Antoine Poncet Furniture

Dr. Licky is a creature of the rain forest. With her elongated tongue, she licks, tastes and explores the countless mysterious microorganisms, plants and insects teeming in the tropical terrain. She also aids in the discovery of new medicines to share with the world. They are an acquired taste. Material: Pewter base, double brass-plated and 18-karat gold-plated and hand polished three times. Hand-beaded with Venetian and Czech glass beads. Underside incised with “Dr. Licky” by The Haas Brothers and Haas Sisters...

Hot Shot, active and alert, uses her stalked eyes to surveil the land for any potential volcanic eruptions and to warn all of those in the area. Make no mistake, her frantic temperament is not a weakness, as she is a known heroine. Thick-skinned, she can even swim in lava, her eyes bobbing above the boiling flow. When the heat is on, she can keep her cool. Material: Pewter base, double brass-plated and 18-karat gold-plated and hand polished three times. Hand-beaded with Venetian and Czech glass beads. Underside incised with “Hot Shot” by The Haas Brothers and Haas Sisters...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Qui Marche" Patinated bronze Signed in base "BARYE", incised "F. BARBEDIENNE FONDEUR, FRANCE" conceived 1841, cast circa 1880-1900 Item # 110UGP10Q Barye's ability to merge our romantic idealization of nature with a colder reality of nature's predator is beautifully represented in this striding cat. Originally conceived in 1841, Tigre Qui Marche (Walking Tiger...

Mischievous creature sculpture, by Aurelio Teno, unsigned, Spanish, circa 1960s. Constructed of a seashell, silver or silvered bronze, and semi precious stone eyes on an agate base. ...

Lip Tide can be found lounging on the beach, her spiky top blending in with bushes and palm trees. This particular creature personifies R & R, perched in the sand and soaking up the rays of the sun. Her colossal lips can buoy her through any crashing wave or rip tide. She has been known to save lives from a drowning death. Pucker up, buttercup...Lip Tide just saved your life. Material: Pewter base, double brass-plated and 18-karat gold-plated and hand polished three times. Hand-beaded with Venetian and Czech glass beads. Underside incised with “Hot Shot” by The Haas Brothers and Haas Sisters...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

A fine original, French, early 20th century bronze statue of a walking wolf "Loup qui Marche" signed by Antoine-Louis Barye, Henry Bonnard foundry Co NY ...

Antique (late 19th century) patinated bronze bust of Mignon after the original model by Eugène Antoine Aizelin (1821-1902). 22 by 14 by 11 inch...

Bronze Sculpture of a Whippet Dog by Antoine-Louis Barye After Antoine-Louis Barye France; ca. 1880 Bronze Approximate size: 5.25”H x 7.25”W x 4”D The 19th-century French sculptor...

ANTOINE-LOUIS BARYE French, 1796-1875 "Charles VII, The Victorious" Sand-cast dark-brown over medium-brown patinated bronze signed "BARYE", cold-stamped underside "43" "00" and pu...

Brown patina bronze sculptures by Eugène Antoine Aizelin, 19th century, Napoleon III period. Sculptures from the 19th century, Napoleon III per...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Dévorant une Gazelle (second edition)" Verde and autumnal patinated bronze Signed in cast "BARYE", incised "F. Barbedienne Fondeur" c...