Inspired by Dali
The Spirit of Dalí
Shop original works by the Surrealist icon and discover the artists who share his avant-garde vision.
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The Invincible Chariot La biga invincibile - Hand Coloured Italian Surrealism
By Giorgio De Chirico
Located in London, GB
GIORGIO DE CHIRICO 1888-1978
Vólos, Greece 1888 - 1978 Rome (Italian)
Title: The Invincible Chariot La biga invincibile, 1969
Technique: Original Hand Signed and Numbered Lithogr...
Category
1960s Inspired by Dali
Materials
Lithograph
Sculptural White and Red Plaster Bar, 21st Century by Mattia Biagi
By Mattia Biagi
Located in Culver City, CA
This is a new work by Mattia Biagi
Sculptural plaster bar created by a metal structure, plaster+ paper, with light inside.
Category
21st Century and Contemporary American Inspired by Dali
Materials
Metal
"Les valeurs personnelles (Personal Values), " Lithograph after Rene Magritte
By René Magritte
Located in Milwaukee, WI
"Les valeurs personnelles (Personal Values)" is a color lithograph after the original 1952 painting by Rene Magritte. This interior scene has objects of various sizes. A comb, match, brush, and glass are bigger than typically larger objects like a queen bed and chest of drawers. The walls are a bright cloudy sky.
Art: 19.63 x 4.75 in
Frame: 34.13 x 38.88 in
René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts.
René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother.
Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers.
In 1926, René Magritte signed...
Category
Early 2000s Surrealist Inspired by Dali
Materials
Lithograph
Surrealist standing lamp by Salvador Dalí model "Muletas" white linen shade
By (after) Salvador Dali
Located in Barcelona, ES
A standing lamp taken from Dalí’s designs for Jean Michel Frank. The ‘Muletas’ had its beginnings at the surreal stage and is an obsession which persists in Dalí’s works as can be se...
Category
21st Century and Contemporary Spanish Modern Inspired by Dali
Materials
Wood
'Traccia' Table by Meret Oppenheim
By Meret Oppenheim, Cassina
Located in LOS ANGELES, CA
Meret Oppenheim 'Traccia' table, Italy, Circa 1972.
Méret Oppenheim for Cassina.
Bronze base with oval gold leaf and wood top.
Bird foot imprints on the t...
Category
20th Century Italian Post-Modern Inspired by Dali
Materials
Bronze
White and Silver Sculptural Plaster Floor Lamp, 21st Century by Mattia Biagi
By Mattia Biagi
Located in Culver City, CA
This is a new work by Mattia Biagi
Sculptural plaster lamp created by a metal structure, plaster+ paper, and image collage on wood.
Category
21st Century and Contemporary American Inspired by Dali
Materials
Metal
Magritte 1968 'Le Domaine Enchante (VI)' FRAMED Hand signed Mourlot
By René Magritte
Located in Brooklyn, NY
This limited edition lithograph, signed by Fernand Mourlot beneath the right-hand corner of the image, is part of a suite of eight “Le Domaine Enchanté” images, printed in an edition...
Category
1960s Surrealist Inspired by Dali
Materials
Lithograph
'Le Temoin' Stool by Man Ray for Gavina
By Gavina, Man Ray
Located in Little Burstead, Essex
Beautiful example in pristine condition, designed by Man Ray for Gavina's ultramobile exhibition.
Category
1970s Italian Mid-Century Modern Vintage Inspired by Dali
Materials
Acrylic, Foam, Plywood, Faux Leather
Une Pyramide en Colère, Micro-Painting on Leather by Max Ernst
By Max Ernst
Located in Roma, IT
Micro picture, gouache on paper mounted on black leather. Belonging to the serie “Microbes”.
Interestingly, it is unusually mounted on a black leather surface whose shape reminds th...
Category
1940s Surrealist Inspired by Dali
Materials
Leather, Gouache, Cardboard
Untitled (Butterfly / Bug)
By Chema Madoz
Located in Denton, TX
Edition of 25
Signed, dated and numbered.
