Alfredo Barbini Art

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass COCCO, made in brown glass Produced by maestro Simone Cenedese in Murano Mouth-blown, hand-shaped, cut glass. Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted LAURA DE SANTILLANA After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer. she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique. Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world. She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day. 2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona SELECT SOLO EXHIBITIONS 2018: In This Light, Galleri Glas, Stockholm 2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles 2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich Sleeves, Caterina Tognon, Venezia I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano 2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan 2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan 2013: Big Flats, Galerie L’Arc en Seine, Paris, France 2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA 2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France Liquid Glass, Traver Gallery, Seattle, WA, USA 2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech 2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA 2007: Khadi, Galleria Marina Barovier, Venice, Italy 2006: Bodhis, Galerie L’Arc en Seine, Paris, France Bodhis, Barry Friedman Gallery, New York, NY, USA 2005: New Work, Sanske Galerie, Zurich, Switzerland 2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog) Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog) Metals, Elliott...

St. Barbara Church Baernbach by Friedensreich Hundertwasser Ceramic miniature in the scale 1:140 size 12 x 9 x 12 cm Each ceramic object is individually handmade, hand-painted and b...

Scène de Tauromachie, Pablo Picasso, 1957, Plate, Ceramic, Design, Postwar, Toro Scène de tauromachie Ed. 500 pcs 1957 Red earthenware clay, engobe decoration, knife engraved D.24 c...

Original terracotta sculpture by the American sculptor William Huppert. Titled “Expecting”. Circa 1960. Post Modern. Overall height 18 inches including base. Base is 6 wide by 5.25 ...

"CROSS" Sculptural Mirror 25" x 25" x 2" inch by Grigorii Gorkovenko MATERIAL: metal / mirror COLOR: nature metal A mirror surface fringed by a steel strip in the form of a cross l...

A spectacular clear glass horse sculpture of Murano glass, with gold flecks bright and clean glass, stands on its feet.

Here for your consideration is an original beautifully patinated solid bronze standing female nude by the Bulgarian/American artist, Ana Ranguel Daltchev. Incised artist signature o...

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass COCCO, made in brown glass Produced by maestro Simone Cenedese in Murano Mouth-blown, hand-shaped, cut glass. Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted LAURA DE SANTILLANA After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer. she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique. Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world. She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day. 2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona SELECT SOLO EXHIBITIONS 2018: In This Light, Galleri Glas, Stockholm 2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles 2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich Sleeves, Caterina Tognon, Venezia I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano 2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan 2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan 2013: Big Flats, Galerie L’Arc en Seine, Paris, France 2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA 2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France Liquid Glass, Traver Gallery, Seattle, WA, USA 2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech 2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA 2007: Khadi, Galleria Marina Barovier, Venice, Italy 2006: Bodhis, Galerie L’Arc en Seine, Paris, France Bodhis, Barry Friedman Gallery, New York, NY, USA 2005: New Work, Sanske Galerie, Zurich, Switzerland 2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog) Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog) Metals, Elliott Brown Gallery, Seattle, WA, USA SELECTED GROUP AND DUO EXHIBITIONS Design Basel, Galerie Pierre Marie Giraud Chromatique, MUDAC, Lausanne Living with Art_Albion Barn, Oxford UK Oltre Roma, Accademia d’Ungheria, Roma Fired up: women in glass, Toledo, Museum of Art_Charlotte, Mint Museum , USA Laura de Santillana and Alessandro Diaz de Santillana, YSP Trésors de sable et de feu. Verre et cristal aux Arts Decoratifs, XIV-XXI siècle, Musée des Arts Décoratifs, Paris, France Artissima Torino, Galleria Caterina Tognon Hourglass, Galleria Marignana, Venezia, Italy I Santillana, MAK, Austrian Museum for Applied Arts/Contemporary Art, Vienna, Austria Artissima Torino, Faggionato Gallery, London, UK Fire and Form: The Art of Contemporary Glass, The Norton Museum of Art, Palm Beach, Laura de Santillana, Fashion meets Art, Giorgio Armani, New York, NY, USA Translucency, Paul Hughes Fine Arts, London, UK Selected Museums Museo Vetrario di Murano, Venice, Italy The Corning Museum of Glass, New York, NY, USA Victoria and Albert Museum, London, UK Metropolitan Museum of Arts, New York, NY, USA Saint Louis Museum of Fine Arts, St Louis, MO, USA Cooper-Hewitt Museum, New York, NY, USA Seattle Art Museum, Seattle, WA, USA Denver Art Museum, Denver, CO, USA The Museum of Fine Arts, Houston, TX, USA Carnegie Museum of Art, Pittsburgh, PA, USA Los Angeles, Los Angeles County Museum of Art MUDAC, Lausanne, Switzerland MAD, Museum of Arts and Design, New York, NY, USA Museu de Arte de São Paulo, São Paulo, Brazil Musée des arts décoratifs, Paris, France Kunstmuseum im Ehrenhof, Düsseldorf, Germany Kunstsammlungen der Veste Coburg, Coburg, Germany Museum für Kunst und Gewerbe, Hamburg, Germany Neue Sammlung, Munich, Germany IMA, Indianapolis Museum of Art, Indianapolis, IN, USA Museum of Fine Arts, Boston, MA, USA Toledo Museum of Art, Toledo, OH, USA This came from an important Northern California collection that included a wonderful selection of Murano Glass. Aldo Nason, Peter Shire and Ettore Sottsass, Murano master Gigi Toso. A descendent of the legendary Venini dynasty of glassmakers, Laura Diaz de Santillana Incalmo Vases, Lino Tagliapietra, Yoichi Ohira...

