Anton Nelson Decorative Objects

Fabulous antique alabaster bust of a young girl holding a small bird. The details are amazing and the young girl has a beautiful smile as she po...

19th century Italian alabaster bust. Well sculpted antique Italian alabaster or marble bust of a classical female mounted on a plinth. This is a beautifully detailed antique alabaster bust...

A beautifully cast Art Nouveau dark brown patinated bronze bust of a young African mother tenderly holding and breastfeeding her baby. The bronze is signed Gardon an unlisted scul...

A small French Art Nouveau patinated bronze bust titled "Carmen", after a model by Emmanuel Villanis (1858–1914), circa 1900. The bust is signed "E. Villanis" in the bronze along the draped shoulder and carries the circular "Vrai Bronze Garanti Paris" foundry mark on the reverse of the socle. The sculpture The subject is a young woman with a composed, slightly downcast expression and a richly modelled upswept hairstyle, crowned by a tall decorative comb that gives the silhouette a theatrical, Spanish-inspired character fitting the name Carmen. Her shoulders are wrapped in a loose shawl with softly folded edges and tied drapery at the front. The integral tapered pedestal carries the title "Carmen" in relief. The dark brown patina shows warm bronze highlights on the face, shoulders, hair and raised details, and the contrast between the smooth skin and the textured hair, shawl and socle gives this small bronze real depth. About the artist Emmanuel Villanis was a French sculptor of Italian origin who worked in Paris and became known for his Belle Époque busts of women, often named after heroines from opera, literature and mythology. His models were cast in bronze and spelter in various sizes and remain popular with collectors of French decorative arts. Condition Good antique condition, with age-related wear, rubbing and small areas of patina loss to raised edges and drapery. No obvious restorations visible. Please see the photos for details. Dimensions: height 16 cm, width 9 cm, depth 6 cm. Display At 16 cm high, this is a charming cabinet-scale sculpture. Display it on a mantelpiece, a desk, a console or a bedside chest, on a bookshelf, or in a vitrine together with other French bronzes. It suits a Parisian apartment, a Belle Époque-inspired room, a collected interior or a contemporary setting where a single historic object provides focus. A companion bust by Villanis, "Cendrillon", is available in a separate listing in our storefront. Keywords: Emmanuel Villanis, Villanis bronze...

Elegant 19th Century Italian Alabaster Bust of a Vestal Virgin A superb example of a 19th Century Italian craftsmanship, this finely carved alabaster bust depicts a serene veiled wom...

A fine, small-scale antique Art Nouveau cabinet bronze. In the form of a half-naked young woman in three-quarter profile. Likely an allegory to Summer or The Harvest (or possibly a...

Turn of the Century Continental classicizing faux white marble bust depicting a nude, downward-glancing Grecian or Roman woman wearing a diadem in her hair.

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

Bust of a young woman carved in alabaster, depicted in an 18th-century-inspired costume and wearing a large bonnet adorned with ribbons. Her slightly turned face is finely and delica...

Late 19th C marble bust of a young lady wearing a hat.

This elegant 19th-century Italian Neoclassical bust captures the timeless beauty and grace of a Roman woman, rendered in plaster with exquisite attention to detail. The subject’s ser...

Austrian Art Nouveau patinated bronze bust of Ophelia by Josef O¨fner. Like the sculpture of Maurice Bouval, O¨fner depicts Ophelia as a sleeping woman adorned with flowers. The scul...