Alfred PLAUZEAU Art

Oil on canvas with its original frame.

Gelatin silver print mounted on board, 7 1/2 x 9 1/2 in. (190 x 241 mm) from the Roland Butler Collection, Press Agent, Ringling Bros. and Barnum & Bailey Circus (1930s-1960s) Roland...

Capucine, 1957 Fiber print 40x30 inches Estate stamped and numbered edition of 150 1957: French actress Capucine, (Germaine Lefebvre) (1933 - 1990) fanning herself at a New Years Ev...

A Timely and Prescient, 1940s WWII Era Political Cartoon / Illustration Ink Drawing by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Titled "USA No Admittance". A p...

Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" site 19"x23" rustic wood frame Unsigned

A Fine 1940s, Mid-Century Modern Academic Figure Study Portrait of a Handsome, Seated Male Model Wearing a Suit by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1940s charcoal...

Signed oil on canvas portrait circa 1890 by French academic painter Tony Robert-Fleury. The work depicts a young red-headed woman wearing in a white dress with blue trim. She is stti...

Apple harvest - Limited edition pigment print , 2006 - Limited Editions of 20 Sexy young woman picking apples from the tree Normandy/Brittany , France Signed + numbered by artist ...

Created in 1992, this ink and gouache on paper by Menachem Gueffen depicts a seated woman, a recurring and defining subject throughout the artist’s career. Executed with fluid, expre...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 on Santa Monica Beach in California. This photograph is from a collection entitled "The Last Photos...

Beneath the Setting Sun - Limited edition pigment print on Hahnemühle Photo Rag® Baryta 315 gsm, 2008 - Limited Editions of 15 Shower after a swim in the ocean, in the light of th...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...