Women's History Month

French Art Deco stoneware bowl on pedestal by REVERNAY (Digoin), France, 1920s. Height : 12.5cm - 5 inches, Diameter : 21.2cm - 8.3 inches. Marked "Revernay 160 3" under the base (se...

Amazing midcentury pair of bamboo, Rattan single drawer end or side table. This wonderful piece was designed in Italy during the 1960s. A fantastic item that will be a perfect a...

Talosel choker necklace by Line Vautrin. Black Talosel choker necklace inlaid with orange mirrors on the front and yellow on the back to decorate the round pastilles. Imposing two-ro...

Stunning naturalistic pottery bowl by an American ceramics artist, Flora Eckert Hammat of Tulsa, Oklahoma. Vivid colors, original organic form. Signed Hammat original...

Italian 1940s Single Stool in Wood and White Linen

In solid slate blue jasper, with inlaid foot; decorated with numerous reliefs typical of the period. Engine turned decoration and lapidary polished interior. Exhibited: Wedgwood, Ma...

Pair of large Chinese hardstone, jade and cloisonné enamel flower models Chinese, 20th Century Height 39cm, width 25cm, depth 25cm Crafted in 20th century China, this pair of lar...

Side or end table circa 1950, round top and three legs French Rattan Good vintage condition Shipping D52 H61 3,6 kg.  

Lovely pair of side tables with exposed finger joinery featuring solid teak frames and tinted glass tops. This design highlights an exciting interplay between straight lines and curv...

A monumental-scale mid-20th century American studio hand-thrown glazed ceramic bowl with fantastic texture and earthy neutral glaze colors. Signed illegibly on the bottom.

This Brooch in black Talosel encrusted with red mirrors in the shape of flower petals represents a very characteristic aesthetic of the work of Line Vautrin. This organic shape is d...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...