Alfred Hendrickx Armchairs

Such a beautiful high back armchair in solid oak and leather seating from the 1950s. Skillfully handcrafted by a Danish cabinetmaker in the 1950s. The armrest is round shaped and th...

Beautiful set of 6 Alfred Hendrickx S4 dining chairs from 1955. These elegant chairs were designed for Belform. They show Hendrickx’s elegant craftsmanship and taste for design. The ...

This rare pair of armchairs was designed by Adolf Wrenger and produced by his company in Lippe, Germany in the early 1950s. The frames in solid, stained ...

Frits Schuitema for Shaker Furniture by Schuitema en Zonen, pair of armchairs model 1130, stained wood, leather, Belgium, 1970s. A beautiful pair o...

A super pair of modern Danish style lounge chairs / armchairs. Beech frames and sprung seats. Newly upholstered in a golden brown, premium, soft, pure mohair fabric. Handmade in E...

- Good original condition with minor signs of use - Some minor spots in fabric.

A superb pair of modern lounge chairs / armchairs. Beech frames and sprung seats. Newly upholstered in a premium, soft, pure alpaca wool fabric with solid oak feet. Handmade in En...

A superb pair of modern angular club armchairs. High quality handmade beech frames and sprung seats. Newly upholstered in a premium soft, pure mohair fabric. Fast shipping worldwid...

A super pair of modern armchairs, in the manner of Guglielmo Ulrich, newly upholstered in a rust / burnt orange pure Mohair fabric. Quality handmade beech frames, traditional hand ...

- Good original condition with minor signs of use - The fabric upholstery in good original condition with some signs of use - The wooden parts have been re-polished.

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...

This pair of Chiavari typical chairs was designed by Gaetano Descalzi in the city of Chiavari in Italy, where they have since been produced in various models. Made of brown lacquere...