Andre Kohn Paintings

Danny McCaw's (US based) "Patterned Rug" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous human figure. Bio/artist statement: Danny McCaw is...

The painting measures 77 x 39 cm and is an old linen sack filled with polyurethane foam. The pigments include beeswax, oxide vinegar, yellow turmeric, and natural graphite. The work...

Mid Century Surrealist Nocturnal Tide Hawaiian Islands God Symbolism Landscape Symbolic nocturnal landscape with tide God in foam of wave, in a dream-like surreal landscape, by Margu...

Francesca Owen weaves and narrates throughout this canvas. She draws the eye into her painting, beautifully creating the story. The colours in this work are warm and mellow which cre...

Danny McCaw's (US based) "Green Table" is an oil painting with impasto brushstrokes that depicts an abstracted figure at a green table. Bio/artist statement: Danny McCaw is the yo...

From the spring collection. it is oil on canvas board. The painting size is 8"x10" without a frame.

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Different Nomenclatures 2019 Encaustic wax & oil colour on deep-fame board 600 x 600 mm

Geometric Musicians is Koko Hovaguimian’s first major painting completed in 2026 and marks an important continuation of his evolving abstract language. In this work, fragmented geome...

The painting measures 77 x 33 cm and is an old linen sack filled with polyurethane foam. The pigments include beeswax, oxide vinegar, indigo blue, and natural graphite. The work is ...

This work of a young musician by Frederick E. Wright is set in an exceptional original Doll & Richards, Boston, frame. The framed dimensions are 16' x 13 1/3" x 1". A hand-written la...