Aldo Tura Seating

Round dining table with six chairs, designed by Angelo Mangiarotti. The table is extendable and stands on a round base. The chairs ...

A set of six fine French Mid-Century sculptural solid oak side chairs.

Very nice set of Mid-Century Modern solid frames moulded plywood backs chairs with newly upholstered seats.

A vintage Art Deco Italian Modernist dining chairs made of hand crafted gilded brass, designed and produced in Chiavari in good condition. The legs of the small detailed side chairs are slightly splayed, connected with pairs of cross supports. Newly upholstered in a white velvet. Two chairs have a small stain. Wear consistent with age and use. Circa 1930, Italy. Seat: 18.25" H x 14" W x 13" D The Chiavarina was created in 1807, in Chiavari, near Genoa, by an Italian cabinetmaker. In 1855, about 600 workers were designing and making Chiavari chairs. After the success, the chair was praised by the King of Sardinia...

A calm and well-balanced design defines this set of dining chairs. The focus lies on proportion, material, and ease of use rather than decoration. Design The model 273 chairs, attri...

Rare set of 4 sculpted high back swivel dining chairs by Overman of Sweden. Extremely comfortable contoured back rests create an ergonomic seating experience. Cognac faux leather ( vinyl ) upholstered seats and backs, on cast aluminum star bases, This form is not often seen, especially in sets, all 4 retain their original Overman Made in Sweden paper...

Gorgeous mid century dining chairs with a scandinavian inspired design. Finely crafted frames with leather seats. Good condition with some nice patina. 1960s - France Dimension...

This set of six 1970s Italian dining chairs features elegant walnut frames with a refined spindle structure and graceful backrests. Recently reupholstered in a rich brown bouclé, the...

Belgian design high back wooden dining chairs. The chairs have beautiful oak frames with a split back going all the way down to form ...

A set of six Italian walnut dining room chairs from the early 19th century, with spindle-shaped backs, carved medallions and new upholstery. Created in Italy during the early years o...

Set of six fully restored teak dining chairs designed by Niels Otto Møller in 1951. The chairs feature a solid frame and backrest in teak designed with straight lined legs and an ...

Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops. In 1948 Jacques Chambron left his work as a painter and decorator on the Rue Nollet in Paris, and relocated his family to join Guillerme. The two had met in 1940 while imprisoned by the Germans in East Prussia and bonded over, among other more obvious things, their shared passion for design. In 1949 the pair discovered Émile Dariosecq, a master cabinet maker who had a shop in the city, and who was willing to produce their designs. The three started Votre Maison. The association was destined to be as influential as prolific. Not only did Votre Maison produce over two thousand models during the later half of the twentieth century, it also left an indelible stamp on design of the 50s, 60s and 70s. The company’s output served as a model for a vast field of livable contemporaneous design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House"). Their focus was as keenly attuned to functionality—furniture’s use in daily life—as to the creation of innovative design. For the pair of designers the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to the smallest elements of a space, such as pedestals, shelving, benches, and lighting. This steady output of beautiful furniture bucked convention not merely in the equal emphasis Guillerme placed on function and aesthetics, but in the almost paradoxical creation...