Andrée & Michel Hirlet Furniture

Sculpture stone Totem D made with soapstone and with carbon steel ornaments. Totem realized by milling soapstone into geometrical shapes.

Jacqueline and Tim Orr 20th century design white ceramic porcelain vase Signed under the base Circa 1970 Original perfect condition Height ...

An elegant porcelain sculpture represented a woman body with mat black glaze decoration by Tim and Jacqueline Orr. Signed at the base "Tim Orr". circa 1970-1980.

Glazed terra cotta abstract modern sculpture by Tomiya Matsuda. Brown, green and cinnabar glaze over a layered terra cotta curved and footed form ...

Antique Moroccan Fez Blue & White Ceramic Footed Vase with Filigree Metal Overlay, Early 20th Century. Dimensions: 10 in. x 14 inc. H. A striking antique Moroccan ceramic footed vase handcrafted in the historic city of Fez (Fès), renowned for producing some of Morocco's finest pottery for centuries. Dating to the early 20th century, this impressive vessel beautifully combines the celebrated ceramic traditions of Fez with the intricate artistry of Moroccan metalwork. Wheel-thrown from high-quality earthenware, the vase is decorated in the iconic "Bleu de Fès" palette, featuring richly painted cobalt blue floral and geometric motifs set against a luminous crackled white glaze. This distinctive blue-and-white decoration has long been associated with the master potters of Fez and reflects centuries of Andalusian, Moorish, and Islamic artistic influence. The ceramic body is enhanced by an elaborate handcrafted filigree metal overlay, composed of finely worked white metal and brass elements that wrap gracefully around the neck, body, handles, and pedestal foot. Decorative embossed bands, intricate openwork, and circular ring handles create a sophisticated interplay between ceramic and metal, showcasing the remarkable craftsmanship of Moroccan artisans. Its elegant baluster form, raised pedestal base, and twin ring handles evoke the refined decorative objects once found in traditional Moroccan riads and palaces. Originally created as an ornamental vase for displaying flowers or simply admired as a work of art, today it remains a stunning statement piece for both traditional and contemporary interiors. Rich in history and craftsmanship, this vase complements Moorish, Mediterranean, Spanish Colonial, Islamic, Hollywood Regency, Global, and Bohemian interiors, making it equally desirable for collectors and interior designers. Origin: Fez (Fès), Morocco Date: Early 20th Century Materials: Hand-thrown ceramic, white metal and brass filigree overlay Style: Moorish / Islamic / Moroccan Condition: Very good antique condition with age-appropriate wear consistent with use. Beautiful craquelure to the glaze and a rich patina to the metalwork, enhancing its authenticity and character. A superb example of traditional Moroccan craftsmanship, this antique Fez vase...

Ceramic wall art by Jean De Lespinasse, 1950s-1960s Dimensions ceramics artwork without frame. Width 62 cm, height 41 cm. Dimensions with frame. Width 83 cm, height 62 cm, depth 2 cm.

Ceramic Coffee Table by Roger Capron, France, 1960s

Small Shogun coffee table by Roger Capron Ceramic top and wood feet - rare with this material 1960's

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

Brutalist ceramic wall sculpture framed in wood and signed THK

A beautiful ceramic nemadji vase. Marbled in unglazed turquoise, brown, and orange, this will be a beautiful piece to add to a current collection. Dim...

This geometric sculpture evoking the elongated shape of a TOTEM, was designed by Karim Rashid in 2006 as part of a limited edition of 199 pieces. Each of the four pieces put vertical...