$1,658
Two Angels - Ink and Watercolor Drawing by A. Brustolon - Early 1700
By Andrea Brustolon
Located in Roma, IT
Due Angeli is an original artwork realized by Andrea Brustolon. Mixed media, ink and watercolor. The artwork rapresents two baroque angels, study realized by Brostolon for a sculpt...
Ink, Watercolor
Price Upon Request
Grand Ducal Pietre Dure Console Tables
By Andrea Brustolon
Located in New Orleans, LA
Among the most beautiful examples of hardstone artistry that have ever entered our collection, these important Grand Ducal pietre dure console tables are in a class all their own. Their powerful architectural elegance, impressive size and rarity make them two of the finest hardstone masterpieces ever created and quite possibly the greatest pair of pietre dure tables in existence. With their naturalistically rendered flowers and birds, these tabletop panels showcase the particularly fine quality craftsmanship of the Grand Ducal workshops in Florence during the first quarter of the 17th century. Grand Duke Ferdinando I de Medici, one of the most important personages in the annals of art history, established the Grand Ducal Workshop in 1588. The workshop specialized in the art of pietre dure developed from the ancient art of opus sectile, giving rise to the most luxurious and detailed examples of hardstone artistry ever produced. Its patrons were the Popes and Royals of Europe, and the quality of the objects produced in the workshop is without equal. Typically, because of the high level of workmanship the art form requires, pietre dure plaques were crafted in small sizes. The great majority of known examples of pietre dure are a fraction of the size of our grand tables. The combination of pietre dure and extensive use of other rare decorative hardstones such as lapis lazuli and pietra paesina or “ruin marble” meant that these tabletops were surely produced for a wealthy collector. The tables are further distinguished by their superbly carved bases by Andrea Brustolon, known as the “Michelangelo of wood.” Brustolon was a Venetian wood sculptor known for his exuberant and intricate Baroque furniture. His high Baroque style was influenced by his years studying in Rome, where he was exposed to the sculpture of Gian Lorenzo Bernini. Crafted in the early 18th century, these bases display Brusolon’s unmatched talent for both figural and foliate work, combining cupids, masks and oversized scrolling vines for a grand, ornate effect. Similar furnishings by Brustolon are held in museums worldwide, including the Victoria & Albert Museum, the National Museum of Scotland and the Metropolitan Museum of Art, while the Ca' Rezzonico Museum in Venice features an entire room dedicated to the sculptor. For approximately 150 years, these tables were part of the famed Stoneleigh Abbey collection owned by the Lord Leigh family. This renowned English country estate inspired Jane Austen to write Mansfield Park. Lord Leigh eventually sold the tables at Christie’s London in 1962, and the pair have stayed in the collection of the same Florentine family who purchased them from Christie's until we recently acquired them. Our tables are prominently pictured in the important Saul Levy book Il Mobile Veneziano del Settencento. The pietre dure plaques date circa 1625-1650. The decorative tops likely would have originally been sold with a pair of plain stone columns to display them, and Lord Leigh would have commissioned the custom bases from Brustolon circa 1714 when he added the impressive four-story fifteen-bay Baroque West Wing to Stoneleigh Abbey. A similar single Grand Ducal tabletop is in the United Kingdom’s National Trust Collection, and a smaller tabletop resides in Buckingham Palace. The flower and bird panels in our examples relate to the famous Badminton Cabinet...
Wood
Biedermeier Console Table, North German, 1820, Mahogany
Located in Belmont, MA
Biedermeier console table, North German, 1820. The curved legs of this beautiful small console table stand on a rectangular concave base. The console tab...
Mahogany
Japanese Natural Shape Root Wood Console Table
Located in Torino, IT
Natural Rootwood form console table with scalloped edge top. Dimensions: 33.07 in. H x 41.33 in. W x 33.46 in. D 84 cm. H x 105 cm. W x 85 cm. D.
Wood
Portuguese Rococo 18th Century Console Table / Side Table
Located in Troy, NY
Portuguese 18th century console or side table, of the Rococo Period, showing Chippendale design influence. The four Cabriole legs are connected on three sides by a wavy profile, cent...
Cherry
$28,433Sale Price|25% Off
H 12.21 in W 8.08 in
Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
Canvas, Oil, Handmade Paper
$12,000 / item
H 27.56 in W 59.06 in D 19.69 in
Contemporary Futuristic Console Table in Stainless Steel
By Juliana Vasconcellos and Matheus Barreto
Located in Belo Horizonte, Minas Gerais
Ghost console Designed by Juliana Vasconcellos and Matheus Barreto Brushed and Polished Stainless Steel Dimensions Console: L 150cm x W 50cm x H 70cm ...
Stainless Steel
Italian Pietre Dure Rectangular Marble Top, Early 19th Century
Located in Spencertown, NY
Italian specimen marble inlaid top, early 19th century.
Marble
Early Victorian Marble Top Console Table
Located in Huntington, NY
Early Victorian marble top console table / side table.
Fruitwood, Pine
1940s French Satinwood Console Table with Inlay
Located in Los Angeles, CA
1940's Vintage French Satinwood Console/Sofa Table with Inlay and Bronze Mounts.
Bronze
Irish Georgian Mahogany Console Table
Located in Essex, MA
With a rectangular top with molded edge over a frieze with central carved shell, raised on cabriole legs with carved shell knees and ending on leaf carved trifid feet. Probably origi...
Mahogany
$41,461
H 33.86 in W 157.49 in D 25.6 in
1990s Grand Pietre Dure Inlay Mosaic Marble Long Console Table Signed "Bebo"
Located in Marbella, ES
1990s grand Mosaic white marble console table signed "Bebo" with the bases. Spectacular long marble table profusely decorated with Pietre Dure inl...
Marble
Franco-Flemish 17th Century Oak and Ebonized Console Table
Located in Troy, NY
Highly unusual ebonized side / console table. A tour-de-force of bobbin-turned legs and stretchers supporting a two-board top. The black ebonizing beautifully worn off at the more ex...
Oak
Roman Gilt Wood & Sienna Marble Topped Console Table
Located in Hudson, NY
This Roman table made in the Baroque taste is a fine example of the type of furniture made for stylish and demanding customers in the eternal city. Made in the late 17th century to e...
Marble