Alvino Bagni Boxes

Bitossi for Raymor box, ceramic white, black, and brown, signed. Small lidded box glazed in chocolate brown, white and black from Aldo Londi's Piastrelle Bi...

Designer: Alvino Bagni. Importer: Raymor. Period or model: Mid-Century Modern. Specs: Pottery Condition: This Alvino Bagni 4303 bowl or vase Imported by Raymor is in ex...

Bitossi for Rosenthal Netter box, ceramic, chartreuse, signed. Small scale lidded box decorated with impressed geometric patterns and glazed in chartreuse, ...

Large Mid-Century Modern blue glazed ceramic (Rimini Blu) round lidded box , Manufactured by S.I.C Ceramiche Italy, 1950-1960s. It has reminiscences in those Rimini blue designs from Aldo Londi and Bitossi...

Highly decorativ floral patterned pottery vase by Alvino Bagni dating to the 1960s.

Bitossi Lidded Ceramic Box, Italy, c.1955.

Rare opium Vice Jar by Alvino Bagni for Bitossi Distributed by Raymor Italy circa 1960s Lidded apothecary jar glazed in orange and red with burnished details Signed to underside wit...

A beautiful, Mid-Century Modern ribbed mottled brown, yellow and orange semi-lava glazed bulbous long thin-necked pottery vase by Italian artist/designer Alvino Bagni (1919-2009) for...

Vase or vessel was made by Alvino Bagni for Raymor as a part of his Sea Garden series. Sea Garden series includes vases, ashtrays, lamps, and other decor items done in complex turqu...

Alvino Bagni for Raymor vase, ceramic, brown, beige, earth tones, signed. Chunky medium scale organic gourd form vase with a pinched neck, sloped shoulders, and footed base. Signed on the underside with a Raymor label which reads: 4437 BAG. Alvino Bagni was born in Lastra a Signa, Italy, in 1919, and from a young age he began to take an interest in ceramics, which was an important industry at the time in the area around Signa, Lastra a Signa and Montelupo (Florence). Thanks to the teachings of an elderly artist, Torello Santini, he got a job in the workshop of Arnaldo Pugi’s ceramics factory in Ponte a Signa. After the Second World War, Pugi gave Bagni the financial support to help him open his own workshop. And with 3,500 plates bearing the slogan “I like Ike” (produced for the electoral campaign of Dwight D. Eisenhower, who became 34th US president in 1953) the story of Ceramiche Bagni began. Alvino took several family members with him, first and foremost his wife Gina, who accompanied him throughout his career. The fifties and sixties were fundamentally important for the Bagni company, which succeeded in establishing privileged relations with a number of important names in American design and business, including Raymor (N.Y.) and Rosenthal, for whom he created extremely modern items for that time. In 1970 the company moved to a larger, more modern factory, where it was able to take business up a gear. Here Alvino surrounded himself with highly-skilled collaborators and artists, such as E. Borgini, M. Mannori, R. Buti, M. Santonocito, and many others, with whom he achieved a perfect balance between material, technique and aesthetics. By 1980 the factory had as many as 100 employees, and was renowned for its high-quality artistic production, elegant objects and its use of new and experimental techniques. As the working world changed, becoming increasingly globalized and open to new competition, the company found itself in difficulty. Tied as it was to its “artisanal” approach, it struggled to withstand the excessive drop in prices… despite all his efforts to save his employees and his factory, in 1990 it closed for good. However, in ’93 he was back in the game with the new venture Nuove Forme...

Bagni for Raymor, vase, ceramic, white, stripes, blue, yellow, signed. Tall chunky bisque vase decorated with bands of blue turquoise, burnt orange, yellow and two shades of blue on ...

Ceramic round box / lidded jar with concentric circle and petal motif by Raymor (ca. 1960s, Italy). Attractive palette and design in excellent, vinta...