Arcada Swing table by Pierangelo Caramia for the Phillipe Starke Label XO-Design, 1987 Signed Pierangelo is an Architect and Designer. He graduated from the University of Florence ...

Chouette 1969 Ed. 127/250 pcs Earth of white faience, decoration with engobe engraved with the mirette under partial cover with the brush H. 27 cm Numbered and stamped underside : Ma...

Original hand cast bronze dual figure of a hollow dressed torso of a male and female representing Adam and Eve in the Garden of Eden. The bronze sculpture is attributed to the American sculptor Judith Shea. This piece is a maquette for a life size bronze executed by this artist that is located in an outdoor space in Buffalo, New York. Both are titled “Eden” and were done in 1987. Condition is excellent. Unsigned. Label on the bottom of the thick pine base states the artist and title of the artwork. Provenance: A Long Island, New York collector. Judith Shea has been a notable presence in the New York art world since the 1970s. Trained as a designer at Parsons, she soon found the fashion industry too restrictive and abandoned it in favor of making art. For her first solo show, at The Clocktower in 1976, Shea made a work based on color theory, using transparent silks in a spectrum of colors, worn by a live model. Other early work referenced clothing and its construction, first as flat, minimalist pattern and later as molded draping over implied, absent figures. In the 1981 Whitney Biennial, Shea showed three simple forms that evoked iconic clothes of the 1950s and 60s—the overcoat and the simple sheath dress—which hung from the wall as if on hangers. Five related works were included in the Hirshhorn’s Directions 83 survey. All of these works evoke human presence, felt as absence, as if the clothes were placeholders for missing persons. Thinking about her earlier clothes-based works, Shea has said that she “was looking for characters, for personae, really, to occupy them. I used clothes as stand-ins for people.” With the support of NEA grants, Shea began to learn bronze casting, and she was able to also spend time in Paris studying the statuary of its parks and gardens. This research led to several hollow-figure compositions from the 1980s that were designed to be sited in public spaces, such as Eden (John Hancock Tower, Chicago), Shepherd’s Muse (Oliver Ranch), Shield (Sheldon Museum of Art), and Without Words (Walker Art Center). In the 1990s, after a residency at Chesterwood—the site of Daniel Chester French’s studio in Stockbridge—Shea began to use woodcarving to make monumental public sculpture. The first of these full-scale wooden figures were shown in 1992 at the Whitney Museum at Phillip Morris in New York. In 1994 her wooden equestrian statue The Other Monument, a monumental image of a black man on a black horse, was installed at Doris Freedman Plaza in New York, in the same plaza as the William Tecumseh Sherman...

Unique sculpture made of glass and papier mâché painted with acrylic painting and varnished Hand-signed by the artist Wabé is a French artist. She was born in Marseille in 1961. She...