Agustin Cruz Prudencio Art

A toy Airstream Folk Art styled travel trailer with silver faded and patina paint having a lift up back end and side door revealing beds, sink and livin...

Yeonsoo Kim, "Be Yourself," Monochromatic black and white clay vessel, White stoneware, black underglaze, 11.5 × 12.5 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blen...

Yeonsoo Kim, "Self Portrait" White Porcelain, glaze, underglaze, 12 x 11 x 11 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, con...

19th Century Swedish Folk art wodden plate / Tazza from Southern Sweden. Fantastically nice large Wooden plate on foot/ Tazza. In Sweden called "So...

Swedish wooden Lidded Tankard and Pitcher, made of staves that are held together with split-branch banding. The lids are hinged. Both beautifully decora...

19th century Swedish wooden box from Umeå västerbotten,Northern Sweden An beautiful untouched original painted box with beautiful colors dated 1825...

Yeonsoo Kim, "You Are Enough" Monochromatic black and white clay vessel, White stoneware, black underglaze, 22 x 20 x 20 inches. Korean ceramic artist Yeonsoo Kim masterfully blends...

This is a wooden shovel that was used in old farmers in Japan. It is made of chestnut wood and hand-carved. It seems that the user at that time made a hole in order to drain the wa...

18th century Swedish Folk Art Wooden cheese board from, Northern Sweden A tray with lovely patina. It has owner marks SOS on the side of the board. A large farmers Cheese board o...

Yeonsoo Kim, "Sweet Home," 2024, Porcelain moon jar,, colored clay, underglaze, 15 × 14 × 14 inches Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, contemporary expression, crafting pieces that chronicle his personal and artistic journey. Drawing inspiration from Korea’s rich ceramic heritage, he redefines Onggi, a centuries-old practice originally used for functional pottery, by infusing it with vibrant colors, unconventional forms, and playful, stylized motifs. His hand-shaped vessels and sculptures become dynamic, modern narratives that capture his thoughts and experiences in clay. Kim’s technique involves spontaneous surface decoration using Sgraffito and calligraphy brushing, resulting in intricate designs featuring whimsical figures, animals, and objects. His work is driven by memories, relationships, and emotions, evolving organically without preplanning, embracing "freedom over perfectionism." Through his reinterpretation of Onggi, Kim merges tradition and modernity, offering a fresh expression of cultural storytelling in each piece. Working with both porcelain and iron-bearing clays, he tailors each material to the expressive qualities of his designs, revitalizing a millennia-old craft for the modern era. Yeonsoo Kim states, "My work serves as a canvas for a diverse cast of characters, engaging in silent conversations that speak volumes through their nuanced expressions. These characters, often resembling self-portraits, invite viewers into a world where implied images and narratives converge. My work reflects my ongoing quest for artistic identity by exploring the intricacies of daily existence. I delve into the depths of human emotion through recurring motifs, transforming abstract inner experiences into tangible visual realities." Yeonsoo Kim earned a BFA in ceramics and glass from Hongik University in Seoul, an MFA in ceramics from the Lamar Dodd School of Art at the University of Georgia, and has held apprenticeships with master Onggi artisans Hayngjong-Oh in Jeolla-do and Jinkyu Huh in Gyeongsang-do, Korea. In 2020, Kim was recognized as one of the top six Emerging Artists by the National Council on Education for the Ceramic Arts (NCECA). His work has been exhibited nationally and internationally, most recently being selected for the prestigious 12th International Ceramics Biennale Competition at the Korea Ceramics Foundation in Gyeonggi. Kim has participated in several artist residency programs, including the Korea Ceramic Foundation, Montana State University, the Morean Center for Clay in St. Petersburg, FL, and the Archie Bray Foundation in Montana. ceramic sculpture...

Yeonsoo Kim, "Look at Me," Colorful red clay vessel, underglaze, 13 x 11 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, con...

Vintage Mexican Mata Ortiz style small clay studio pottery set. Mata Ortiz pottery style with black, red and green geometric designs on red clay. The set comprise of a covered vess...