Paper size: 16 x 12 in., Images size 9/ 1/4 x 7 1/4 in.
Chema Madoz is one of the most important contemporary Spanish photographers, who is...
Category
21st Century and Contemporary Contemporary Inspired by Dali
Materials
Silver Gelatin
La Dame Ovale - Vintage Rare Book Illustrated by Max Ernst - 1934
By Max Ernst
Located in Roma, IT
La Dame Ovale is an original modern rare book written by Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011) and illustrated by Max Ernst (1891 - 1976) in 1934.
Original edition.
Published by GLM, Paris.
535 numbered copies.
Format: small 8°.
Seven full page collages.
Unnumbered pages.
Good conditions.
Max Ernst in 1934. Originally a Dada activist in Germany, Max Ernst (1891 - 1976) became one of the early adherents of the Surrealist circle. As a child living in a small community near Cologne, Ernst had considered his existence incredible and full of wonders. In autobiographical transcripts, written mostly in the third person, he said of his birth: “Max Ernst had his first contact with the world of sense on the 2nd April 1891 at 9:45 a.m., when he emerged from the egg which his mother had laid in an eagle’s nest and which the bird had incubated for seven years”. Ernst’s service in the German army during World War I swept away his early success as an Expressionist. In his own words: “Max Ernst died on 1st August 1914. He returned to life on 11th November 1918, a young man who wanted to become a magician and find the central myth of his age. From time to time he consulted the eagle which had guarded the egg of his prenatal existence. The bird’s advice can be detected in his work”.
Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011). Carrington was a British-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the Surrealist movement of the 1930s. Carrington was also a founding member of the women's liberation movement in Mexico during the 1970s.
In 1936 Leonora saw the work of the German surrealist...
Category
1930s Surrealist Inspired by Dali
Materials
Photogravure, Paper
Satyricon - Original Lithograph by Leonor Fini - 1970
By Leonor Fini
Located in Roma, IT
Satyricon is original colored lithography, realized in 1970 by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with the Surrealist movement.
In very good condition.
From series "Satiricon de Petron".
The artwork represents a portrait of figures with their feeling expressed perfectly through confident strokes by bright and harmonic colors. The artwork here is resembling of the Roman wall painting...
Category
1970s Inspired by Dali
Materials
Lithograph
Paint. Mysteries of Medicine
By Fred Stonehouse
Located in Cuernavaca, Morelos
Acrylic on wood
Category
2010s Surrealist Inspired by Dali
Materials
Acrylic, Wood Panel
Aimera bien qui aimera le dernier
By Roberto Matta
Located in London, GB
Signed in pencil, from the edition of 85.
Printed on Lana wove paper and published by Georges Visat, Paris.
Plate: 42 x 32.7 cm.
(Sabatier 194).
Category
1960s Surrealist Inspired by Dali
Materials
Etching, Aquatint
L'ergofrage (Naufrage du Titanic), Aquatint Etching by Roberto Matta
By Roberto Matta
Located in Long Island City, NY
Artist: Roberto Matta
Title: L'ergofrage (Naufrage du Titanic) from Hom'mere III - L'Ergonaute
Date: 1976-77
Medium: Aquatint etching on Japon, signed and numbered in pencil
Edition...
Category
1970s Surrealist Inspired by Dali
Materials
Etching, Aquatint
Always together - 21st century, Figurative Surrealist print, Colorful
By Rafał Olbiński
Located in Warsaw, PL
The work comes directly from the artist, is numbered out of limited edition of 20, signed and made on sealed paper.
RAFAŁ OLBIŃSKI (born in 1943)
He graduated from the Faculty of Ar...
Category
2010s Surrealist Inspired by Dali
Materials
Paper, Color
Poke & Ponder
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1980s Outsider Art Inspired by Dali
Materials
Canvas, Oil
Creek Pea
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
Late 20th Century Surrealist Inspired by Dali
Materials
Linen, Oil
Dinner in the Sky
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...
