(After) Anthony Van Dyck Prints and Multiples
Dutch, 1599-1641
Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter for Charles I of England. Sir Anthony Van Dyck was born in the Netherlands and painted from an early age becoming a successful independent painter in his late teens, and a master in the Antwerp Guild in 1618. He painted in the studio of Peter Paul Rubens who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders and travelled to Italy, where he stayed until 1627, mostly in Genoa. He spent five years in Flanders after his return from Italy, and was court painter for the archduchess Isabella, Habsburg Governor of Flanders. In 1632 he returned to London to become the main court painter to Charles I of England.
After Holbein, van Dyck and his contemporary Diego Valezquez were the first painters of pre-eminent to work mainly as court portraitists, revolutionising the genre. Van Dyck is best known for his portraits of the royals and aristocracy, most notably Charles I, and his family and associates. Van Dyck widely influenced English portrait painting for the next 150 years. His portrait style changed considerably between the different countries he worked in, culminating in the relaxed elegance of his last English period. His influence extends into the modern period. During his lifetime, Charles I granted him a knighthood, and after his death Van Dyck was buried in St Paul’s Cathedral, an indication of his high standing at the time of his death.to
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Artist: (After) Anthony Van Dyck
"Mise au Tombeau" etching
By (After) Anthony Van Dyck
Located in Henderson, NV
Medium: etching (after the painting). Etched by Charles Albert Waltner after Van Dyck. This impression on laid paper was printed by A. Salmon and published in Paris for "L'Art" circa...
Category
1870s (After) Anthony Van Dyck Prints and Multiples
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Anthony van Dyck, Engraving Ernest de Mansfeld, c. 1654, Portrait, Iconographie
By (After) Anthony Van Dyck
Located in Greven, DE
A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. Ernest de Mansfeld was a German military commander during the early years of the Thirty Years War. Donning his armor and an ornate, lace collar, de Mansfeld appears as a strong commander. Without a hint of a smile, he calmly gazes out, the definition of cool and collected. Van Dyck accurately captures the sense that de Mansfeld is a man who takes his job seriously, a man worthy of commanding an army in battle.
This portrait is a Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people...
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17th Century Baroque (After) Anthony Van Dyck Prints and Multiples
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Engraving, Laid Paper
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This is a portrait of the old master artist Petrus (Pieter) de Jode, the Younger. The engraving was done by his father Petrus de Jode, the Elder after a drawing by his fellow 17th century old master artist Anthony van Dyck, from his famous Iconography series (L'Iconographie d'Antoine Van Dyck) of portraits of eminent people of the day, many of them contemporary artists. The engraving depicts de Jode standing behind a table with engraving tools. Although originally produced in 1645, the exact date of this printing can not be determined.
This Van Dyck portrait is presented in an attractive gold and black-colored wood frame and a cream-colored silk mat. The frame is embellished with ornate gold-colored inner and outer trim and a gold-colored fillet in the style of the frame trim. There are two tiny faint spots in the left lower margin corner and a darker spot in the lower margin that may have occurred during printing. The frame and mat style are identical to another old master print listed on 1stdibs, an 18th century satirical print by William Hogarth entitled: "Some Principal Inhabitants of ye Moon: Royalty, Episcopacy and Law". This print can be viewed by placing the 1stdibs reference # LU117327130472 in the search field. These two framed prints would make a striking display grouping. A discount is available for purchase of the pair.
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(after) Anthony Van Dyck prints and multiples for sale on 1stDibs.
Find a wide variety of authentic (After) Anthony Van Dyck prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by (After) Anthony Van Dyck in engraving, etching and more. Not every interior allows for large (After) Anthony Van Dyck prints and multiples, so small editions measuring 8 inches across are available. (After) Anthony Van Dyck prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $4,359, while the average work can sell for $2,230.
Questions About (After) Anthony Van Dyck Prints and Multiples
- 1stDibs ExpertOctober 30, 2024How much a van Dyck painting is worth varies based on its historical significance, condition and size. At a London auction in 2009, a self-portrait of the artist sold for $13.5 million. Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter for Charles I of England. He is best known for his portraits of royalty and aristocracy, most notably Charles I and his family and associates. His style changed considerably between the countries he worked in, culminating in the relaxed elegance of his last English period. Van Dyck widely influenced English portrait painting for the next 150 years, and his influence extended into the modern period. If you own a van Dyck piece, use the services of a certified appraiser or knowledgeable art dealer to learn how much it may be worth. On 1stDibs, find a variety of Baroque art.