Dianne Baker Sculptures

Mirrored glass and silkscreened plexiglass wall sculpture. Incised artist signature and edition on verso. From the EA edition of 20 (there is also the main edition of 99). Artwork...

White moon and black mixed media wall relief by Vera Vizzi, made in 2026 with foam clay, enamel and acrylic on solid wood. A large white lunar form occupies the upper part of a verti...

A broad pink relief crosses a black domino-shaped panel in this mixed-media work by Vera Vizzi. Large white dots remain visible along the sides. Small opaque and translucent construc...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

"I VI" is an original artwork by Shaun Kardinal made of woven paper ephemera and artist's tape. It measures approx. 65"h × 58"w. Shaun Kardinal is a cross-disciplinary visual artist...

III (Wish #1, Wish #2, Wish #3) Set of 3 Wishbones - Peter Norton Christmas Gift Fanciful set of three different wishbones by Lorna Simpson (American, b. 1960). Three wishbones, one...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

A glossy pink relief with small blue and cream accents spreads across a black wooden panel in this contemporary wall sculpture by Vera Vizzi. The pink form has an irregular, softly d...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Black and white mixed media wall relief by Vera Vizzi, made in 2026 with foam clay, enamel and acrylic on solid wood. An irregular white form with two glossy yellow, yolk-like circle...

Turquoise and black mixed media wall relief by Vera Vizzi, made in 2026 with foam clay, enamel and acrylic on solid wood. A glossy turquoise, icing-like form flows over the upper par...

White and black mixed media wall relief by Vera Vizzi, made in 2026 with foam clay and enamel on solid wood. A white, draped-looking surface covers most of a vertical black domino pa...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...