Category
1970s Surrealist Inspired by Dali
Materials
Canvas, Oil
Silent Films
By Joshua Flint
Located in Mill Valley, CA
Flint’s work is based on images curated from many sources such as digitized museum archives, vintage shops, and social media platforms. The paintings fluctuate between the familiar a...
Category
2010s Contemporary Inspired by Dali
Materials
Oil, Wood Panel
Due Figure
By Man Ray
Located in San Francisco, CA
Artist: Man Ray (American, 1890-1976)
Title: Due Figure
Year: 1968
Medium: Color lithograph
Edition: Inscribed E.A (Epreuve d'Artiste) in pencil
Paper: Arches
Image size: 18.5 x...
Category
Mid-20th Century Dada Inspired by Dali
Materials
Lithograph
A l’Intérieur de la Vue - Rare Book Illustrated by Max Ernst - 1948
By Max Ernst
Located in Roma, IT
A l’Intérieur de la Vue is an original modern rare book written by Paul Éluard (Saint-Denis, 1895 – Charenton-le-Pont, 1952) and illustrated by Max Ernst (1891 - 1976) in 1948.
Orig...
Category
1940s Surrealist Inspired by Dali
Materials
Paper, Mixed Media
"Ram's Head, Full Face" from the suite "Bestiary and some Correspondences"
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Ram's Head, Full Face" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vi...
Category
Mid-20th Century Surrealist Inspired by Dali
Materials
Lithograph
Winter Hummingbirds, Painting, Oil on Canvas
By Naoko Paluszak
Located in Yardley, PA
This oil painting is on 12x12x1.5 gallery wrapped canvas and it's done in a style of romantic surrealism. The sides of the canvas are painted white and will be shipped ready to hang....
Category
2010s Romantic Inspired by Dali
Materials
Oil
"Toad I" from the suite "Bestiary and some Correspondences"
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Toad I" from the suite "Bestiary and some Correspondences" 1967 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherland...
Category
Mid-20th Century Surrealist Inspired by Dali
Materials
Lithograph
Who Are These Angels LXXIX
By Naoko Paluszak
Located in San Francisco, CA
Artist Comments
This piece is number 79 from my Who Are These Angels series. The painting is on a gallery wrapped canvas with finished edges. It c...
Category
21st Century and Contemporary Abstract Expressionist Inspired by Dali
Materials
Oil
"Chauve-Souris in a Looking-Glass against a Window"
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Chauve-Souris in a Looking-Glass against a Window" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by ren...
Category
Mid-20th Century Surrealist Inspired by Dali
Materials
Lithograph
1972 'XXe Siecle no. 38'
By Graham Sutherland
Located in Brooklyn, NY
Graham Sutherland's lithograph for XXe Siècle no. 38, an abstract piece featuring bright orange and yellow colors, is emblematic of his exploration into abstraction and modernism. Su...
Category
1970s Contemporary Inspired by Dali
Materials
Lithograph
20th Century standing lamp by Salvador Dali model "Bracelli" gold leaf base
By (after) Salvador Dali
Located in Barcelona, ES
A standing lamp which corresponds to the work of Jean Michel Frank, adopted by Dalí for his house at Port Lligat. The zig-zag pyramidal pedestal is covered in gold leaf due to it’s b...
Category
21st Century and Contemporary Spanish Modern Inspired by Dali
Materials
Gold Leaf
Roger Vieillard - Surrealist Horse - Original Etching
By Roger Vieillard
Located in Collonge Bellerive, Geneve, CH
Roger Vieillard - Surrealist Horse - Original Etching
Paris, Le Gerbier, 1946
Edition of 340
Roger Vieillard was born in Mans, France on February 9, 1907 and was classically educate...
Category
1940s Modern Inspired by Dali
Materials
Etching
Sunlounger by Salvador Dali model "Portlligat" surrealist design iroko wood
By Salvador Dalí
Located in Barcelona, ES
Dalí’s creativity and fascination with the human body takes the form of a sunbed, intimately created and exquisitely designed.
