A. Duche Decorative Objects

A very fine Italian 19th century Carrara marble life-size marble sculpture of "Hebe and The Eagle"; depicting a young maiden seated on a rocky outcrop holding an urn over her shoulder and serving water from a bowl to a thirsty eagle, raised on a circular base by Aristide Fontana (Italian 19th Century - Active 1870-1890), Carrara, Inscribed to the reverse; "Aristide Fontana Sc./Carrara", circa 1870-1880. Hebe, the Greek goddess of youth, was the daughter of Zeus and Hera and was the hand-maiden and cup bearer of the gods and the symbol of youthful beauty and chastity. She is often depicted as a temptress tantalizing the eagle of Jupiter with a cup of ambrosia and her body. In her role as cup-bearer she offered nectar and ambrosia and here she holds the cup before the eagle, Zeus' messenger. This sculpture subject matter resembles Bertel Thorwaldsen's, marble sculpture of Ganymede and the Eagle, circa 1817 and currently at the Chrysler Museum, Norfolk, VA. The most notable difference between both sculptures is that, unlike in Thorwaldsen's work, this sculpture depicts a figure of a young semi-nude maiden bearing a pearl necklace centered with a charm engraved with the letter "S". This sculpture subject matter can also be attributed to Psyche, perched on a Stygian rock and threatened by dragons, is rescued from her task by Jupiter's eagle, who brings her a lekythos filled with the river's water. Although Apuleius' story of Cupid and Psyche had been a common theme in European art since the Renaissance, the particular incident of Psyche rescued by Jupiter's eagle was seldom illustrated. Comparable to themes in mythology, Old Testament figures and heroines in particular were popular subjects of artworks in the mid-19th century. Several scenes from the Biblical (Gen. 24) story of Rebecca's meeting with Eliezer, and subsequent marriage to Isaac, were depicted in the 19th century. The most frequent representation shows Rebecca at the well with a pitcher. Other examples of the subject include those by the Italians Cesare Lapini, Giovanni Battista Lombardi and Domenico Menconi and American sculptors Brown, Mozier, and Chauncey Bradley Ives...

This bright Capodimonte porcelain group of four putti and a goat symbolizes abundance and the spirit of life. Capodimonte was originally an 18th century Italian porcelain...

19th century French marble sculpture. The marble is patinated.

These antique wall cherub figures were crafted in Italy, circa 1880. The hand carved cherubs are expressive in their movement and feature wonderful movement and facial expressions. T...

Date: 19th Century Origin: Italian Dimension: 18 in x 12 in x 9 1/4 in.

A spectacular Italian 19th century neo-classical white carrara marble sculpture of Paulina Bonaparte signed by Carlo Fossi. Paulina was...

French, late 19th to early 20th century. Pair of gilt bronze cupid mantel statuettes, one with bow drawn and one removing an arrow, on white marble plinths...

German/Rudolstadt-Volkstedt late 19th century figure group of putti made of biscuit porcelain: Four putti on landscape round pedestal around a vase pedestal, in moving posture and different states of mind playing with a goat, a sheep, a boar and a calf. On high rectangular pedestal crater vase with applied flower...

Bronze puttis signed by Clodion, circa 1900 Beautiful patina and quality excellent condition.

A pair of cast bronze cherubs or putti standing contrapposto on a square red marble base, France, circa late 1800s. Note: These charming cherubic figures were probably used in combi...

8-164 bronze cherub sculpture set atop a mahogany wood base.

A classical 19th century bronze group of two young putti playing on the ground amongst grape vines.