André Mare Serveware, Ceramics, Silver and Glass
French, 1885-1932
André Mare was a French painter and designer, the founder of the Company of French Art (la Compagnie des Arts Français) in 1919. He sketched and painted scenes based on his experiences in the First World War. His works include American Troops Marching Through the Arch of Triumph (1930) and The Funeral of Marshal Foch (1931).
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Creator: André Mare
Art Deco Jug by Süe & Mare for Gallia, Christofle circa 1930
By Louis Sue, Andre Mare, Gallia, Christofle
Located in Paris, FR
Art Deco jug by Louis Süe(1875-1968) & André Mare (1887-1932) for Gallia - Christofle. Silverplated with plant motifs in low-relief.
Stamped underneath "...
Category
1920s French Art Deco Vintage André Mare Serveware, Ceramics, Silver and Glass
Materials
Silver Plate
Pair of Art Deco Coffee Cups with Saucers Design Sue & Mare Gallia-Christofle
By Gallia, Andre Mare, Louis Sue, Christofle
Located in Paris, FR
Pair of Art Deco Coffee Cups sold with their saucers. Designed by Louis Süe ( 1875-1968) & André Mare (1887-1932) for Gallia - Christofle. Silverpl...
Category
1920s French Art Deco Vintage André Mare Serveware, Ceramics, Silver and Glass
Materials
Silver Plate
Pair of Art Deco Tea Cups with Saucers by Sue & Mare for Gallia, Christofle
By Louis Sue, Gallia, Christofle, Andre Mare
Located in Paris, FR
Pair of Art Deco tea cups sold with their saucers. Made by Louis Süe (1875-1968) & André Mare (1887-1932) for Gallia - Christofle. Silverplated with p...
Category
1920s French Art Deco Vintage André Mare Serveware, Ceramics, Silver and Glass
Materials
Silver Plate
Pair of Art Deco Breakfast Cups and Saucers by Sue &Mare for Gallia-Christofle
By Gallia, Andre Mare, Louis Sue, Christofle
Located in Paris, FR
Pair of Art Deco Breakfast cups are also considered hot chocolate cups. Sold with their saucers. Made by Louis Süe (1875-1968) & André Mare (1887-19...
Category
1920s French Art Deco Vintage André Mare Serveware, Ceramics, Silver and Glass
Materials
Silver Plate
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Sue et Mare
The spirit of collaboration was alive in the age of Art Deco. No duo quite exemplified this ideal more than the one known as Süe et Mare. Taking their knowledge of fine art and their shared experiences in the war with them, Louis Süe and André Mare were able to shape trends in the shift from Art Nouveau to Art Deco and beyond. Their designs, inspired by Cubism, excited the Paris Salon of the time and remain relevant even today.
Louis Süe was born in Bordeaux in 1875 to a wine merchant and his wife. Drawn to the arts, Süe abandoned a path which would have led him into the École Polytechnique to attend the École des Beaux-Arts in 1893. There he studied painting as well as architecture design, and in 1902 was able to exhibit with a number of his contemporaries in the Salon des Indépendants and the Salon d’Automne. After working in various Parisian artists’ workshops and spending time in Vienna (where he was introduced to Cubism), Süe joined L’Atelier Français, an interior design firm made up of a number of his contemporaries, and where he first met André Mare.
André Mare was born in the Norman town of Argentan in 1885. Feeling stifled by his conventional upbringing, he left in 1904 to enroll in the École des Arts Decoratifs. In 1906, Mare also exhibited at the Salon des Indépendants and the Salon d’Automne, showing his furniture design and setting himself apart as a leader among his cohort. In 1912, along with Marcel Duchamp and others (and concurrent to his involvement with L’Atelier Français) Mare created La Maison Cubiste, a section at that year’s Salon d’Automne dedicated to radical interior design.
The outbreak of the First World War briefly interrupted the two men’s collaboration. Süe was drafted into the French Army and served in the Greek campaign. Mare, meanwhile, developed new camouflage techniques for the French, British, and Italian armies using his knowledge of Cubism. But this function did not keep him from the front. In 1916, he was wounded by shrapnel in Picardy while helping establish a lookout post, and in the same year was awarded the Military Cross by George V of England.
In 1919, Süe and Mare resumed their professional relationship by cooperating with Gustave Jaulmes on designing the victory celebrations in Paris for the war’s end. The next year the pair founded the Compagnie des arts français, focusing on creating designs for furnishings and interior accessories. While adhering to the Art Deco style, their designs were more conventional, harking back to the Louis XIV and earlier periods, and less focused on geometric intricacy. Highly decorative, their pieces featured flair such as sculpted floral and fruit motifs, scalloped edges, and inlays of ivory and mother of pearl.
Working primarily as decorators and furniture designers, Süe and Mare did find time to continue participating in exhibitions, particularly the 1925 Exposition internationale des arts décoratifs et industriels modernes, where they constructed an actual museum of contemporary art. Other projects included the booth for the Ambassade de France and the interiors of the steamship SS Île de France.
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André Mare serveware, ceramics, silver and glass for sale on 1stDibs.
André Mare serveware, ceramics, silver and glass are available for sale on 1stDibs. These distinctive items are frequently made of silver and are designed with extraordinary care. There are many options to choose from in our collection of André Mare serveware, ceramics, silver and glass, although silver editions of this piece are particularly popular. Many of the original serveware, ceramics, silver and glass by André Mare were created in the Art Deco style in france during the 1920s. If you’re looking for additional options, many customers also consider serveware, ceramics, silver and glass by Louis Süe, Jean Luce, and François-Théodore Legras. Prices for André Mare serveware, ceramics, silver and glass can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $845 and can go as high as $1,290, while a piece like these, on average, fetch $990.
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