Dalí’s original Portlligat was made in 1962 from olive tree wood for him and his wife Gala’s home in Costa Brava, Spain. This reproduction is available in Iroko wood which is resistant to changes in heat and moisture content, and optional upholstery for outdoor use. It resembles a body: it has a head, torso, ribs, arms, hands, legs and feet. The visible grain and unified structure present a strong and meaningfully arranged, figurative piece.
Salvador Dalí was born in Figueres, Catalonia, in 1904. He began drawing when he was 12 and was formally educated in fine arts at the Real Academia de Bellas Artes de San Fernando, Madrid. He experimented with Cubism, was attracted to Dada and Futurism, and was influenced by the great masters of the Renaissance. In 1929, he joined the Surrealist movement and became its most successful proponent.
His work shocked and excited society. Diverse things were merged into an explicit rawness, one with unusual meanings that, when combined, made irreality concrete.
In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in varied disciplines beyond the study of purely pictorial art. He collaborated with designers like JeanMichel Frank to...
Category
21st Century and Contemporary Spanish Modern Inspired by Dali
Materials
Wood
Personnages III
By Roberto Matta
Located in London, GB
Signed in pencil, numbered from the edition of 95.
Printed on Arches wove paper by Atelier Georges Visat, Paris.
Published by Editions L'Oeuvre Gravée, Bern.
Plate: 55 x 41.6 cm. ...
Category
1960s Surrealist Inspired by Dali
Materials
Etching, Aquatint
FMR: Plate 7
By Roberto Matta
Located in London, GB
Signed in pencil, from the edition of 85.
Printed on Arches wove paper and published by Georges Visat, Paris.
Plate: 23.8 x 17.7 cm.
(Sabatier 266).
Category
1970s Surrealist Inspired by Dali
Materials
Etching, Aquatint
Velasquez Les Menines by Salvador Dali 1974 Lithograph
By Salvador Dalí
Located in Paonia, CO
Velasquez Les Menines is one of six graphics from the series Changes in Great Masterpieces published by Sidney Lucas, 1974. Master Dali has given us a...
Category
1970s Surrealist Inspired by Dali
Materials
Lithograph
Cruxificion
By Roberto Matta
Located in London, GB
Signed in pencil at lower right.
Category
1950s Surrealist Inspired by Dali
Materials
Crayon, Pencil
Figure I
By Roberto Matta
Located in London, GB
Signed in pencil, an artist's proof aside from the numbered edition of 95.
Printed on Arches wove paper by Atelier Georges Visat, Paris.
Published by Editions L'Oeuvre Gravée, Bern...
Category
1960s Surrealist Inspired by Dali
Materials
Etching, Aquatint
Droites Libérées: Plate 9
By Roberto Matta
Located in London, GB
From 'Droites Libérées', a series which illustrated a poem by Henri Michaux.
Signed in pencil, numbered in Roman numerals from XXV.
From the suite on Japon nacré paper (the total e...
Category
1970s Surrealist Inspired by Dali
Materials
Etching, Aquatint
Castronautes
By Roberto Matta
Located in London, GB
Signed in pencil, from the edition of 100.
Printed on Arches wove paper by Atelier Georges Visat, Paris.
Published by Editions L'Oeuvre Gravée, Bern.
Plate: 23.5 x 31 cm.
(Sabati...
Category
1960s Surrealist Inspired by Dali
Materials
Etching, Aquatint
Que principio a abrir los ojos
By Roberto Matta
Located in London, GB
Signed in pencil at lower right. Inscribed 'Que principio a abrir los ojos' ('Where to start when you open your eyes') in pencil at lower centre.
Category
1950s Surrealist Inspired by Dali
Materials
Crayon, Color Pencil
Rare Vintage Exhibition Leaflet - R.S. Matta - Galerie di Dragon - 1958
By Roberto Matta
Located in Roma, IT
Exhibition Leaflet is an original rare vintage catalogue by the Chilean artist Roberto Sebastián Matta (1911-2002).
This color artwork is the rare exhibition leaflet realized in occ...
Category
1950s Surrealist Inspired by Dali
Materials
Paper
Judgements: Blitz
By Roberto Matta
Located in London, GB
Plate 1 from 'Judgements'.
