Anne Ryan Art

A striking botanical woodcut by the well-listed artist Clare Leighton (1898-1989). Beautifully presented in a simple wooden frame with a cream mount. On paper. Image size: 18 x 12.5cm.

An original woodblock print by American artist Werner Drews. This composition comes in an archival frame presentation which measures 26 x 30 on the wall. Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

"Farmer" is an original linoleum print by Schomer Lichtner, signed in the lower right hand corner. A side profile of a man in rendered in clear lines full of expression. Image: 6" x...

7-color woodcut on Somerset white 500 gsm

James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...

Albert Potter, 'Modern Music' also Twilight Melodies', linocut, c. 1935, from the posthumous edition of 20, printed in 1977, authorized by the artist’s widow. Estate authenticated in...

This original mid-century modern woodcut print on linen, titled "Shapes", is by renowned American artist Edward Marecak (1919–1993). A striking example of his abstract work, this pie...

An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".

A very good impression of this color woodcut and lithograph diptych. Signed and dated in pencil by Dine. From a limited edition of 12.

Masami Iwata, 'Flowers and Ko-Imari', color woodblock print, c. 1960, edition 250. Signed, and with the artist’s seal, lower right. A superb, painterly impression, with fresh colors,...

Chrysanthemums Color woodcut, c. 1950's Signed lower right (see photo) Publisher: Uchida (see photo of red seal) Note: Chrysanthemums, a symbol of the sun, the Japanese consider the ...

Harold E. Keeler worked in Hollywood as a set designer. That seems especially important here because the Water Fall looks a little as though it could be a w...