also conveys figures and movement. Ho...

Au Cœur de l'Atelier is an intimate work that immerses us in the creative world of the artist. Through this oil on canvas, Sophie Dumont invites us to explore the space that precedes...

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

Kathy is an abstract artist who explores a diverse range of mediums and techniques, including painting with oil or acrylic, incorporating paper in collage, and experimenting with pri...

19th Century Indonesian mask made from wood.

Aya Mori was born in Aichi Prefecture in Japan in 1989, and lives and work in Aichi. She studied at Aichi University of Education and completed her M.F.A. in 2014 under her mentor, H...

Sara Fine-Wilson's “Tangle Vase" is a gestural 12.5 x 7 x 7 inch ceramic sculptural vase in cream, light blue and caramel constructed from white stoneware. In this graceful and evocative vessel individual slab elements are assembled and combined with a wheel thrown and altered vase...

ANDY WARHOL (1928-1987) Andy Warhol's 'Four Perrier Bottles' is a unique impression on strong Velin. The reverse is stamped with "The Estate of Andy Warhol" and the stamp of "Andy W...

Gal Gaon (Israeli, b. 1967) is an architect and designer based in Tel Aviv, Israel. His custom work includes tables, desks, benches, consoles, and stools that...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

The Cloud Fruit necklace is a porcelain pendant on a gold vermeil mesh rope (Pendant is 3.5” x 3.25”; Chain is 19”) . It is an edition of 12, with 4 art...

William M. Hart American 1823 - 1894 Outside Frame Size: 36 x 49" (90 x 122cm) Canvas Size: 28 x 41" (70 x 102) Provenance: H.V. Allison Galleries, New York Born in 1823 in Paisley...

BE@RBRICK x Estate of Jean-Michel Basquiat 1000% Companion Vinyl Figure: A nicely sized (27 inch), collectible designer toy piece, trademarked & licensed by the Estate of Jean-Miche...

Gouache on wood

Paper Size: 14.25 x 11.5 inches ( 36.195 x 29.21 cm ) Image Size: 14.25 x 11.5 inches ( 36.195 x 29.21 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

An original gelatin silver print by American social documentary photographer Milton Rogovin depicting a resident of Buffalo's East Side in the early 1960's. This work is hand signed...

Follower of Pierre Gobert 18th century French The Duke and Duchess of Burgundy Oil on canvas Refinement and intricacy characterize these royal portra...

mixed media on cold pressed paper Teresa Vallejos, passionate abstract expressionist painter from Southern California, has been an artist all of her life. She is the daughter of an ...

Aaron Siskind did an iconic and distinctive series of divers photographed at Chicagos Oak Street Beach in the mid 1950's. This series captured everyone's attention for its dynamic c...

Very finely painted mid 20th century American abstract painting. Oil on canvas. In excellent original condition. Excellent condition, ready to hang and enjoy. Simple framing is ...

This painting is from 2018. I have had it in my home for a few years and have decided to change it out. I love the interplay of color and black marks in this piece. It is lively an ...

A rare and poetic nocturne by Swedish artist Hugo Carlberg, Moonlight evokes the hushed stillness of a moonlit landscape. Silvery reflections shimmer across the water as tall trees c...

I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorful,...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Preserver is a dynamic oil painting that showcases Patricia Spergel’s signature fusion of abstraction and organic form. Layers of soft cream, olive, and lavender create a luminous fo...

Antique tonalist river landscape painting. Oil on canvas. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent condition, ready to hang and en...

Lofty group of three mid century palm frond sculptures or wall decor handcrafted in perforated metal having a worn gilt gold tone finish and plenty of decorative appeal. From left ...

European Painter (dated 1925) - Mountain landscape. 62 x 41 cm. Old oil painting on canvas, without frame. - Work signed indistinctly lower left. - Autograph inscriptions and dat...

Rene Fontayne (French, 1891 – 1952) Quay de la Rochelle (Quay au Dames) Oil on canvas Signed ‘Rene Fontayne’ (lower left) 15 x 18.1/4 in. (38 x 46.5 cm.)

Original oil painting signed by the Artist in the lower right corner.

Unknown Artist, in the style of Felix Vallotton - The Other Side, Year: 1974, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 16/80, Image Size: 15 x 21 inch...

Salvador Dalí, a glass dish, for Rosenthal Studio Line, Germany, Ed /3000, dated 1979. In original box, diameter 36 cm. Perfect Condition

Stephen identifies the delicate texture and beauty of the natural oxidation process. Oftentimes a found object initiates his work: By incorporating an object directly, imprinting, or...

Lynn Drexler (American, 1928-1999) The work of Lynn Drexler is characterized by bold color and rhythmic brushwork, contributing to a distinctive sense of abstract harmony. A student ...