Signed in pencil, from the edition of 100.
Printed on Arches wove paper by Atelier Georges Visat, Paris.
Published by Blue Moon Gallery, New York.
Plat...
Category
1960s Surrealist Inspired by Dali
Materials
Etching, Aquatint
1975 Roberto Matta 'T'ou't se tient' Contemporary France Lithograph
By Roberto Matta
Located in Brooklyn, NY
Paper Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm )
Image Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Addi...
Category
1970s Inspired by Dali
Materials
Lithograph
Viens Voir
By Roberto Matta
Located in London, GB
Signed in pencil, from the edition of 99.
Printed on Arches wove paper by Atelier Georges Visat, Paris.
Published by Editions L'Oeuvre Gravée, Bern in 1970.
Plate: 41.1 x 54.6 cm....
Category
1960s Surrealist Inspired by Dali
Materials
Etching, Aquatint
L'Helicoptère
By Roberto Matta
Located in London, GB
Plate 1 from 'Scènes familières'.
Signed in pencil, from the edition of 50.
Printed on Arches wove paper by Atelier Georges Visat, Paris.
Published by Editions Galerie Le Point Ca...
Category
1960s Surrealist Inspired by Dali
Materials
Etching, Aquatint
Les naufrageants from Hom'mere II - L'Eautre, Aquatint Etching by Roberto Matta
By Roberto Matta
Located in Long Island City, NY
Artist: Roberto Matta, Chilean (1911 - 2002)
Title: Les naufrageants from Hom'mere II - L'Eautre
Year: 1974-75
Medium: Aquatint Etching on Japon, Signed and numbered in pencil
Editio...
Category
1970s Surrealist Inspired by Dali
Materials
Etching, Aquatint
5PM from L'Arc Obscur des Heures, Surrealist Aquatint Etching by Roberto Matta
By Roberto Matta
Located in Long Island City, NY
Artist: Roberto Matta, Chilean (1911 - 2002)
Title: 5PM from L'Arc Obscur des Heures
Year: 1975
Medium: Aquatint Etching, Signed and numbered in pencil
Edition: 125, XXXIII
Image Siz...
Category
1970s Surrealist Inspired by Dali
Materials
Etching, Aquatint
OR DUR OR AISON
By Roberto Matta
Located in Aventura, FL
Hand signed and numbered by the artist. Artwork is in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Edition of 175. All...
Category
1970s Contemporary Inspired by Dali
Materials
Lithograph, Paper
L'eau est Mana, Framed Surrealist Lithograph by Roberto Matta
By Roberto Matta
Located in Long Island City, NY
Artist: Roberto Matta
Title: L'eau est Mana
Year: 1974
Medium: Lithograph on Arches, signed and numbered in pencil
Edition: 200
Size: 21.5 x 30 inches (54.61 x 76.2 cm)
Frame...
Category
1970s Surrealist Inspired by Dali
Materials
Lithograph
La Danse de la Mort, Suite of 8 Aquatint Etchings by Matta
By Roberto Matta
Located in Long Island City, NY
Artist: Roberto Matta, Chilean (1911 - 2002)
Title: La Danse de la Mort - Planche 1-8
Year: 1972
Medium: Suite of 8 Aquatint Etchings, Each Signed and numbered in pencil
Edition: 41/...
Category
1970s Surrealist Inspired by Dali
Materials
Etching, Aquatint
10PM from L'Arc Obscur des Heures, Surrealist Aquatint Etching by Roberto Matta
By Roberto Matta
Located in Long Island City, NY
Artist: Roberto Matta, Chilean (1911 - 2002)
Title: 10 PM from L'Arc Obscur des Heures
Year: 1975
Medium: Aquatint Etching, Signed and numbered in pencil
Edition: 125, XXXIII
Image S...
