Andrew S. Conklin Art

Motion Capture #9 explores the conventional representation of females in Western figurative art yet contrasting it with the contemporary imagery of that subject via computer-based im...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Contemporary figurative painter Andrew S. Conklin creates a co...

This classically painted nude model study demonstrates the artists understanding of the human figure. Surrounded by loosely painted lush fabrics, the model lies in a reclining position, her eyes closed, wearing only a pair of slippers. The quick, confident brush strokes in the background, combined with deft handling of paint in the figure combine to make this a painting for all time. Andrew S. Conklin Maureen Reclining oil on panel 10h x 14w in 14h x 18w in framed Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Contemporary figurative painter Andrew S. Conklin creates a co...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Contemporary figurative painter Andrew S. Conklin creates a co...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Contemporary figurative painter Andrew S. Conklin creates a co...

Motion Capture #9 explores the conventional representation of females in Western figurative art yet contrasting it with the contemporary imagery of that subject via computer-based im...

In his painting entitled "Small Motion Capture Studio", Andrew Conklin uses a loose paint brush to capture the scene. Relaxing in a sparsely furnished room, except for the desk and ...

Sensual in it's style and subject matter, Andrew S. Conklin's still life "Duet II" explores the sexuality in both innate objects and the human form. The female figure is off to the ...

The classically posed dancer is juxtaposed against the iMac computer in Andrew Conklin's painting entitled "Nina with iMac Snow". While the computer is a technological marvel, it ha...

Artist Statement—Motion Capture Studio Series. Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his direct interaction...

This is a classically painted portrait of artist and muse by Chicago based artist Andrew S. Conklin. Andrew's passion for Dutch and Northern Italian Baroque painting...

Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his ...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the model balances next to a midcent...

This classically painted figure study demonstrates the artists understanding of the human figure. A study for a series of larger paintings based on motion capture studios. Here the model is placed in a contrived position on a midcentury modern chair surrounded by props used in the motion capture process. Andrew S. Conklin Maro on Chrome & Yellow Vinyl Modern Side Chair, 2016 oil on panel 18h x 13w in 45.72h x 33.02w cm Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

Andrew S. Conklin Paige Seated in White Leotard oil on panel 14h x 10w in 35.56h x 25.40w cm ACK013 Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. Conkl...

In his painting entitled "Interior with iMac and Venetian Chandelier", Andrew Conklin uses a loose paint brush to capture the scene. The interior scene shows a woman seated at a cloth covered table working on an early version iMac computer. Above her is an elaborate Venetian glass chandelier giving the interior an elegant feel. A vintage framed poster...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

Andrew S. Conklin Lily in Blue Tights on Pluff Chair oil on linen 24h x 18w in 60.96h x 45.72w cm ACK012 Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. ...

Classically trained artist, Andrew Conklin, has captured the moment just before or just after the subject, Ashley, has laid down her guitar. She is seated on a Tom Vac Chair...

Sensual in it's style and subject matter, Andrew S. Conklin's still life "Duet I" explores the sexuality in both innate objects and the human form. The female figure is off to the s...