Amy Young Sculptures

Duo (2022) by Bethany Krull. Porcelain, glaze, aluminum.

This series imagines the artwork as a fragment, hurriedly dislodged from a “wall” with rough sides and a smooth surface. A prosaic image of a dive into water is rendered in a cobalt...

Sidney Jimenez Bust with Floral Top (INV# NP5235) stoneware, underglaze, and glaze 10.75 × 9 × 5.5” 2024 signed Sydnie Jimenez is a ceramic artist whose work centers on the figures ...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

Yeonsoo Kim, "Be Yourself," Monochromatic black and white clay vessel, White stoneware, black underglaze, 11.5 × 12.5 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blen...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertil...

Guardians of temples or shrines placed on each side of entrance, believed to ward off Evil Spirit’s. They look Angry, but not at You. They are Protecting you from Bad Spirits! The m...

"My process begins with a thought, a vision, a look, a trigger that draws me to the clay. Gone are the days of exhaustive preliminary sketches and maquettes, I simply visualize how I...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility...

Ashley is an American artist living in Savannah Georgia. Her work and practice is primarily mixed media paintings and sculptures with a focus on ceramics. “ My work begins with the subtle impressions left from living a life” Through Emotionally charged ideas and recurring imagery the viewer is encouraged to participate in a dialogue that hovers between dreams and reality inviting them to create their own story. ‘My work begins with the subtle impressions left from living a life. I use recurring imagery of rabbits, birds, wings, hoods and caps, flora even missing body parts almost like a key to a map. The recurring images can be symbolic of a tendency, a comment on a belief or an anecdote. While I am working it is like a private message between me and the piece, which becomes a public conversation inviting the viewer to have their own experience. Occasionally it turns out it is the same experience for the viewer as it was for me and this reveals our commonality. This is important to me because we all have our individual story. It lingers in the unconscious. My work can act as a retrieval cue. Stories, poems, songs, relationships are all there until I start to daydream getting out of the thinking mind. I can let any new version be told much like a writer of fiction. There are silver linings, dead ends, sharp curves, love, loss, vulnerability, blue skies, dark clouds, deep water and pretty little things...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...