Category
1970s Surrealist Inspired by Dali
Materials
Etching, Aquatint
Epaisser de haut-mer from Hom'mere II - L'Eautre, Aquatint Etching by Matta
By Roberto Matta
Located in Long Island City, NY
Artist: Roberto Matta, Chilean (1911 - 2002)
Title: Epaisser de haut-mer from Hom'mere II - L'Eautre
Year: 1974-75
Medium: Aquatint Etching on Japon, Signed and numbered in pencil
Ed...
Category
1970s Surrealist Inspired by Dali
Materials
Etching, Aquatint
Centre Noeuds, Suite of 10 Aquatint Etchings by Matta
By Roberto Matta
Located in Long Island City, NY
Artist: Roberto Matta, Chilean (1911 - 2002)
Portfolio: Centre Neouds
Year: 1974
Medium: Suite of 10 Aquatint Etchings on Japon paper, each signed and numbered in pencil
Edition: 12...
Category
1970s Surrealist Inspired by Dali
Materials
Etching, Aquatint
La vigna di una foglia
By Roberto Matta
Located in Malmo, SE
Technique: Terre colorée sur toile de jute.
Delivered with the certificate of authenticity from the archives of Roberto Matta.
Artwork size: 100 x 100 cm.
Frame size: 114 x 112 cm.
Free shipment worldwide.
Acquired directly from the artist.
“The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom.
Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others.
Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings.
Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander.
In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...
Category
1980s Surrealist Inspired by Dali
Materials
Canvas, Mixed Media
Foot Musik.
By Roberto Matta
Located in Malmo, SE
Pastel, gouache and coffee on paper.
Artwork size: 58 x 56 cm.
Frame size: 78 x 76 cm.
Free shipment worldwide.
Acquired directly from the artist.
Archive number (P90/37)
“The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom.
Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others.
Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings.
Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander.
In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...
Category
1990s Abstract Inspired by Dali
Materials
Mixed Media
Foot Musik
By Roberto Matta
Located in Malmo, SE
Artwork size: 56 x 58 cm.
Frame size: 76 x 78 cm.
Free shipment worldwide.
Archive number (P90/36)
Acquired directly from the artist.
“The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...
Category
1990s Surrealist Inspired by Dali
Materials
Mixed Media
L'ame du Tarot de Theleme Portfolio of 5 Aquatint Etchings by Matta
By Roberto Matta
Located in Long Island City, NY
Artist: Roberto Matta
Portfolio: L'ame du Tarot de Theleme
Year: 1994
Medium: Portfolio of Five Aquatint Etchings, each signed and numbered in pencil
Edition: 100, XX
Image Size: 19....
Category
1990s Surrealist Inspired by Dali
Materials
Etching, Aquatint
Satyricon - Original Lithograph by Leonor Fini - 1970
By Leonor Fini
Located in Roma, IT
Satyricon is original colored lithography, realized in 1970 by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with the Surrealist movement.
In very good condition.
From series "Satiricon de Petron".
The artwork represents a portrait of a figure with his concerns expressed perfectly through confident strokes by bright and harmonic colors. The artwork here is resembling of the Roman wall painting...
Category
1970s Inspired by Dali
Materials
Lithograph
La Grande Parade des Chats (The Great Parade of the Cats)
By Leonor Fini
Located in San Francisco, CA
Artist: Leonor Fini
Title: La Grande Parade des Chats (The Great Parade of the Cats)
Year: 1973
Medium: Color lithograph
Edition: Numbered 1...
Category
1970s Surrealist Inspired by Dali
Materials
Lithograph
Femmes en Costumes II
By Leonor Fini
Located in San Francisco, CA
Artist: Leonor Fini
Title: Femmes en Costumes
Year: c.1970
Medium: Original color engraving
Edition: Inscribed E.A (Epreuve d'Artiste, Artist Proof) in pencil
Paper: Arches paper
Ima...
Category
1970s Surrealist Inspired by Dali
Materials
Engraving
Leonor Fini - Pregnant - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Pregnant - Original Handsigned Lithograph
Circa 1982
On colored paper
Handsigned and Numbered
Edition: 275
Dimensions: 69 x 52.5 cm
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Inspired by Dali
Materials
Lithograph
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