Abraham van Cuylenborch Paintings

The Knight is an original oil painting on canvas realized during the XVII century by an anonymous artist. Provenance: Pecci-Blunt collection. Good condition...

'Vegetable Seller at the Night Market' by Petrus van Schendel (1806-70). The painting – which depicts a midnight scene of two young women at a vegetable stall by candlelight – is si...

Giuseppe Bernardino Bison (Palmanova 1762 - Milan 1844) - Fantastic landscape with citadel and equestrian statue. 35 x 62 cm without frame, 53 x 80 cm with frame. Antique oil paint...

Jesus at the House of Mary & Martha Italian artist, 1600's oil on canvas, unframed Canvas: 32.5 x 56.5 inches Provenance: Private collection, England Condition: for a work of such mo...

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

17th century Flemish old Master painting The present painting is truly a little jewel with its vibrant colours and skilful brushwork. It depicts the Baptism of Christ, a depiction of a tale filled with hope and positivity, it is a very fine example of Malo's talent. We would like to thank Anna Orlando for her assistance in cataloguing this painting. A copy of her entry on this painting will be given to the buyer. She writes about the present painting: The painting illustrated here, unpublished, refers to Vincenzo (Vincent) Malò, a Flemish artist active in Italy and in particular in Genoa in the first half of the seventeenth century, by now well known. The critics who started studying him in the sixties of the last century recognized the initial confusion of our painter with Vincenzo Alemanno (1595-1675); many documents subsequently traced both in the Genoese and Roman archives have partially specified his biographical details, but certainly his identity. Son of a certain Nicola, Vincent trained in Antwerp with David Teniers the Elder and then with Rubens, he was intermittently enrolled in the painters' guild, between 1623 and 1634. It is unlikely that he first arrived in Genoa in 1625 , when the city was at war against the Savoys, and it is entirely probable that his stay in Italy fell between 1634 and the year of his death, documented in Rome in 1644. It were about ten fertile years, also thanks to the lessons from Rubens who had taught him to paint speedily...

‘Fire and Moonlight’ by Abraham Pether FSA (1752–1812). The painting – which depicts an extensive moonlit view across the City of London with a cottage on fire in the foreground – w...

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Italian painter (18th-19th century) - The fourteen stations of the Via Crucis. 119 x 95 cm without frame, 137 x 114 cm with frame. Group of fourteen ancient oil paintings on canvas...

Landscape with nudes and waterfall is an old master artwork realized in the Mid 17th century by Artist belonging to the Roman School. Oil painting on canvas Includes a beautiful an...

‘St. James’ Day’ by Richard Morton Paye (1750-1820). This very large and important 18th century oil on canvas depicts a diverse crowd of Londoners ...

‘St. James’ Day’ by Richard Morton Paye (1750-1820). This very large and important 18th century oil on canvas depicts a diverse crowd of Londoners at an oyster stand on a summer’s ev...