Alexis De Leeuw Paintings

Horse Drawn Plough with Two Horses, Ploughman and his Dog. Signed, Oil on Canvas, housed in a gilt frame, by British Landscape Artist, James Wright. Art measures 24 x 16 inches Fram...

Outstanding English Victorian 19th century Harvest landscape. Thomas Simon Dingle was the son of Thomas Dingle (1818-1904), known as a London landscape painter, but who, according t...

Painted in his studio from a preliminary study painted en-plein-air at Gibson Lane beach in Sagaponack, New York. The sun has clearly just set, hence the lavender aroma of the horizon, which reflects then onto the thin layer of water pulling back from shore, into the sea. A romantic seascape...

19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...

Early 20th Century English Autumn river landscape with cows drinking from a stream. Abraham Hulk Junior was born in the Netherlands in 1851 to ren...

Owning a 19th century Victorian Highland landscape with pony and gun dogs with a gillie circa 1880, offers a unique opportunity to own a piece of art that encapsulates the pastoral beauty and tranquil charm of the Victorian era. Duvall's work is celebrated for its meticulous attention to detail, evoking a sense of serenity and timelessness. This painting not only serves as a stunning decorative piece but also represents a valuable object, given the historical significance and enduring appeal of Victorian art. Owning such a painting allows you to connect with the rich cultural heritage of the period, while enhancing your collection with a work that exudes both artistic merit and nostalgic elegance. John Duvall...

John Nost Sartorius (British, 1759–1828) Men Out Bird Shooting in a Woodland Landscape, circa 1820 Oil on wooden panel, in a fine antique gilt frame Unsigned A finely observed early 19th-century sporting picture by John Nost Sartorius, one of the most respected figures in the English tradition of animal and sporting painting. The composition depicts a quiet moment in the field: a sportsman advancing through woodland with his gun, accompanied by attentive pointers, their forms crisply picked out against the darker recesses of the forest. Sartorius was celebrated for his ability to combine accurate animal portraiture with atmospheric landscape settings, and this work is characteristic of his mature period. The dogs are rendered with anatomical confidence and individual character, while the surrounding woodland is handled with a restrained, naturalistic palette that lends depth and calm to the scene. The narrative is understated and refined, intended as much for contemplation as for sporting reference. Painted on a wooden panel, as was common for Sartorius’s smaller and more intimate works, the picture retains a pleasing surface quality and detail. It is housed in an antique gilt frame of appropriate date, enhancing its presence and lending a strong period feel. Works by Sartorius were highly sought after by country house patrons in the early 19th century and were often commissioned to record favourite dogs or shooting grounds. Today, paintings of this type remain especially appealing to collectors of British sporting art and sit equally well in traditional country house interiors or more formal libraries and studies. A confident and decorative example of English sporting painting...

Arthur Willett British 1868 -1951. Willett was a renowned landscape artist who settled in Brighton but his paintings of the British countryside and country pursuits are highly sought...

This charming painting by Ernest Walbourne is a quintessential example of the artist’s ability to capture the serene beauty of rural life. Known for his idyllic landscapes and depict...

Alfred Fontville de Breanski (British, 1877–1957) Scottish Loch Scene, oil on canvas, circa early 20th century This luminous Highland landscape by Alfred Fontville de Breanski captu...

Orientalist oil painting of Damascus Gate in Jerusalem by Macco German, Early 20th Century Frame: Height 66cm, width 84cm. depth 8cm Canvas: Height 42cm, width 59cm Imagined and brought to life by German artist and illustrator, Georg Macco (1863-1933), this captivating Orientalist oil-on-canvas painting showcases the vibrant scene at the Damascus Gate in Jerusalem. Depicting a bustling thoroughfare, the canvas is alive with the energy of traders and their vibrant market stalls lining either side of the street. Amidst this animated marketplace are animals like goats and chickens, adding a further layer of authenticity to the scene, and showcasing the artist’s masterful range. A focal point is an elderly man, clad in warm shades of brown and beige, complemented by a vivid head scarf, as he ambles towards the viewer. Adjacent to him, a woman is immersed in a negotiation with a market vendor for an array of fruits and vegetables. Further in the backdrop, a colourful assemblage of individuals can be seen, swathed in a rainbow palette of red, yellow, brown, and blue. Their activities range from strolling towards the viewer, moving into the distance, or engaged in lively discussions. The painting's left side offers a more serene ambiance, with fewer market stalls and people. It features a female figure seated beside a stack of brown bags...

Dramatic and beautiful, light shines on the bucolic flock of sheep as the village, skies and hills remain in darkness, John Linnell (1792-1882) gives us a metaphor of coming through ...