Alfredo Zalce Art

Untitled Abstract, an original oil on canvas by Edward Gilliam, is a piece for the true collector. Gilliam's use of color and paint thickness immediately captivates the viewer. It is...

Nude Study in Pencil, Europe, 1940s. Beautiful and well drawn study with a male nude kneeling. Wonderful atmosphere and very elegant. At the underside of the paper there are also a few other drawings of...

Hand Carved wood hunting bear with fish sculpture by Denys Heppell. This hand carved wood bear stands 7" tall. Signed in the wood on the side and stampe...

Starry Night is a lithograph based on a watercolour by Charlie Mackesy. The edition is limited to 150 and each piece has been signed by Charlie Mackesy...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

The definitive collection of artist profiles by legendary journalist and New Yorker writer Calvin Tomkins, from the 1960s to today In 1959, Calvin Tomkins interviewed Marcel Duchamp for Newsweek, beginning his six decade- long career writing about art. He then joined The New Yorker, where he has contributed dozens of profiles on the most interesting artists of the time, from Jasper Johns and Robert Rauschenberg to Cindy Sherman and Mark Bradford. This six-volume set includes 82 of Tomkins's most significant profiles dating from 1962-2019. Part art history, part human interest, Tomkins offers insights and observations about the artists, their work, and the ever-changing art world they inhabit. Calvin Tomkins has been a staff writer for The New Yorker since 1960. He has written more than a dozen books, including The Bride and the Bachelors, Merchants and Masterpieces, Living Well Is the Best Revenge, Off the Wall, Duchamp: A Biography, and Lives of the Artists...

Mexico: The Cookbook is the definitive bible of home-cooking from Mexico. With a culinary history dating back 9,000 years, Mexican food draws influences from Aztec and Mayan Indians...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style, 1965, ball-point pen on paper, 20 x 40 in. / 60 x 101.6 cm. *This print was etched in six gorgeous inks, each in an edition of ten: take your pick of color!* Oldenburg had an interest in imaginary monuments: he famously conceptualized works such as “Ball”, an unbuilt monument conceived of in 1967 which imagined two ballcocks – the round mechanism in a toilet tank...

Takashi Murakami - A RETURN FROM WANDERING Date of creation: 2022 Medium: Offset lithograph with cold stamp and high gloss varnish on paper Edition: 300 Size: 71 cm Ø Condition: In m...

Takashi Murakami - Behold! Tis the Netherworld Date of creation: 2016 Medium: Offset lithograph with silver on paper Edition: 300 Size: 68 x 68 cm Condition: In mint conditions, bra...

LA MAGIE NOIRE, 1945 (BLACK MAGIC) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Rives paper plate signed...