(After) Serge Poliakoff Art

Fernand LÉGER Still life with Blue Pitcher and Fruits, c. 1950 Original lithograph and stencil (Jacomet workshop) Printed signature in the plate On paper 43 x 33 cm (c. 17 x 13 Inc...

Helen Frankenthaler (1928-2011) is one of the most revered abstract painters of the 20th century, and one of the most successful and collected female artists of all time. She was a ...

This work is captivating in every sense as it seeks to represent this cylindrical bottle from every angle against a two-dimensional space – as is the goal of most cubist works. It blends into a series of brown, yellow, and black tones that appear to be arranged in a chaotic geometry that continues to make perfect sense to his audience. This is a truly groundbreaking and magnificent still life work of art, whose large scale and grandeur makes this a quintessential Picasso for any art collection. This print was based off of the oil painting of the same name which is housed in the Metropolitan Museum of Art, New York), part of the Jacques and Natasha Gelman Collection. Picasso painted the original work in the French Pyrenees town of Céret during the summer of 1911, and is a perfect example of his most abstract phase of Cubism, his "high" Analytic Cubism period. Picasso included lettering in this work, one of the first examples of him doing so. The letters "LETR" possibly refer to "Le Torero," a popular bullfighting magazine at the time, of which Picasso was known to be a fan of. They could also refer to the French word for word, "lettre." Created in c. 1965, this original color lithograph is hand signed by Pablo Picasso (1881 – 1973) in pencil in the lower right margin, and H.C. 6/25 in pencil in the lower left margin, aside from the regular edition of 250. Published by Guy Spitzer, Paris after an original oil on canvas of the same title by Picasso created in 1911. Catalogue Raisonné & COA: Pablo Picasso Bottle...

Pierre SOULAGES Composition in Black and Blue, 1956 Lithograph and stencil (Jacomet workshop) Unsigned On wove paper 31 x 24 cm (c. 12.2 x 9.4 inches) Edited by San Lazaro in 1956 ...

Jacques Camus The Yellow Castle, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfo...

Frank Stella Nemrik, from the Near East Series, 1999 is a chaotically vibrant work that encapsulates Stella’s abstract style so poignantly. Using a mix of bright, neon colors, Stella...

Paul Cezanne Small French Garden, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) INFORMAT...

Imagerie de Wissembourg Christmas Santa Claus, c. 1906 Lithograph, woodcut and stencil Drawing by C. Burckardt On paper 43 x 32.5 cm (c. 17 x ...

Paul Cezanne Trees and houses, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATION...

Paul Cezanne The Bathers in Provence, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) Image...

Paul Cezanne Provence, Into the woods, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) INF...

Paul Cezanne The green jug, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) Image size : 20...